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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 60 160 it is the complementary color RGB 75 195 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 60 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 60 160: RGB 185 60 155, RGB 202 78 174, RGB 219 96 193, RGB 236 114 212 and RGB 253 132 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 60 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 60 160: RGB 180 60 160, RGB 163 42 141, RGB 146 24 122, RGB 129 6 103 and RGB 112 0 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 11 / 29

HEX #B43CA0

RGB 180 60 160

HSL 310, 0.5%, 0.47%

LAB 46.28, 59.37, -29.41

 

Complementary color

CMYK 62 / 0 / 51 / 24

HEX #4BC35F

RGB 75 195 95

HSL 130, 0.5%, 0.53%

LAB 70.42, -54.38, 40.23

 

CMYK 0 / 68 / 16 / 27

HEX #B93C9B

RGB 185 60 155

HSL 314.4, 0.51%, 0.48%

LAB 46.86, 59.91, -25.46

 

CMYK 0 / 61 / 14 / 21

HEX #CA4EAE

RGB 202 78 174

HSL 313.55, 0.54%, 0.55%

LAB 53.02, 59.94, -26.92

 

CMYK 0 / 56 / 12 / 14

HEX #DB60C1

RGB 219 96 193

HSL 312.68, 0.63%, 0.62%

LAB 59.23, 59.64, -28.06

 

CMYK 0 / 52 / 10 / 7

HEX #EC72D4

RGB 236 114 212

HSL 311.8, 0.76%, 0.69%

LAB 65.45, 59.14, -29

 

CMYK 0 / 48 / 9 / 1

HEX #FD84E7

RGB 253 132 231

HSL 310.91, 0.97%, 0.75%

LAB 71.66, 58.53, -29.78

 

CMYK 0 / 67 / 11 / 29

HEX #B43CA0

RGB 180 60 160

HSL 310, 0.5%, 0.47%

LAB 46.28, 59.37, -29.41

 

CMYK 0 / 74 / 13 / 36

HEX #A32A8D

RGB 163 42 141

HSL 310.91, 0.59%, 0.4%

LAB 40.19, 58.82, -27.68

 

CMYK 0 / 84 / 16 / 43

HEX #92187A

RGB 146 24 122

HSL 311.8, 0.72%, 0.33%

LAB 34.33, 57.35, -25.3

 

CMYK 0 / 95 / 20 / 49

HEX #810667

RGB 129 6 103

HSL 312.68, 0.91%, 0.26%

LAB 28.84, 54.49, -22.01

 

CMYK 0 / 100 / 25 / 56

HEX #700054

RGB 112 0 84

HSL 315, 1%, 0.22%

LAB 23.95, 49.47, -17.39

 

CMYK 0 / 67 / 11 / 29

HEX #B43CA0

RGB 180 60 160

HSL 310, 0.5%, 0.47%

LAB 46.28, 59.37, -29.41

 

CMYK 0 / 67 / 22 / 30

HEX #B33B8B

RGB 179 59 139

HSL 320, 0.5%, 0.47%

LAB 45.05, 56.43, -18.72

 

CMYK 0 / 67 / 34 / 30

HEX #B33B77

RGB 179 59 119

HSL 330, 0.5%, 0.47%

LAB 44.3, 53.86, -7.66

 

CMYK 0 / 67 / 45 / 30

HEX #B33B63

RGB 179 59 99

HSL 340, 0.5%, 0.47%

LAB 43.67, 51.67, 3.77

 

CMYK 0 / 67 / 56 / 30

HEX #B33B4F

RGB 179 59 79

HSL 350, 0.5%, 0.47%

LAB 43.18, 49.89, 15.48

 

CMYK 0 / 67 / 11 / 29

HEX #B43CA0

RGB 180 60 160

HSL 310, 0.5%, 0.47%

LAB 46.28, 59.37, -29.41

 

CMYK 0 / 67 / 11 / 9

HEX #E74DCD

RGB 231 77 205

HSL 310.13, 0.76%, 0.6%

LAB 58.7, 72.36, -35.59

 

CMYK 0 / 67 / 11 / 89

HEX #1B0918

RGB 27 9 24

HSL 310, 0.5%, 0.07%

LAB 4.47, 10.02, -5.49

 

CMYK 0 / 67 / 12 / 69

HEX #4E1A45

RGB 78 26 69

HSL 310.38, 0.5%, 0.2%

LAB 19.17, 30.4, -15.15

 

CMYK 0 / 67 / 11 / 49

HEX #812B73

RGB 129 43 115

HSL 309.77, 0.5%, 0.34%

LAB 33.21, 45.6, -22.87

 

CMYK 0 / 67 / 11 / 29

HEX #B43CA0

RGB 180 60 160

HSL 310, 0.5%, 0.47%

LAB 46.28, 59.37, -29.41

 

CMYK 0 / 42 / 67 / 30

HEX #B3673B

RGB 179 103 59

HSL 22, 0.5%, 0.47%

LAB 51.38, 26.6, 37.44

 

CMYK 67 / 0 / 16 / 30

HEX #3BB397

RGB 59 179 151

HSL 166, 0.5%, 0.47%

LAB 66.06, -39.85, 4.65

 

CMYK 0 / 67 / 11 / 29

HEX #B43CA0

RGB 180 60 160

HSL 310, 0.5%, 0.47%

LAB 46.28, 59.37, -29.41

 

CMYK 11 / 0 / 67 / 30

HEX #9FB33B

RGB 159 179 59

HSL 70, 0.5%, 0.47%

LAB 69.42, -23.24, 56.44

 

CMYK 67 / 11 / 0 / 30

HEX #3B9FB3

RGB 59 159 179

HSL 190, 0.5%, 0.47%

LAB 60.76, -22.32, -18.87

 

CMYK 0 / 67 / 11 / 29

HEX #B43CA0

RGB 180 60 160

HSL 310, 0.5%, 0.47%

LAB 46.28, 59.37, -29.41

 

CMYK 0 / 42 / 67 / 30

HEX #B3673B

RGB 179 103 59

HSL 22, 0.5%, 0.47%

LAB 51.38, 26.6, 37.44

 

CMYK 67 / 0 / 56 / 30

HEX #3BB34F

RGB 59 179 79

HSL 130, 0.5%, 0.47%

LAB 64.75, -54, 41.02

 

CMYK 67 / 25 / 0 / 30

HEX #3B87B3

RGB 59 135 179

HSL 202, 0.5%, 0.47%

LAB 53.51, -9.28, -30.04

 

CMYK 0 / 67 / 11 / 29

HEX #B43CA0

RGB 180 60 160

HSL 310, 0.5%, 0.47%

LAB 46.28, 59.37, -29.41

 

CMYK 0 / 22 / 67 / 30

HEX #B38B3B

RGB 179 139 59

HSL 40, 0.5%, 0.47%

LAB 60.22, 6.58, 47.28

 

CMYK 67 / 0 / 56 / 30

HEX #3BB34F

RGB 59 179 79

HSL 130, 0.5%, 0.47%

LAB 64.75, -54, 41.02

 

CMYK 67 / 45 / 0 / 30

HEX #3B63B3

RGB 59 99 179

HSL 220, 0.5%, 0.47%

LAB 42.93, 12.57, -46.74

 

Description

Color code: RGB 180 60 160 | qconv.com Color code: RGB 180 60 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 60 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 60 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 11 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 11% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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