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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 136 117 it is the complementary color RGB 70 119 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 136 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 136 117: RGB 190 136 112, RGB 207 154 131, RGB 224 172 150, RGB 241 190 169 and RGB 255 208 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 136 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 136 117: RGB 185 136 117, RGB 168 118 98, RGB 151 100 79, RGB 134 82 60 and RGB 117 64 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

Complementary color

CMYK 49 / 14 / 0 / 46

HEX #46778A

RGB 70 119 138

HSL 196.76, 0.33%, 0.41%

LAB 47.41, -11.08, -15.51

 

CMYK 0 / 28 / 41 / 25

HEX #BE8870

RGB 190 136 112

HSL 18.46, 0.38%, 0.59%

LAB 61.42, 17.6, 21.07

 

CMYK 0 / 26 / 37 / 19

HEX #CF9A83

RGB 207 154 131

HSL 18.16, 0.44%, 0.66%

LAB 68.03, 16.76, 19.81

 

CMYK 0 / 23 / 33 / 12

HEX #E0AC96

RGB 224 172 150

HSL 17.84, 0.54%, 0.73%

LAB 74.54, 16.02, 18.66

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 0 / 18 / 26 / 0

HEX #FFD0BC

RGB 255 208 188

HSL 17.91, 1%, 0.87%

LAB 87, 13.67, 16.16

 

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

CMYK 0 / 30 / 42 / 34

HEX #A87662

RGB 168 118 98

HSL 17.14, 0.29%, 0.52%

LAB 54.2, 17.05, 18.84

 

CMYK 0 / 34 / 48 / 41

HEX #97644F

RGB 151 100 79

HSL 17.5, 0.31%, 0.45%

LAB 47.31, 18.07, 20.3

 

CMYK 0 / 39 / 55 / 47

HEX #86523C

RGB 134 82 60

HSL 17.84, 0.38%, 0.38%

LAB 40.29, 19.28, 21.98

 

CMYK 0 / 45 / 65 / 54

HEX #754029

RGB 117 64 41

HSL 18.16, 0.48%, 0.31%

LAB 33.15, 20.73, 23.93

 

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

CMYK 0 / 21 / 38 / 28

HEX #B89173

RGB 184 145 115

HSL 26.09, 0.33%, 0.59%

LAB 63.08, 10.53, 21.53

 

CMYK 0 / 15 / 38 / 28

HEX #B89D73

RGB 184 157 115

HSL 36.52, 0.33%, 0.59%

LAB 66.17, 3.93, 25.68

 

CMYK 0 / 9 / 38 / 28

HEX #B8A873

RGB 184 168 115

HSL 46.09, 0.33%, 0.59%

LAB 69.06, -2.02, 29.5

 

CMYK 0 / 2 / 38 / 28

HEX #B8B473

RGB 184 180 115

HSL 56.52, 0.33%, 0.59%

LAB 72.28, -8.37, 33.68

 

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

CMYK 0 / 27 / 37 / 7

HEX #ECAD95

RGB 236 173 149

HSL 16.55, 0.7%, 0.75%

LAB 76, 20, 21.4

 

CMYK 0 / 25 / 38 / 87

HEX #201814

RGB 32 24 20

HSL 20, 0.23%, 0.1%

LAB 9.08, 3.2, 4.19

 

CMYK 0 / 27 / 37 / 67

HEX #533D34

RGB 83 61 52

HSL 17.42, 0.23%, 0.26%

LAB 27.91, 8.21, 9.29

 

CMYK 0 / 26 / 37 / 47

HEX #866355

RGB 134 99 85

HSL 17.14, 0.22%, 0.43%

LAB 45.15, 12.12, 13.48

 

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

CMYK 17 / 0 / 38 / 28

HEX #98B873

RGB 152 184 115

HSL 87.83, 0.33%, 0.59%

LAB 71, -22.95, 31.57

 

CMYK 38 / 32 / 0 / 28

HEX #737DB8

RGB 115 125 184

HSL 231.3, 0.33%, 0.59%

LAB 53.79, 11.03, -32.25

 

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

CMYK 38 / 0 / 27 / 28

HEX #73B886

RGB 115 184 134

HSL 136.52, 0.33%, 0.59%

LAB 69.22, -32.6, 18.69

 

CMYK 27 / 38 / 0 / 28

HEX #8673B8

RGB 134 115 184

HSL 256.52, 0.33%, 0.59%

LAB 52.72, 22.5, -33.8

 

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

CMYK 17 / 0 / 38 / 28

HEX #98B873

RGB 152 184 115

HSL 87.83, 0.33%, 0.59%

LAB 71, -22.95, 31.57

 

CMYK 38 / 10 / 0 / 28

HEX #73A6B8

RGB 115 166 184

HSL 195.65, 0.33%, 0.59%

LAB 65.26, -12.28, -14.64

 

CMYK 20 / 38 / 0 / 28

HEX #9473B8

RGB 148 115 184

HSL 268.7, 0.33%, 0.59%

LAB 54.05, 26.74, -31.63

 

CMYK 0 / 26 / 37 / 27

HEX #B98875

RGB 185 136 117

HSL 16.76, 0.33%, 0.59%

LAB 60.96, 16.18, 17.55

 

CMYK 28 / 0 / 38 / 28

HEX #84B873

RGB 132 184 115

HSL 105.22, 0.33%, 0.59%

LAB 69.77, -30.21, 29.72

 

CMYK 38 / 10 / 0 / 28

HEX #73A6B8

RGB 115 166 184

HSL 195.65, 0.33%, 0.59%

LAB 65.26, -12.28, -14.64

 

CMYK 9 / 38 / 0 / 28

HEX #A873B8

RGB 168 115 184

HSL 286.09, 0.33%, 0.59%

LAB 56.13, 32.99, -28.22

 

Description

Color code: RGB 185 136 117 | qconv.com Color code: RGB 185 136 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 136 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 136 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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