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Color name
RGB 182.7 56.6 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182.7 56.6 23 it is the complementary color RGB 72.3 198.4 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182.7 56.6 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182.7 56.6 23 shade: RGB 187.7 56.6 18, RGB 204.7 74.6 37, RGB 221.7 92.6 56, RGB 238.7 110.6 75 and RGB 255 128.6 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182.7 56.6 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182.7 56.6 23 shade: RGB 182.7 56.6 23, RGB 165.7 38.6 4, RGB 148.7 20.6 0, RGB 131.7 2.6 0 and RGB 114.7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182.7 56.6 23 shade: RGB 182 56 22 and RGB 182 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182.7 56.6 23 shade: RGB 182 56 22, RGB 182 99 22, RGB 182 142 22, RGB 178 182 22 and RGB 136 182 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182.7 56.6 23 shade matches the following richer shades: RGB 182 56 22 and RGB 198 46 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182.7 56.6 23 shade: RGB 182 56 22, RGB 165 65 39, RGB 149 75 55, RGB 132 85 72 and RGB 116 94 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182.7 56.6 23 shade: RGB 182 22 75, RGB 182 22 33, RGB 182 54 22, RGB 182 97 22 and RGB 182 139 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182.7 56.6 23 shade: RGB 108 33 13, RGB 145 45 18, RGB 182 56 22, RGB 218 67 27 and RGB 230 93 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182.7 56.6 23 shade: RGB 182.7 56.6 23, RGB 118 182 22 and RGB 22 54 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182.7 56.6 23 shade: RGB 182.7 56.6 23, RGB 22 182 54 and RGB 54 22 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182.7 56.6 23 shade: RGB 182.7 56.6 23, RGB 118 182 22, RGB 22 150 182 and RGB 86 22 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182.7 56.6 23 shade: RGB 182.7 56.6 23, RGB 70 182 22, RGB 22 150 182 and RGB 134 22 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 87 / 28

HEX #B63817

RGB 182.7 56.6 23

HSL 12.62, 0.78%, 0.4%

LAB 42.73, 49.38, 46.74

 

Complementary color

CMYK 69 / 14 / 0 / 9

HEX #48C6E8

RGB 72.3 198.4 232

HSL 192.62, 0.78%, 0.6%

LAB 74.69, -24.04, -26.77

 

CMYK 0 / 70 / 90 / 26

HEX #BB3812

RGB 187.7 56.6 18

HSL 13.65, 0.82%, 0.4%

LAB 43.63, 50.98, 49.84

 

CMYK 0 / 64 / 82 / 20

HEX #CC4A25

RGB 204.7 74.6 37

HSL 13.45, 0.69%, 0.47%

LAB 49.55, 49.8, 47.88

 

CMYK 0 / 58 / 75 / 13

HEX #DD5C38

RGB 221.7 92.6 56

HSL 13.25, 0.71%, 0.54%

LAB 55.61, 48.43, 45.47

 

CMYK 0 / 54 / 69 / 6

HEX #EE6E4B

RGB 238.7 110.6 75

HSL 13.05, 0.83%, 0.62%

LAB 61.73, 47.02, 43.1

 

CMYK 0 / 50 / 63 / 0

HEX #FF805E

RGB 255 128.6 94

HSL 12.89, 1%, 0.68%

LAB 67.77, 45.37, 40.76

 

CMYK 0 / 69 / 87 / 28

HEX #B63817

RGB 182.7 56.6 23

HSL 12.62, 0.78%, 0.4%

LAB 42.73, 49.38, 46.74

 

CMYK 0 / 77 / 98 / 35

HEX #A52604

RGB 165.7 38.6 4

HSL 12.84, 0.95%, 0.33%

LAB 36.95, 50.13, 48.23

 

CMYK 0 / 86 / 100 / 42

HEX #941400

RGB 148.7 20.6 0

HSL 8.31, 1%, 0.29%

LAB 31.54, 50.04, 44.87

 

