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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 160 220 it is the complementary color RGB 75 95 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 160 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 160 220: RGB 185 160 215, RGB 202 178 234, RGB 219 196 253, RGB 236 214 255 and RGB 253 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 160 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 160 220: RGB 180 160 220, RGB 163 142 201, RGB 146 124 182, RGB 129 106 163 and RGB 112 88 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 27 / 0 / 14

HEX #B4A0DC

RGB 180 160 220

HSL 260, 0.46%, 0.75%

LAB 69.48, 19.26, -27.75

 

Complementary color

CMYK 21 / 0 / 63 / 63

HEX #4B5F23

RGB 75 95 35

HSL 80, 0.46%, 0.25%

LAB 37.48, -18.03, 31.16

 

CMYK 14 / 26 / 0 / 16

HEX #B9A0D7

RGB 185 160 215

HSL 267.27, 0.41%, 0.74%

LAB 69.73, 19.74, -24.58

 

CMYK 14 / 24 / 0 / 8

HEX #CAB2EA

RGB 202 178 234

HSL 265.71, 0.57%, 0.81%

LAB 76.28, 19.24, -24.81

 

CMYK 13 / 23 / 0 / 1

HEX #DBC4FD

RGB 219 196 253

HSL 264.21, 0.93%, 0.88%

LAB 82.72, 18.78, -25.05

 

CMYK 7 / 16 / 0 / 0

HEX #ECD6FF

RGB 236 214 255

HSL 272.2, 1%, 0.92%

LAB 88.52, 14.97, -17.19

 

CMYK 1 / 9 / 0 / 0

HEX #FDE8FF

RGB 253 232 255

HSL 294.78, 1%, 0.95%

LAB 94.23, 11.1, -8.51

 

CMYK 18 / 27 / 0 / 14

HEX #B4A0DC

RGB 180 160 220

HSL 260, 0.46%, 0.75%

LAB 69.48, 19.26, -27.75

 

CMYK 19 / 29 / 0 / 21

HEX #A38EC9

RGB 163 142 201

HSL 261.36, 0.35%, 0.67%

LAB 62.8, 19.81, -27.6

 

CMYK 20 / 32 / 0 / 29

HEX #927CB6

RGB 146 124 182

HSL 262.76, 0.28%, 0.6%

LAB 55.99, 20.41, -27.48

 

CMYK 21 / 35 / 0 / 36

HEX #816AA3

RGB 129 106 163

HSL 264.21, 0.24%, 0.53%

LAB 49.03, 21.09, -27.38

 

CMYK 22 / 39 / 0 / 44

HEX #705890

RGB 112 88 144

HSL 265.71, 0.24%, 0.45%

LAB 41.9, 21.85, -27.33

 

CMYK 18 / 27 / 0 / 14

HEX #B4A0DC

RGB 180 160 220

HSL 260, 0.46%, 0.75%

LAB 69.48, 19.26, -27.75

 

CMYK 13 / 27 / 0 / 14

HEX #BFA1DC

RGB 191 161 220

HSL 270.51, 0.46%, 0.75%

LAB 70.69, 22.16, -25.81

 

CMYK 9 / 27 / 0 / 14

HEX #C9A1DC

RGB 201 161 220

HSL 280.68, 0.46%, 0.75%

LAB 71.61, 25.34, -24.32

 

CMYK 5 / 27 / 0 / 14

HEX #D2A1DC

RGB 210 161 220

HSL 289.83, 0.46%, 0.75%

LAB 72.47, 28.25, -22.93

 

CMYK 0 / 27 / 0 / 14

HEX #DCA1DC

RGB 220 161 220

HSL 300, 0.46%, 0.75%

LAB 73.46, 31.49, -21.32

 

CMYK 18 / 27 / 0 / 14

HEX #B4A0DC

RGB 180 160 220

HSL 260, 0.46%, 0.75%

LAB 69.48, 19.26, -27.75

 

CMYK 19 / 25 / 0 / 94

HEX #0D0C10

RGB 13 12 16

HSL 255, 0.14%, 0.05%

LAB 3.49, 0.99, -1.77

 

CMYK 18 / 27 / 0 / 74

HEX #373143

RGB 55 49 67

HSL 260, 0.16%, 0.23%

LAB 21.63, 7.05, -10.26

 

CMYK 18 / 27 / 0 / 54

HEX #615676

RGB 97 86 118

HSL 260.63, 0.16%, 0.4%

LAB 38.73, 11.57, -16.52

 

CMYK 18 / 27 / 0 / 34

HEX #8A7BA9

RGB 138 123 169

HSL 259.57, 0.21%, 0.57%

LAB 54.48, 15.37, -22.38

 

CMYK 18 / 27 / 0 / 14

HEX #B4A0DC

RGB 180 160 220

HSL 260, 0.46%, 0.75%

LAB 69.48, 19.26, -27.75

 

CMYK 0 / 27 / 14 / 14

HEX #DCA1BD

RGB 220 161 189

HSL 331.53, 0.46%, 0.75%

LAB 72.48, 26.09, -5.75

 

CMYK 25 / 0 / 27 / 14

HEX #A5DCA1

RGB 165 220 161

HSL 115.93, 0.46%, 0.75%

LAB 82.79, -28.89, 23.43

 

CMYK 18 / 27 / 0 / 14

HEX #B4A0DC

RGB 180 160 220

HSL 260, 0.46%, 0.75%

LAB 69.48, 19.26, -27.75

 

CMYK 0 / 18 / 27 / 14

HEX #DCB5A1

RGB 220 181 161

HSL 20.34, 0.46%, 0.75%

LAB 76.58, 11.12, 15.47

 

CMYK 27 / 0 / 18 / 14

HEX #A1DCB5

RGB 161 220 181

HSL 140.34, 0.46%, 0.75%

LAB 82.97, -26.67, 13.17

 

CMYK 18 / 27 / 0 / 14

HEX #B4A0DC

RGB 180 160 220

HSL 260, 0.46%, 0.75%

LAB 69.48, 19.26, -27.75

 

CMYK 0 / 27 / 14 / 14

HEX #DCA1BD

RGB 220 161 189

HSL 331.53, 0.46%, 0.75%

LAB 72.48, 26.09, -5.75

 

CMYK 9 / 0 / 27 / 14

HEX #C9DCA1

RGB 201 220 161

HSL 79.32, 0.46%, 0.75%

LAB 85.09, -16.27, 26.95

 

CMYK 27 / 0 / 12 / 14

HEX #A1DCC1

RGB 161 220 193

HSL 152.54, 0.46%, 0.75%

LAB 83.24, -24.35, 7.22

 

CMYK 18 / 27 / 0 / 14

HEX #B4A0DC

RGB 180 160 220

HSL 260, 0.46%, 0.75%

LAB 69.48, 19.26, -27.75

 

CMYK 0 / 27 / 22 / 14

HEX #DCA1AB

RGB 220 161 171

HSL 349.83, 0.46%, 0.75%

LAB 71.99, 23.31, 3.47

 

CMYK 9 / 0 / 27 / 14

HEX #C9DCA1

RGB 201 220 161

HSL 79.32, 0.46%, 0.75%

LAB 85.09, -16.27, 26.95

 

CMYK 27 / 0 / 5 / 14

HEX #A1DCD2

RGB 161 220 210

HSL 169.83, 0.46%, 0.75%

LAB 83.66, -20.83, -1.18

 

Description

Color code: RGB 180 160 220 | qconv.com Color code: RGB 180 160 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 160 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 160 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 27 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 27% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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