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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 224 220 it is the complementary color RGB 71 31 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 224 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 224 220: RGB 189 224 215, RGB 206 242 234, RGB 223 255 253, RGB 240 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 224 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 224 220: RGB 184 224 220, RGB 167 206 201, RGB 150 188 182, RGB 133 170 163 and RGB 116 152 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 2 / 12

HEX #B8E0DC

RGB 184 224 220

HSL 174, 0.39%, 0.8%

LAB 86.34, -13.78, -2.38

 

Complementary color

CMYK 0 / 56 / 51 / 72

HEX #471F23

RGB 71 31 35

HSL 354, 0.39%, 0.2%

LAB 17.65, 19.58, 6.3

 

CMYK 16 / 0 / 4 / 12

HEX #BDE0D7

RGB 189 224 215

HSL 164.57, 0.36%, 0.81%

LAB 86.52, -13.21, 0.56

 

CMYK 15 / 0 / 3 / 5

HEX #CEF2EA

RGB 206 242 234

HSL 166.67, 0.58%, 0.88%

LAB 92.82, -13.16, -0.06

 

CMYK 13 / 0 / 1 / 0

HEX #DFFFFD

RGB 223 255 253

HSL 176.25, 1%, 0.94%

LAB 97.75, -10.64, -2.53

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 18 / 0 / 2 / 12

HEX #B8E0DC

RGB 184 224 220

HSL 174, 0.39%, 0.8%

LAB 86.34, -13.78, -2.38

 

CMYK 19 / 0 / 2 / 19

HEX #A7CEC9

RGB 167 206 201

HSL 172.31, 0.28%, 0.73%

LAB 79.94, -13.85, -1.79

 

CMYK 20 / 0 / 3 / 26

HEX #96BCB6

RGB 150 188 182

HSL 170.53, 0.22%, 0.66%

LAB 73.43, -13.93, -1.17

 

CMYK 22 / 0 / 4 / 33

HEX #85AAA3

RGB 133 170 163

HSL 168.65, 0.18%, 0.59%

LAB 66.81, -14.03, -0.53

 

CMYK 24 / 0 / 5 / 40

HEX #749890

RGB 116 152 144

HSL 166.67, 0.15%, 0.53%

LAB 60.05, -14.16, 0.14

 

CMYK 18 / 0 / 2 / 12

HEX #B8E0DC

RGB 184 224 220

HSL 174, 0.39%, 0.8%

LAB 86.34, -13.78, -2.38

 

CMYK 17 / 1 / 0 / 13

HEX #B8DDDF

RGB 184 221 223

HSL 183.08, 0.38%, 0.8%

LAB 85.62, -11.64, -5.02

 

CMYK 17 / 4 / 0 / 13

HEX #B8D6DF

RGB 184 214 223

HSL 193.85, 0.38%, 0.8%

LAB 83.76, -8.04, -7.77

 

CMYK 17 / 7 / 0 / 13

HEX #B8CFDF

RGB 184 207 223

HSL 204.62, 0.38%, 0.8%

LAB 81.92, -4.39, -10.52

 

CMYK 17 / 10 / 0 / 13

HEX #B8C9DF

RGB 184 201 223

HSL 213.85, 0.38%, 0.8%

LAB 80.34, -1.23, -12.86

 

CMYK 18 / 0 / 2 / 12

HEX #B8E0DC

RGB 184 224 220

HSL 174, 0.39%, 0.8%

LAB 86.34, -13.78, -2.38

 

CMYK 20 / 0 / 0 / 92

HEX #101414

RGB 16 20 20

HSL 180, 0.11%, 0.07%

LAB 5.97, -1.56, -0.55

 

CMYK 18 / 0 / 1 / 72

HEX #3A4746

RGB 58 71 70

HSL 175.38, 0.1%, 0.25%

LAB 29.03, -5.45, -1.15

 

CMYK 18 / 0 / 2 / 52

HEX #647A78

RGB 100 122 120

HSL 174.55, 0.1%, 0.44%

LAB 49.48, -8.44, -1.58

 

CMYK 18 / 0 / 2 / 32

HEX #8EADAA

RGB 142 173 170

HSL 174.19, 0.16%, 0.62%

LAB 68.42, -11.19, -1.99

 

CMYK 18 / 0 / 2 / 12

HEX #B8E0DC

RGB 184 224 220

HSL 174, 0.39%, 0.8%

LAB 86.34, -13.78, -2.38

 

CMYK 16 / 17 / 0 / 13

HEX #BCB8DF

RGB 188 184 223

HSL 246.15, 0.38%, 0.8%

LAB 76.25, 9.19, -18.99

 

CMYK 0 / 9 / 17 / 13

HEX #DFCCB8

RGB 223 204 184

HSL 30.77, 0.38%, 0.8%

LAB 83.09, 3.41, 12.36

 

CMYK 18 / 0 / 2 / 12

HEX #B8E0DC

RGB 184 224 220

HSL 174, 0.39%, 0.8%

LAB 86.34, -13.78, -2.38

 

CMYK 2 / 17 / 0 / 13

HEX #DBB8DF

RGB 219 184 223

HSL 293.85, 0.38%, 0.8%

LAB 78.85, 19.3, -14.82

 

CMYK 0 / 2 / 17 / 13

HEX #DFDBB8

RGB 223 219 184

HSL 53.85, 0.38%, 0.8%

LAB 86.9, -4.36, 17.73

 

CMYK 18 / 0 / 2 / 12

HEX #B8E0DC

RGB 184 224 220

HSL 174, 0.39%, 0.8%

LAB 86.34, -13.78, -2.38

 

CMYK 16 / 17 / 0 / 13

HEX #BCB8DF

RGB 188 184 223

HSL 246.15, 0.38%, 0.8%

LAB 76.25, 9.19, -18.99

 

CMYK 0 / 17 / 16 / 13

HEX #DFB8BC

RGB 223 184 188

HSL 353.85, 0.38%, 0.8%

LAB 78.23, 14.63, 3.24

 

CMYK 2 / 0 / 17 / 13

HEX #DBDFB8

RGB 219 223 184

HSL 66.15, 0.38%, 0.8%

LAB 87.63, -7.85, 18.69

 

CMYK 18 / 0 / 2 / 12

HEX #B8E0DC

RGB 184 224 220

HSL 174, 0.39%, 0.8%

LAB 86.34, -13.78, -2.38

 

CMYK 10 / 17 / 0 / 13

HEX #C8B8DF

RGB 200 184 223

HSL 264.62, 0.38%, 0.8%

LAB 77.21, 13.04, -17.45

 

CMYK 0 / 17 / 16 / 13

HEX #DFB8BC

RGB 223 184 188

HSL 353.85, 0.38%, 0.8%

LAB 78.23, 14.63, 3.24

 

CMYK 7 / 0 / 17 / 13

HEX #CFDFB8

RGB 207 223 184

HSL 84.62, 0.38%, 0.8%

LAB 86.75, -12.15, 17.34

 

Description

Color code: RGB 184 224 220 | qconv.com Color code: RGB 184 224 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 224 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 224 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 2 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 2% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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