CMYK 0 / 98 / 100 / 48

HEX #830200

RGB 131.7 2.6 0

HSL 1.18, 1%, 0.26%

LAB 26.56, 48.58, 39.31

 

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114.7 0 0

HSL 0, 1%, 0.22%

LAB 22.39, 44.42, 33.9

 

CMYK 0 / 69 / 88 / 29

HEX #B63816

RGB 182 56 22

HSL 12.75, 0.78%, 0.4%

LAB 42.51, 49.36, 46.93

 

CMYK 0 / 88 / 88 / 29

HEX #B61616

RGB 182 22 22

HSL 0, 0.78%, 0.4%

LAB 38.86, 59.56, 44

 

CMYK 0 / 69 / 88 / 29

HEX #B63816

RGB 182 56 22

HSL 12.75, 0.78%, 0.4%

LAB 42.51, 49.36, 46.93

 

CMYK 0 / 46 / 88 / 29

HEX #B66316

RGB 182 99 22

HSL 28.88, 0.78%, 0.4%

LAB 50.6, 28.51, 53.42

 

CMYK 0 / 22 / 88 / 29

HEX #B68E16

RGB 182 142 22

HSL 45, 0.78%, 0.4%

LAB 61.09, 4.75, 61.82

 

CMYK 2 / 0 / 88 / 29

HEX #B2B616

RGB 178 182 22

HSL 61.5, 0.78%, 0.4%

LAB 71.54, -18.15, 70.06

 

CMYK 25 / 0 / 88 / 29

HEX #88B616

RGB 136 182 22

HSL 77.25, 0.78%, 0.4%

LAB 68.57, -35.73, 66.4

 

CMYK 0 / 69 / 88 / 29

HEX #B63816

RGB 182 56 22

HSL 12.75, 0.78%, 0.4%

LAB 42.51, 49.36, 46.93

 

CMYK 0 / 77 / 97 / 22

HEX #C62E06

RGB 198 46 6

HSL 12.5, 0.94%, 0.4%

LAB 44.19, 57.88, 54.91

 

CMYK 0 / 69 / 88 / 29

HEX #B63816

RGB 182 56 22

HSL 12.75, 0.78%, 0.4%

LAB 42.51, 49.36, 46.93

 

CMYK 0 / 61 / 76 / 35

HEX #A54127

RGB 165 65 39

HSL 12.38, 0.62%, 0.4%

LAB 41.1, 39.81, 36.19

 

CMYK 0 / 50 / 63 / 42

HEX #954B37

RGB 149 75 55

HSL 12.77, 0.46%, 0.4%

LAB 40.73, 29.23, 25.95

 

CMYK 0 / 36 / 45 / 48

HEX #845548

RGB 132 85 72

HSL 13, 0.29%, 0.4%

LAB 41.01, 17.91, 15.63

 

CMYK 0 / 19 / 24 / 55

HEX #745E58

RGB 116 94 88

HSL 12.86, 0.14%, 0.4%

LAB 41.88, 7.91, 6.8

 

CMYK 0 / 88 / 59 / 29

HEX #B6164B

RGB 182 22 75

HSL 340.13, 0.78%, 0.4%

LAB 39.63, 61.78, 13.25

 

CMYK 0 / 88 / 82 / 29

HEX #B61621

RGB 182 22 33

HSL 355.88, 0.78%, 0.4%

LAB 38.95, 59.82, 38.32

 

CMYK 0 / 70 / 88 / 29

HEX #B63616

RGB 182 54 22

HSL 12, 0.78%, 0.4%

LAB 42.22, 50.15, 46.7

 

CMYK 0 / 47 / 88 / 29

HEX #B66116

RGB 182 97 22

HSL 28.13, 0.78%, 0.4%

LAB 50.16, 29.59, 53.06

 

CMYK 0 / 24 / 88 / 29

HEX #B68B16

RGB 182 139 22

HSL 43.88, 0.78%, 0.4%

LAB 60.31, 6.4, 61.2

 

