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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 177 42 it is the complementary color RGB 75 78 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 177 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 177 42: RGB 185 177 37, RGB 202 195 56, RGB 219 213 75, RGB 236 231 94 and RGB 253 249 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 177 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 177 42: RGB 180 177 42, RGB 163 159 23, RGB 146 141 4, RGB 129 123 0 and RGB 112 105 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

Complementary color

CMYK 65 / 63 / 0 / 16

HEX #4B4ED5

RGB 75 78 213

HSL 238.7, 0.62%, 0.56%

LAB 40.81, 40.3, -69.83

 

CMYK 0 / 4 / 80 / 27

HEX #B9B125

RGB 185 177 37

HSL 56.76, 0.67%, 0.44%

LAB 70.8, -12.15, 66.11

 

CMYK 0 / 3 / 72 / 21

HEX #CAC338

RGB 202 195 56

HSL 57.12, 0.58%, 0.51%

LAB 77.2, -13.24, 66.42

 

CMYK 0 / 3 / 66 / 14

HEX #DBD54B

RGB 219 213 75

HSL 57.5, 0.67%, 0.58%

LAB 83.52, -14.16, 66.08

 

CMYK 0 / 2 / 60 / 7

HEX #ECE75E

RGB 236 231 94

HSL 57.89, 0.79%, 0.65%

LAB 89.76, -14.93, 65.38

 

CMYK 0 / 2 / 55 / 1

HEX #FDF971

RGB 253 249 113

HSL 58.29, 0.97%, 0.72%

LAB 95.92, -15.59, 64.47

 

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

CMYK 0 / 2 / 86 / 36

HEX #A39F17

RGB 163 159 23

HSL 58.29, 0.75%, 0.36%

LAB 63.87, -12.95, 63.1

 

CMYK 0 / 3 / 97 / 43

HEX #928D04

RGB 146 141 4

HSL 57.89, 0.95%, 0.29%

LAB 57.24, -11.51, 60.66

 

CMYK 0 / 5 / 100 / 49

HEX #817B00

RGB 129 123 0

HSL 57.21, 1%, 0.25%

LAB 50.49, -9.74, 55.71

 

CMYK 0 / 6 / 100 / 56

HEX #706900

RGB 112 105 0

HSL 56.25, 1%, 0.22%

LAB 43.58, -7.84, 49.98

 

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

CMYK 10 / 0 / 77 / 29

HEX #A3B52A

RGB 163 181 42

HSL 67.77, 0.62%, 0.44%

LAB 70.18, -23.45, 63.39

 

CMYK 23 / 0 / 77 / 29

HEX #8CB52A

RGB 140 181 42

HSL 77.7, 0.62%, 0.44%

LAB 68.6, -32.92, 61.35

 

CMYK 36 / 0 / 77 / 29

HEX #74B52A

RGB 116 181 42

HSL 88.06, 0.62%, 0.44%

LAB 67.22, -42.06, 59.56

 

CMYK 49 / 0 / 77 / 29

HEX #5DB52A

RGB 93 181 42

HSL 97.99, 0.62%, 0.44%

LAB 66.17, -49.73, 58.18

 

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

CMYK 0 / 2 / 77 / 9

HEX #E7E336

RGB 231 227 54

HSL 58.64, 0.79%, 0.56%

LAB 88.06, -17.04, 77.98

 

CMYK 0 / 0 / 78 / 89

HEX #1B1B06

RGB 27 27 6

HSL 60, 0.64%, 0.06%

LAB 9.24, -3.93, 11.28

 

CMYK 0 / 1 / 77 / 69

HEX #4E4D12

RGB 78 77 18

HSL 59, 0.63%, 0.19%

LAB 31.74, -7.75, 33.26

 

CMYK 0 / 2 / 77 / 49

HEX #817F1E

RGB 129 127 30

HSL 58.79, 0.62%, 0.31%

LAB 51.77, -11.08, 49.33

 

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

CMYK 77 / 0 / 64 / 29

HEX #2AB541

RGB 42 181 65

HSL 129.93, 0.62%, 0.44%

LAB 64.9, -59.29, 47.54

 

CMYK 33 / 77 / 0 / 29

HEX #792AB5

RGB 121 42 181

HSL 274.1, 0.62%, 0.44%

LAB 36.09, 57.47, -58.68

 

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

CMYK 77 / 0 / 2 / 29

HEX #2AB5B1

RGB 42 181 177

HSL 178.27, 0.62%, 0.44%

LAB 67.06, -35.91, -8.31

 

CMYK 2 / 77 / 0 / 29

HEX #B12AB5

RGB 177 42 181

HSL 298.27, 0.62%, 0.44%

LAB 44.72, 68.19, -44.34

 

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

CMYK 77 / 0 / 64 / 29

HEX #2AB541

RGB 42 181 65

HSL 129.93, 0.62%, 0.44%

LAB 64.9, -59.29, 47.54

 

CMYK 77 / 74 / 0 / 29

HEX #2A2FB5

RGB 42 47 181

HSL 237.84, 0.62%, 0.44%

LAB 29.06, 44.25, -70.51

 

CMYK 0 / 77 / 13 / 29

HEX #B52A9E

RGB 181 42 158

HSL 309.93, 0.62%, 0.44%

LAB 44.16, 65.5, -31.52

 

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

CMYK 77 / 0 / 41 / 29

HEX #2AB56B

RGB 42 181 107

HSL 148.06, 0.62%, 0.44%

LAB 65.44, -52.97, 27.62

 

CMYK 77 / 74 / 0 / 29

HEX #2A2FB5

RGB 42 47 181

HSL 237.84, 0.62%, 0.44%

LAB 29.06, 44.25, -70.51

 

CMYK 0 / 77 / 36 / 29

HEX #B52A74

RGB 181 42 116

HSL 328.06, 0.62%, 0.44%

LAB 42.37, 60.15, -8.65

 

Description

Color code: RGB 180 177 42 | qconv.com Color code: RGB 180 177 42 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 177 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 177 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 77 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 77% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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