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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 200 140 it is the complementary color RGB 75 55 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 200 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 200 140: RGB 185 200 135, RGB 202 218 154, RGB 219 236 173, RGB 236 254 192 and RGB 253 255 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 200 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 200 140: RGB 180 200 140, RGB 163 182 121, RGB 146 164 102, RGB 129 146 83 and RGB 112 128 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

Complementary color

CMYK 35 / 52 / 0 / 55

HEX #4B3773

RGB 75 55 115

HSL 260, 0.35%, 0.33%

LAB 28.02, 23.38, -31.55

 

CMYK 8 / 0 / 33 / 22

HEX #B9C887

RGB 185 200 135

HSL 73.85, 0.37%, 0.66%

LAB 78.09, -15.78, 30.87

 

CMYK 7 / 0 / 29 / 15

HEX #CADA9A

RGB 202 218 154

HSL 75, 0.46%, 0.73%

LAB 84.5, -15.88, 29.78

 

CMYK 7 / 0 / 27 / 7

HEX #DBECAD

RGB 219 236 173

HSL 76.19, 0.62%, 0.8%

LAB 90.81, -15.95, 28.75

 

CMYK 7 / 0 / 24 / 0

HEX #ECFEC0

RGB 236 254 192

HSL 77.42, 0.97%, 0.87%

LAB 97.03, -16.02, 27.76

 

CMYK 1 / 0 / 17 / 0

HEX #FDFFD3

RGB 253 255 211

HSL 62.73, 1%, 0.91%

LAB 98.87, -7.76, 20.85

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

CMYK 10 / 0 / 34 / 29

HEX #A3B679

RGB 163 182 121

HSL 78.69, 0.29%, 0.59%

LAB 71.3, -16.94, 28.94

 

CMYK 11 / 0 / 38 / 36

HEX #92A466

RGB 146 164 102

HSL 77.42, 0.25%, 0.52%

LAB 64.66, -16.86, 30.1

 

CMYK 12 / 0 / 43 / 43

HEX #819253

RGB 129 146 83

HSL 76.19, 0.28%, 0.45%

LAB 57.89, -16.75, 31.32

 

CMYK 13 / 0 / 50 / 50

HEX #708040

RGB 112 128 64

HSL 75, 0.33%, 0.38%

LAB 50.98, -16.57, 32.57

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

CMYK 15 / 0 / 30 / 22

HEX #AAC88D

RGB 170 200 141

HSL 90.51, 0.35%, 0.67%

LAB 77.15, -20.54, 26.29

 

CMYK 20 / 0 / 30 / 22

HEX #A1C88D

RGB 161 200 141

HSL 99.66, 0.35%, 0.67%

LAB 76.56, -23.79, 25.4

 

CMYK 25 / 0 / 30 / 22

HEX #97C88D

RGB 151 200 141

HSL 109.83, 0.35%, 0.67%

LAB 75.95, -27.28, 24.47

 

CMYK 30 / 0 / 30 / 22

HEX #8DC88D

RGB 141 200 141

HSL 120, 0.35%, 0.67%

LAB 75.39, -30.65, 23.61

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

CMYK 10 / 0 / 30 / 2

HEX #E2FBB0

RGB 226 251 176

HSL 80, 0.9%, 0.84%

LAB 95.29, -20.33, 33.34

 

CMYK 11 / 0 / 30 / 82

HEX #2A2F21

RGB 42 47 33

HSL 81.43, 0.18%, 0.16%

LAB 18.52, -5.31, 8.29

 

CMYK 10 / 0 / 30 / 62

HEX #586245

RGB 88 98 69

HSL 80.69, 0.17%, 0.33%

LAB 39.98, -9.53, 15.27

 

CMYK 10 / 0 / 30 / 42

HEX #869568

RGB 134 149 104

HSL 80, 0.18%, 0.5%

LAB 59.49, -13.47, 22.04

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

CMYK 30 / 0 / 14 / 22

HEX #8DC8AC

RGB 141 200 172

HSL 151.53, 0.35%, 0.67%

LAB 76.04, -24.9, 7.95

 

CMYK 2 / 30 / 0 / 22

HEX #C48DC8

RGB 196 141 200

HSL 295.93, 0.35%, 0.67%

LAB 65.71, 30.77, -22.29

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

CMYK 30 / 10 / 0 / 22

HEX #8DB4C8

RGB 141 180 200

HSL 200.34, 0.35%, 0.67%

LAB 71.2, -8.38, -14.4

 

CMYK 0 / 30 / 10 / 22

HEX #C88DB4

RGB 200 141 180

HSL 320.34, 0.35%, 0.67%

LAB 65.46, 28.47, -11.43

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

CMYK 30 / 0 / 14 / 22

HEX #8DC8AC

RGB 141 200 172

HSL 151.53, 0.35%, 0.67%

LAB 76.04, -24.9, 7.95

 

CMYK 20 / 30 / 0 / 22

HEX #A18DC8

RGB 161 141 200

HSL 260.34, 0.35%, 0.67%

LAB 62.34, 19.52, -27.77

 

CMYK 0 / 30 / 16 / 22

HEX #C88DA8

RGB 200 141 168

HSL 332.54, 0.35%, 0.67%

LAB 65.09, 26.47, -5.21

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88C

RGB 180 200 140

HSL 80, 0.35%, 0.67%

LAB 77.82, -16.99, 27.83

 

CMYK 30 / 0 / 5 / 22

HEX #8DC8BE

RGB 141 200 190

HSL 169.83, 0.35%, 0.67%

LAB 76.49, -21.08, -1.1

 

CMYK 20 / 30 / 0 / 22

HEX #A18DC8

RGB 161 141 200

HSL 260.34, 0.35%, 0.67%

LAB 62.34, 19.52, -27.77

 

CMYK 0 / 30 / 25 / 22

HEX #C88D97

RGB 200 141 151

HSL 349.83, 0.35%, 0.67%

LAB 64.61, 23.85, 3.7

 

Description

Color code: RGB 180 200 140 | qconv.com Color code: RGB 180 200 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 200 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 200 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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