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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 69 36 it is the complementary color RGB 77 186 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 69 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 69 36: RGB 183 69 31, RGB 200 87 50, RGB 217 105 69, RGB 234 123 88 and RGB 251 141 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 69 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 69 36: RGB 178 69 36, RGB 161 51 17, RGB 144 33 0, RGB 127 15 0 and RGB 110 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 80 / 30

HEX #B24524

RGB 178 69 36

HSL 13.94, 0.66%, 0.42%

LAB 44.02, 42.66, 41.46

 

Complementary color

CMYK 65 / 15 / 0 / 14

HEX #4DBADB

RGB 77 186 219

HSL 193.94, 0.66%, 0.58%

LAB 70.74, -21.02, -25.76

 

CMYK 0 / 62 / 83 / 28

HEX #B7451F

RGB 183 69 31

HSL 15, 0.71%, 0.42%

LAB 44.83, 44.34, 44.98

 

CMYK 0 / 57 / 75 / 22

HEX #C85732

RGB 200 87 50

HSL 14.8, 0.6%, 0.49%

LAB 51.07, 42.83, 42.69

 

CMYK 0 / 52 / 68 / 15

HEX #D96945

RGB 217 105 69

HSL 14.59, 0.66%, 0.56%

LAB 57.35, 41.33, 40.39

 

CMYK 0 / 47 / 62 / 8

HEX #EA7B58

RGB 234 123 88

HSL 14.38, 0.78%, 0.63%

LAB 63.64, 39.89, 38.27

 

CMYK 0 / 44 / 57 / 2

HEX #FB8D6B

RGB 251 141 107

HSL 14.17, 0.95%, 0.7%

LAB 69.91, 38.54, 36.33

 

CMYK 0 / 61 / 80 / 30

HEX #B24524

RGB 178 69 36

HSL 13.94, 0.66%, 0.42%

LAB 44.02, 42.66, 41.46

 

CMYK 0 / 68 / 89 / 37

HEX #A13311

RGB 161 51 17

HSL 14.17, 0.81%, 0.35%

LAB 37.82, 44.01, 43.64

 

CMYK 0 / 77 / 100 / 44

HEX #902100

RGB 144 33 0

HSL 13.75, 1%, 0.28%

LAB 31.85, 44.92, 44.61

 

CMYK 0 / 88 / 100 / 50

HEX #7F0F00

RGB 127 15 0

HSL 7.09, 1%, 0.25%

LAB 26.31, 44.86, 38.7

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 61 / 80 / 30

HEX #B24524

RGB 178 69 36

HSL 13.94, 0.66%, 0.42%

LAB 44.02, 42.66, 41.46

 

CMYK 0 / 49 / 80 / 31

HEX #B15A24

RGB 177 90 36

HSL 22.98, 0.66%, 0.42%

LAB 47.99, 31.67, 45.29

 

CMYK 0 / 36 / 80 / 31

HEX #B17224

RGB 177 114 36

HSL 33.19, 0.66%, 0.42%

LAB 53.5, 18.49, 50.52

 

CMYK 0 / 23 / 80 / 31

HEX #B18924

RGB 177 137 36

HSL 42.98, 0.66%, 0.42%

LAB 59.31, 5.66, 55.88

 

CMYK 0 / 9 / 80 / 31

HEX #B1A124

RGB 177 161 36

HSL 53.19, 0.66%, 0.42%

LAB 65.72, -7.35, 61.65

 

CMYK 0 / 61 / 80 / 30

HEX #B24524

RGB 178 69 36

HSL 13.94, 0.66%, 0.42%

LAB 44.02, 42.66, 41.46

 

CMYK 0 / 61 / 80 / 10

HEX #E5592E

RGB 229 89 46

HSL 14.1, 0.78%, 0.54%

LAB 56.09, 52.3, 51.27

 

CMYK 0 / 60 / 80 / 90

HEX #190A05

RGB 25 10 5

HSL 15, 0.67%, 0.06%

LAB 3.93, 5.07, 3.92

 

CMYK 0 / 62 / 80 / 70

HEX #4C1D0F

RGB 76 29 15

HSL 13.77, 0.67%, 0.18%

LAB 17.69, 21.23, 19.92

 

CMYK 0 / 61 / 80 / 50

HEX #7F311A

RGB 127 49 26

HSL 13.66, 0.66%, 0.3%

LAB 31.31, 32.42, 31.02

 

CMYK 0 / 61 / 80 / 30

HEX #B24524

RGB 178 69 36

HSL 13.94, 0.66%, 0.42%

LAB 44.02, 42.66, 41.46

 

CMYK 33 / 0 / 80 / 31

HEX #76B124

RGB 118 177 36

HSL 85.11, 0.66%, 0.42%

LAB 66.08, -39.91, 60.38

 

CMYK 80 / 65 / 0 / 31

HEX #243EB1

RGB 36 62 177

HSL 228.94, 0.66%, 0.42%

LAB 31.79, 33.03, -63.64

 

CMYK 0 / 61 / 80 / 30

HEX #B24524

RGB 178 69 36

HSL 13.94, 0.66%, 0.42%

LAB 44.02, 42.66, 41.46

 

CMYK 80 / 0 / 62 / 31

HEX #24B143

RGB 36 177 67

HSL 133.19, 0.66%, 0.42%

LAB 63.53, -58.55, 45.08

 

CMYK 62 / 80 / 0 / 31

HEX #4324B1

RGB 67 36 177

HSL 253.19, 0.66%, 0.42%

LAB 28.46, 51.16, -69.06

 

CMYK 0 / 61 / 80 / 30

HEX #B24524

RGB 178 69 36

HSL 13.94, 0.66%, 0.42%

LAB 44.02, 42.66, 41.46

 

CMYK 33 / 0 / 80 / 31

HEX #76B124

RGB 118 177 36

HSL 85.11, 0.66%, 0.42%

LAB 66.08, -39.91, 60.38

 

CMYK 80 / 17 / 0 / 31

HEX #2493B1

RGB 36 147 177

HSL 192.77, 0.66%, 0.42%

LAB 56.5, -19.66, -24.3

 

CMYK 46 / 80 / 0 / 31

HEX #5F24B1

RGB 95 36 177

HSL 265.11, 0.66%, 0.42%

LAB 31.51, 54.72, -63.93

 

CMYK 0 / 61 / 80 / 30

HEX #B24524

RGB 178 69 36

HSL 13.94, 0.66%, 0.42%

LAB 44.02, 42.66, 41.46

 

CMYK 57 / 0 / 80 / 31

HEX #4CB124

RGB 76 177 36

HSL 102.98, 0.66%, 0.42%

LAB 64.25, -53.44, 58.02

 

CMYK 80 / 17 / 0 / 31

HEX #2493B1

RGB 36 147 177

HSL 192.77, 0.66%, 0.42%

LAB 56.5, -19.66, -24.3

 

CMYK 23 / 80 / 0 / 31

HEX #8924B1

RGB 137 36 177

HSL 282.98, 0.66%, 0.42%

LAB 37.4, 61.59, -54.08

 

Description

Color code: RGB 178 69 36 | qconv.com Color code: RGB 178 69 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 69 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 69 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 80 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 80% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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