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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 122 203 it is the complementary color RGB 238 133 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 122 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 17 122 203: RGB 22 122 198, RGB 39 140 217, RGB 56 158 236, RGB 73 176 255 and RGB 90 194 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 122 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 17 122 203: RGB 17 122 203, RGB 0 104 184, RGB 0 86 165, RGB 0 68 146 and RGB 0 50 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 40 / 0 / 20

HEX #117ACB

RGB 17 122 203

HSL 206.13, 0.85%, 0.43%

LAB 49.92, 2.84, -49.49

 

Complementary color

CMYK 0 / 44 / 78 / 7

HEX #EE8534

RGB 238 133 52

HSL 26.13, 0.85%, 0.57%

LAB 65.9, 34.54, 58.47

 

CMYK 89 / 38 / 0 / 22

HEX #167AC6

RGB 22 122 198

HSL 205.91, 0.8%, 0.43%

LAB 49.7, 1.18, -46.98

 

CMYK 82 / 35 / 0 / 15

HEX #278CD9

RGB 39 140 217

HSL 205.96, 0.7%, 0.5%

LAB 56.28, -1.18, -47.26

 

CMYK 76 / 33 / 0 / 7

HEX #389EEC

RGB 56 158 236

HSL 206, 0.83%, 0.57%

LAB 62.8, -3.07, -47.48

 

CMYK 71 / 31 / 0 / 0

HEX #49B0FF

RGB 73 176 255

HSL 206.04, 1%, 0.64%

LAB 69.25, -4.6, -47.66

 

CMYK 65 / 24 / 0 / 0

HEX #5AC2FF

RGB 90 194 255

HSL 202.18, 1%, 0.68%

LAB 74.81, -11.93, -38.92

 

CMYK 92 / 40 / 0 / 20

HEX #117ACB

RGB 17 122 203

HSL 206.13, 0.85%, 0.43%

LAB 49.92, 2.84, -49.49

HKS® 39

CMYK 100 / 43 / 0 / 28

HEX #0068B8

RGB 0 104 184

HSL 206.09, 1%, 0.36%

LAB 43.3, 5.92, -49.13

 

CMYK 100 / 48 / 0 / 35

HEX #0056A5

RGB 0 86 165

HSL 208.73, 1%, 0.32%

LAB 36.69, 9.86, -48.56

 

CMYK 100 / 53 / 0 / 43

HEX #004492

RGB 0 68 146

HSL 212.05, 1%, 0.29%

LAB 29.94, 14.11, -48

 

CMYK 100 / 61 / 0 / 50

HEX #00327F

RGB 0 50 127

HSL 216.38, 1%, 0.25%

LAB 23.05, 18.69, -47.41

 

CMYK 92 / 40 / 0 / 20

HEX #117ACB

RGB 17 122 203

HSL 206.13, 0.85%, 0.43%

LAB 49.92, 2.84, -49.49

HKS® 39

CMYK 92 / 55 / 0 / 21

HEX #105BCA

RGB 16 91 202

HSL 215.81, 0.85%, 0.43%

LAB 40.99, 22.24, -63.31

 

CMYK 92 / 71 / 0 / 21

HEX #103BCA

RGB 16 59 202

HSL 226.13, 0.85%, 0.43%

LAB 32.92, 42.97, -76.52

 

CMYK 92 / 86 / 0 / 21

HEX #101CCA

RGB 16 28 202

HSL 236.13, 0.85%, 0.43%

LAB 27.31, 59.1, -85.84

 

CMYK 83 / 92 / 0 / 21

HEX #2310CA

RGB 35 16 202

HSL 246.13, 0.85%, 0.43%

LAB 26.71, 63.47, -86.82

 

CMYK 92 / 40 / 0 / 20

HEX #117ACB

RGB 17 122 203

HSL 206.13, 0.85%, 0.43%

LAB 49.92, 2.84, -49.49

HKS® 39

CMYK 92 / 40 / 0 / 0

HEX #1599FE

RGB 21 153 254

HSL 206.01, 0.99%, 0.54%

LAB 61.74, 3.79, -59.08

 

CMYK 92 / 40 / 0 / 80

HEX #041E32

RGB 4 30 50

HSL 206.09, 0.85%, 0.11%

LAB 10.44, -1.22, -16.06

 

CMYK 92 / 40 / 0 / 60

HEX #083D65

RGB 8 61 101

HSL 205.81, 0.85%, 0.21%

LAB 24.73, 0.05, -28.08

 

CMYK 91 / 40 / 0 / 40

HEX #0D5B98

RGB 13 91 152

HSL 206.33, 0.84%, 0.32%

LAB 37.54, 1.85, -39.4

 

CMYK 92 / 40 / 0 / 20

HEX #117ACB

RGB 17 122 203

HSL 206.13, 0.85%, 0.43%

LAB 49.92, 2.84, -49.49

HKS® 39

CMYK 34 / 92 / 0 / 21

HEX #8610CA

RGB 134 16 202

HSL 278.06, 0.85%, 0.43%

LAB 37.3, 70.96, -68.96

 

CMYK 3 / 0 / 92 / 21

HEX #C4CA10

RGB 196 202 16

HSL 61.94, 0.85%, 0.43%

LAB 78.47, -20.47, 77.07

 

CMYK 92 / 40 / 0 / 20

HEX #117ACB

RGB 17 122 203

HSL 206.13, 0.85%, 0.43%

LAB 49.92, 2.84, -49.49

HKS® 39

CMYK 0 / 92 / 40 / 21

HEX #CA107A

RGB 202 16 122

HSL 325.81, 0.85%, 0.43%

LAB 44.71, 71.25, -8.45

 

CMYK 40 / 0 / 92 / 21

HEX #7ACA10

RGB 122 202 16

HSL 85.81, 0.85%, 0.43%

LAB 73.81, -49.6, 71.41

 

CMYK 92 / 40 / 0 / 20

HEX #117ACB

RGB 17 122 203

HSL 206.13, 0.85%, 0.43%

LAB 49.92, 2.84, -49.49

HKS® 39

CMYK 34 / 92 / 0 / 21

HEX #8610CA

RGB 134 16 202

HSL 278.06, 0.85%, 0.43%

LAB 37.3, 70.96, -68.96

 

CMYK 0 / 52 / 92 / 21

HEX #CA6110

RGB 202 97 16

HSL 26.13, 0.85%, 0.43%

LAB 53.11, 37.67, 58.36

 

CMYK 58 / 0 / 92 / 21

HEX #54CA10

RGB 84 202 16

HSL 98.06, 0.85%, 0.43%

LAB 72.34, -60.96, 69.59

 

CMYK 92 / 40 / 0 / 20

HEX #117ACB

RGB 17 122 203

HSL 206.13, 0.85%, 0.43%

LAB 49.92, 2.84, -49.49

HKS® 39

CMYK 6 / 92 / 0 / 21

HEX #BE10CA

RGB 190 16 202

HSL 296.13, 0.85%, 0.43%

LAB 46.42, 79.07, -53.75

 

CMYK 0 / 52 / 92 / 21

HEX #CA6110

RGB 202 97 16

HSL 26.13, 0.85%, 0.43%

LAB 53.11, 37.67, 58.36

 

CMYK 86 / 0 / 92 / 21

HEX #1CCA10

RGB 28 202 16

HSL 116.13, 0.85%, 0.43%

LAB 71.23, -70.44, 68.21

 

Description

Color code: RGB 17 122 203 | qconv.com Color code: RGB 17 122 203 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 122 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 122 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 40 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 40% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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