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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 124 100 it is the complementary color RGB 72 131 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 124 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 183 124 100: RGB 188 124 95, RGB 205 142 114, RGB 222 160 133, RGB 239 178 152 and RGB 255 196 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 124 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 183 124 100: RGB 183 124 100, RGB 166 106 81, RGB 149 88 62, RGB 132 70 43 and RGB 115 52 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 45 / 28

HEX #B77C64

RGB 183 124 100

HSL 17.35, 0.37%, 0.55%

LAB 57.47, 20.09, 22.39

 

Complementary color

CMYK 54 / 15 / 0 / 39

HEX #48839B

RGB 72 131 155

HSL 197.35, 0.37%, 0.45%

LAB 51.81, -12.21, -18.75

 

CMYK 0 / 34 / 49 / 26

HEX #BC7C5F

RGB 188 124 95

HSL 18.71, 0.41%, 0.55%

LAB 57.97, 21.63, 26

 

CMYK 0 / 31 / 44 / 20

HEX #CD8E72

RGB 205 142 114

HSL 18.46, 0.48%, 0.63%

LAB 64.6, 20.58, 24.52

 

CMYK 0 / 28 / 40 / 13

HEX #DEA085

RGB 222 160 133

HSL 18.2, 0.57%, 0.7%

LAB 71.12, 19.66, 23.19

 

CMYK 0 / 26 / 36 / 6

HEX #EFB298

RGB 239 178 152

HSL 17.93, 0.73%, 0.77%

LAB 77.55, 18.85, 21.97

 

CMYK 0 / 23 / 33 / 0

HEX #FFC4AB

RGB 255 196 171

HSL 17.86, 1%, 0.84%

LAB 83.8, 17.75, 20.68

 

CMYK 0 / 32 / 45 / 28

HEX #B77C64

RGB 183 124 100

HSL 17.35, 0.37%, 0.55%

LAB 57.47, 20.09, 22.39

 

CMYK 0 / 36 / 51 / 35

HEX #A66A51

RGB 166 106 81

HSL 17.65, 0.34%, 0.48%

LAB 50.7, 21.19, 23.94

 

CMYK 0 / 41 / 58 / 42

HEX #95583E

RGB 149 88 62

HSL 17.93, 0.41%, 0.41%

LAB 43.82, 22.48, 25.7

 

CMYK 0 / 47 / 67 / 48

HEX #84462B

RGB 132 70 43

HSL 18.2, 0.51%, 0.34%

LAB 36.86, 23.99, 27.71

 

CMYK 0 / 55 / 79 / 55

HEX #733418

RGB 115 52 24

HSL 18.46, 0.65%, 0.27%

LAB 29.83, 25.73, 29.94

 

CMYK 0 / 32 / 45 / 28

HEX #B77C64

RGB 183 124 100

HSL 17.35, 0.37%, 0.55%

LAB 57.47, 20.09, 22.39

 

CMYK 0 / 25 / 47 / 29

HEX #B68861

RGB 182 136 97

HSL 27.53, 0.37%, 0.55%

LAB 60.26, 12.67, 27.74

 

CMYK 0 / 18 / 47 / 29

HEX #B69661

RGB 182 150 97

HSL 37.41, 0.37%, 0.55%

LAB 63.85, 4.93, 32.36

 

CMYK 0 / 10 / 47 / 29

HEX #B6A461

RGB 182 164 97

HSL 47.29, 0.37%, 0.55%

LAB 67.55, -2.67, 37.01

 

CMYK 0 / 2 / 47 / 29

HEX #B6B261

RGB 182 178 97

HSL 57.18, 0.37%, 0.55%

LAB 71.32, -10.07, 41.66

 

CMYK 0 / 32 / 45 / 28

HEX #B77C64

RGB 183 124 100

HSL 17.35, 0.37%, 0.55%

LAB 57.47, 20.09, 22.39

 

CMYK 0 / 32 / 45 / 8

HEX #EA9F80

RGB 234 159 128

HSL 17.55, 0.72%, 0.71%

LAB 72.13, 24.38, 27.48

 

CMYK 0 / 33 / 47 / 88

HEX #1E1410

RGB 30 20 16

HSL 17.14, 0.3%, 0.09%

LAB 7.35, 4.31, 4.08

 

CMYK 0 / 32 / 46 / 68

HEX #51372C

RGB 81 55 44

HSL 17.84, 0.3%, 0.25%

LAB 25.75, 10.01, 11.53

 

CMYK 0 / 33 / 45 / 48

HEX #845948

RGB 132 89 72

HSL 17, 0.29%, 0.4%

LAB 42.03, 15.55, 17

 

CMYK 0 / 32 / 45 / 28

HEX #B77C64

RGB 183 124 100

HSL 17.35, 0.37%, 0.55%

LAB 57.47, 20.09, 22.39

 

CMYK 23 / 0 / 47 / 29

HEX #8DB661

RGB 141 182 97

HSL 88.94, 0.37%, 0.55%

LAB 69.46, -28.41, 38.7

 

CMYK 47 / 41 / 0 / 29

HEX #616BB6

RGB 97 107 182

HSL 232.94, 0.37%, 0.55%

LAB 47.54, 16.57, -41

 

CMYK 0 / 32 / 45 / 28

HEX #B77C64

RGB 183 124 100

HSL 17.35, 0.37%, 0.55%

LAB 57.47, 20.09, 22.39

 

CMYK 47 / 0 / 34 / 29

HEX #61B679

RGB 97 182 121

HSL 136.94, 0.37%, 0.55%

LAB 67.56, -39.35, 23.29

 

CMYK 34 / 47 / 0 / 29

HEX #7961B6

RGB 121 97 182

HSL 256.94, 0.37%, 0.55%

LAB 46.96, 28.96, -41.79

 

CMYK 0 / 32 / 45 / 28

HEX #B77C64

RGB 183 124 100

HSL 17.35, 0.37%, 0.55%

LAB 57.47, 20.09, 22.39

 

CMYK 23 / 0 / 47 / 29

HEX #8DB661

RGB 141 182 97

HSL 88.94, 0.37%, 0.55%

LAB 69.46, -28.41, 38.7

 

CMYK 47 / 13 / 0 / 29

HEX #619EB6

RGB 97 158 182

HSL 196.94, 0.37%, 0.55%

LAB 61.97, -13.19, -18.59

 

CMYK 24 / 47 / 0 / 29

HEX #8A61B6

RGB 138 97 182

HSL 268.94, 0.37%, 0.55%

LAB 48.67, 33.71, -38.98

 

CMYK 0 / 32 / 45 / 28

HEX #B77C64

RGB 183 124 100

HSL 17.35, 0.37%, 0.55%

LAB 57.47, 20.09, 22.39

 

CMYK 36 / 0 / 47 / 29

HEX #74B661

RGB 116 182 97

HSL 106.59, 0.37%, 0.55%

LAB 68.04, -37.32, 36.63

 

CMYK 47 / 13 / 0 / 29

HEX #619EB6

RGB 97 158 182

HSL 196.94, 0.37%, 0.55%

LAB 61.97, -13.19, -18.59

 

CMYK 10 / 47 / 0 / 29

HEX #A461B6

RGB 164 97 182

HSL 287.29, 0.37%, 0.55%

LAB 51.63, 41.29, -34.12

 

Description

Color code: RGB 183 124 100 | qconv.com Color code: RGB 183 124 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 124 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 124 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 45 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 45% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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