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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 113 79 it is the complementary color RGB 70 142 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 113 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 113 79: RGB 190 113 74, RGB 207 131 93, RGB 224 149 112, RGB 241 167 131 and RGB 255 185 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 113 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 113 79: RGB 185 113 79, RGB 168 95 60, RGB 151 77 41, RGB 134 59 22 and RGB 117 41 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

Complementary color

CMYK 60 / 19 / 0 / 31

HEX #468EB0

RGB 70 142 176

HSL 199.25, 0.43%, 0.48%

LAB 55.87, -12.21, -24.63

 

CMYK 0 / 41 / 61 / 25

HEX #BE714A

RGB 190 113 74

HSL 20.17, 0.47%, 0.52%

LAB 55.33, 26.72, 34.37

 

CMYK 0 / 37 / 55 / 19

HEX #CF835D

RGB 207 131 93

HSL 20, 0.54%, 0.59%

LAB 61.9, 25.39, 32.62

 

CMYK 0 / 33 / 50 / 12

HEX #E09570

RGB 224 149 112

HSL 19.82, 0.64%, 0.66%

LAB 68.4, 24.22, 31.03

 

CMYK 0 / 31 / 46 / 5

HEX #F1A783

RGB 241 167 131

HSL 19.64, 0.8%, 0.73%

LAB 74.81, 23.18, 29.57

 

CMYK 0 / 27 / 41 / 0

HEX #FFB996

RGB 255 185 150

HSL 20, 1%, 0.79%

LAB 80.83, 21.1, 27.75

 

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

CMYK 0 / 43 / 64 / 34

HEX #A85F3C

RGB 168 95 60

HSL 19.44, 0.47%, 0.45%

LAB 48.05, 26.45, 32.61

 

CMYK 0 / 49 / 73 / 41

HEX #974D29

RGB 151 77 41

HSL 19.64, 0.57%, 0.38%

LAB 41.29, 28.07, 34.65

 

CMYK 0 / 56 / 84 / 47

HEX #863B16

RGB 134 59 22

HSL 19.82, 0.72%, 0.31%

LAB 34.51, 29.89, 36.67

 

CMYK 0 / 65 / 97 / 54

HEX #752903

RGB 117 41 3

HSL 20, 0.95%, 0.24%

LAB 27.78, 31.75, 37.96

 

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

CMYK 0 / 30 / 57 / 27

HEX #B9824F

RGB 185 130 79

HSL 28.87, 0.43%, 0.52%

LAB 58.83, 15.61, 35.79

 

CMYK 0 / 20 / 57 / 27

HEX #B9944F

RGB 185 148 79

HSL 39.06, 0.43%, 0.52%

LAB 63.39, 5.66, 41.26

 

CMYK 0 / 11 / 57 / 27

HEX #B9A54F

RGB 185 165 79

HSL 48.68, 0.43%, 0.52%

LAB 67.86, -3.53, 46.48

 

CMYK 0 / 1 / 57 / 27

HEX #B9B74F

RGB 185 183 79

HSL 58.87, 0.43%, 0.52%

LAB 72.72, -12.95, 52

 

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

CMYK 0 / 39 / 57 / 7

HEX #EC9065

RGB 236 144 101

HSL 19.11, 0.78%, 0.66%

LAB 68.55, 30.72, 37.42

 

CMYK 0 / 38 / 56 / 87

HEX #20140E

RGB 32 20 14

HSL 20, 0.39%, 0.09%

LAB 7.58, 5.12, 5.51

 

CMYK 0 / 39 / 58 / 67

HEX #533323

RGB 83 51 35

HSL 20, 0.41%, 0.23%

LAB 24.73, 12.48, 16.09

 

CMYK 0 / 39 / 57 / 47

HEX #865239

RGB 134 82 57

HSL 19.48, 0.4%, 0.37%

LAB 40.24, 19.01, 23.7

 

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

CMYK 30 / 0 / 57 / 27

HEX #82B94F

RGB 130 185 79

HSL 91.13, 0.43%, 0.52%

LAB 69.48, -35.87, 47.29

 

CMYK 57 / 52 / 0 / 27

HEX #4F58B9

RGB 79 88 185

HSL 234.91, 0.43%, 0.52%

LAB 41.44, 25.39, -52.56

 

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

CMYK 57 / 0 / 39 / 27

HEX #4FB971

RGB 79 185 113

HSL 139.25, 0.43%, 0.52%

LAB 67.69, -46.67, 27.6

 

CMYK 39 / 57 / 0 / 27

HEX #714FB9

RGB 113 79 185

HSL 259.25, 0.43%, 0.52%

LAB 42.16, 38.35, -51.26

 

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

CMYK 30 / 0 / 57 / 27

HEX #82B94F

RGB 130 185 79

HSL 91.13, 0.43%, 0.52%

LAB 69.48, -35.87, 47.29

 

CMYK 57 / 18 / 0 / 27

HEX #4F97B9

RGB 79 151 185

HSL 199.25, 0.43%, 0.52%

LAB 59.25, -12.56, -24.51

 

CMYK 28 / 57 / 0 / 27

HEX #864FB9

RGB 134 79 185

HSL 271.13, 0.43%, 0.52%

LAB 44.47, 43.48, -47.44

 

CMYK 0 / 39 / 57 / 27

HEX #B9714F

RGB 185 113 79

HSL 19.25, 0.43%, 0.52%

LAB 54.75, 25.03, 30.75

 

CMYK 46 / 0 / 57 / 27

HEX #63B94F

RGB 99 185 79

HSL 108.68, 0.43%, 0.52%

LAB 67.96, -46.27, 45.14

 

CMYK 57 / 18 / 0 / 27

HEX #4F97B9

RGB 79 151 185

HSL 199.25, 0.43%, 0.52%

LAB 59.25, -12.56, -24.51

 

CMYK 11 / 57 / 0 / 27

HEX #A54FB9

RGB 165 79 185

HSL 288.68, 0.43%, 0.52%

LAB 48.38, 51.47, -40.98

 

Description

Color code: RGB 185 113 79 | qconv.com Color code: RGB 185 113 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 113 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 113 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 57 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 57% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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