CMYK 0 / 69 / 88 / 58

HEX #6C210D

RGB 108 33 13

HSL 12.63, 0.79%, 0.24%

LAB 24.65, 32.34, 30.3

 

CMYK 0 / 69 / 88 / 43

HEX #912D12

RGB 145 45 18

HSL 12.76, 0.78%, 0.32%

LAB 33.86, 40.88, 38.73

 

CMYK 0 / 69 / 88 / 29

HEX #B63816

RGB 182 56 22

HSL 12.75, 0.78%, 0.4%

LAB 42.51, 49.36, 46.93

 

CMYK 0 / 69 / 88 / 15

HEX #DA431B

RGB 218 67 27

HSL 12.57, 0.78%, 0.48%

LAB 50.69, 57.17, 54.14

 

CMYK 0 / 60 / 76 / 10

HEX #E65D38

RGB 230 93 56

HSL 12.76, 0.78%, 0.56%

LAB 57.01, 51.22, 47.36

 

CMYK 0 / 69 / 87 / 28

HEX #B63817

RGB 182.7 56.6 23

HSL 12.62, 0.78%, 0.4%

LAB 42.73, 49.38, 46.74

 

CMYK 35 / 0 / 88 / 29

HEX #76B616

RGB 118 182 22

HSL 84, 0.78%, 0.4%

LAB 67.55, -42.6, 65.14

 

CMYK 88 / 70 / 0 / 29

HEX #1636B6

RGB 22 54 182

HSL 228, 0.78%, 0.4%

LAB 29.88, 39.03, -69.79

 

CMYK 0 / 69 / 87 / 28

HEX #B63817

RGB 182.7 56.6 23

HSL 12.62, 0.78%, 0.4%

LAB 42.73, 49.38, 46.74

 

CMYK 88 / 0 / 70 / 29

HEX #16B636

RGB 22 182 54

HSL 132, 0.78%, 0.4%

LAB 64.88, -62.95, 52.01

 

CMYK 70 / 88 / 0 / 29

HEX #3616B6

RGB 54 22 182

HSL 252, 0.78%, 0.4%

LAB 25.97, 57.11, -76.21

 

CMYK 0 / 69 / 87 / 28

HEX #B63817

RGB 182.7 56.6 23

HSL 12.62, 0.78%, 0.4%

LAB 42.73, 49.38, 46.74

 

CMYK 35 / 0 / 88 / 29

HEX #76B616

RGB 118 182 22

HSL 84, 0.78%, 0.4%

LAB 67.55, -42.6, 65.14

 

CMYK 88 / 18 / 0 / 29

HEX #1696B6

RGB 22 150 182

HSL 192, 0.78%, 0.4%

LAB 57.43, -20.68, -25.74

 

CMYK 53 / 88 / 0 / 29

HEX #5616B6

RGB 86 22 182

HSL 264, 0.78%, 0.4%

LAB 29.23, 59.76, -70.7

 

CMYK 0 / 69 / 87 / 28

HEX #B63817

RGB 182.7 56.6 23

HSL 12.62, 0.78%, 0.4%

LAB 42.73, 49.38, 46.74

 

CMYK 62 / 0 / 88 / 29

HEX #46B616

RGB 70 182 22

HSL 102, 0.78%, 0.4%

LAB 65.61, -57.36, 62.71

 

CMYK 88 / 18 / 0 / 29

HEX #1696B6

RGB 22 150 182

HSL 192, 0.78%, 0.4%

LAB 57.43, -20.68, -25.74

 

CMYK 26 / 88 / 0 / 29

HEX #8616B6

RGB 134 22 182

HSL 282, 0.78%, 0.4%

LAB 36.02, 65.86, -59.3

 

Description

Color code: RGB 182.7 56.6 23 | qconv.com Color code: RGB 182.7 56.6 23 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182.7 red, 56.6 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182.7 56.6 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 87 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 87% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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