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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 67 97 it is the complementary color RGB 73 188 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 67 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 67 97: RGB 187 67 92, RGB 204 85 111, RGB 221 103 130, RGB 238 121 149 and RGB 255 139 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 67 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 67 97: RGB 182 67 97, RGB 165 49 78, RGB 148 31 59, RGB 131 13 40 and RGB 114 0 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 47 / 29

HEX #B64361

RGB 182 67 97

HSL 344.35, 0.46%, 0.49%

LAB 45.39, 49.01, 7.53

 

Complementary color

CMYK 61 / 0 / 16 / 26

HEX #49BC9E

RGB 73 188 158

HSL 164.35, 0.46%, 0.51%

LAB 69.36, -39.66, 5.6

 

CMYK 0 / 64 / 51 / 27

HEX #BB435C

RGB 187 67 92

HSL 347.5, 0.47%, 0.5%

LAB 46.11, 50.19, 11.73

 

CMYK 0 / 58 / 46 / 20

HEX #CC556F

RGB 204 85 111

HSL 346.89, 0.54%, 0.57%

LAB 52.38, 49.51, 9.45

 

CMYK 0 / 53 / 41 / 13

HEX #DD6782

RGB 221 103 130

HSL 346.27, 0.63%, 0.64%

LAB 58.68, 48.68, 7.56

 

CMYK 0 / 49 / 37 / 7

HEX #EE7995

RGB 238 121 149

HSL 345.64, 0.77%, 0.7%

LAB 64.98, 47.8, 5.97

 

CMYK 0 / 45 / 34 / 0

HEX #FF8BA8

RGB 255 139 168

HSL 345, 1%, 0.77%

LAB 71.25, 46.9, 4.58

 

CMYK 0 / 63 / 47 / 29

HEX #B64361

RGB 182 67 97

HSL 344.35, 0.46%, 0.49%

LAB 45.39, 49.01, 7.53

 

CMYK 0 / 70 / 53 / 35

HEX #A5314E

RGB 165 49 78

HSL 345, 0.54%, 0.42%

LAB 39.15, 49.37, 10.17

 

CMYK 0 / 79 / 60 / 42

HEX #941F3B

RGB 148 31 59

HSL 345.64, 0.65%, 0.35%

LAB 33.12, 49.11, 13.59

 

CMYK 0 / 90 / 69 / 49

HEX #830D28

RGB 131 13 40

HSL 346.27, 0.82%, 0.28%

LAB 27.48, 47.73, 18.1

 

CMYK 0 / 100 / 82 / 55

HEX #720015

RGB 114 0 21

HSL 348.95, 1%, 0.22%

LAB 22.41, 44.75, 23.83

 

CMYK 0 / 63 / 47 / 29

HEX #B64361

RGB 182 67 97

HSL 344.35, 0.46%, 0.49%

LAB 45.39, 49.01, 7.53

 

CMYK 0 / 63 / 57 / 29

HEX #B6434E

RGB 182 67 78

HSL 354.26, 0.46%, 0.49%

LAB 44.95, 47.36, 18.58

 

CMYK 0 / 59 / 63 / 29

HEX #B64B43

RGB 182 75 67

HSL 4.17, 0.46%, 0.49%

LAB 46.15, 42.86, 26.75

 

CMYK 0 / 48 / 63 / 29

HEX #B65E43

RGB 182 94 67

HSL 14.09, 0.46%, 0.49%

LAB 49.92, 33.21, 31.42

 

CMYK 0 / 38 / 63 / 29

HEX #B67143

RGB 182 113 67

HSL 24, 0.46%, 0.49%

LAB 54.2, 22.87, 36.55

 

CMYK 0 / 63 / 47 / 29

HEX #B64361

RGB 182 67 97

HSL 344.35, 0.46%, 0.49%

LAB 45.39, 49.01, 7.53

 

CMYK 0 / 63 / 47 / 9

HEX #E9567C

RGB 233 86 124

HSL 344.49, 0.77%, 0.63%

LAB 57.5, 59.67, 9.64

 

CMYK 0 / 62 / 48 / 89

HEX #1D0B0F

RGB 29 11 15

HSL 346.67, 0.45%, 0.08%

LAB 4.83, 8.36, 0.93

 

CMYK 0 / 64 / 46 / 69

HEX #501D2B

RGB 80 29 43

HSL 343.53, 0.47%, 0.21%

LAB 19.05, 25.46, 2.86

 

CMYK 0 / 63 / 47 / 49

HEX #833046

RGB 131 48 70

HSL 344.1, 0.46%, 0.35%

LAB 32.66, 37.72, 5.29

 

CMYK 0 / 63 / 47 / 29

HEX #B64361

RGB 182 67 97

HSL 344.35, 0.46%, 0.49%

LAB 45.39, 49.01, 7.53

 

CMYK 0 / 4 / 63 / 29

HEX #B6AE43

RGB 182 174 67

HSL 55.83, 0.46%, 0.49%

LAB 69.91, -10.42, 54.18

 

CMYK 63 / 21 / 0 / 29

HEX #4390B6

RGB 67 144 182

HSL 199.83, 0.46%, 0.49%

LAB 56.6, -11.96, -26.93

 

CMYK 0 / 63 / 47 / 29

HEX #B64361

RGB 182 67 97

HSL 344.35, 0.46%, 0.49%

LAB 45.39, 49.01, 7.53

 

CMYK 46 / 0 / 63 / 29

HEX #62B643

RGB 98 182 67

HSL 103.83, 0.46%, 0.49%

LAB 66.87, -46.62, 49.32

 

CMYK 63 / 46 / 0 / 29

HEX #4362B6

RGB 67 98 182

HSL 223.83, 0.46%, 0.49%

LAB 43.22, 15.69, -48

 

CMYK 0 / 63 / 47 / 29

HEX #B64361

RGB 182 67 97

HSL 344.35, 0.46%, 0.49%

LAB 45.39, 49.01, 7.53

 

CMYK 0 / 4 / 63 / 29

HEX #B6AE43

RGB 182 174 67

HSL 55.83, 0.46%, 0.49%

LAB 69.91, -10.42, 54.18

 

CMYK 63 / 0 / 17 / 29

HEX #43B697

RGB 67 182 151

HSL 163.83, 0.46%, 0.49%

LAB 67.19, -39.81, 6.3

 

CMYK 63 / 59 / 0 / 29

HEX #434BB6

RGB 67 75 182

HSL 235.83, 0.46%, 0.49%

LAB 37.12, 30.45, -57.84

 

CMYK 0 / 63 / 47 / 29

HEX #B64361

RGB 182 67 97

HSL 344.35, 0.46%, 0.49%

LAB 45.39, 49.01, 7.53

 

CMYK 15 / 0 / 63 / 29

HEX #9BB643

RGB 155 182 67

HSL 74.09, 0.46%, 0.49%

LAB 70.06, -25.8, 53.72

 

CMYK 63 / 0 / 17 / 29

HEX #43B697

RGB 67 182 151

HSL 163.83, 0.46%, 0.49%

LAB 67.19, -39.81, 6.3

 

CMYK 48 / 63 / 0 / 29

HEX #5E43B6

RGB 94 67 182

HSL 254.09, 0.46%, 0.49%

LAB 37.43, 40.3, -57.24

 

Description

Color code: RGB 182 67 97 | qconv.com Color code: RGB 182 67 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 67 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 67 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 47 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 47% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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