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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 172 5 it is the complementary color RGB 78 83 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 172 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 172 5: RGB 182 172 0, RGB 199 190 19, RGB 216 208 38, RGB 233 226 57 and RGB 250 244 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 172 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 172 5: RGB 177 172 5, RGB 160 154 0, RGB 143 136 0, RGB 126 118 0 and RGB 109 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 97 / 31

HEX #B1AC05

RGB 177 172 5

HSL 58.26, 0.95%, 0.36%

LAB 68.65, -13.77, 70.23

 

Complementary color

CMYK 69 / 67 / 0 / 2

HEX #4E53FA

RGB 78 83 250

HSL 238.26, 0.95%, 0.64%

LAB 45.23, 49.85, -83.53

 

CMYK 0 / 5 / 100 / 29

HEX #B6AC00

RGB 182 172 0

HSL 56.7, 1%, 0.36%

LAB 69.08, -11.62, 71.34

 

CMYK 0 / 5 / 90 / 22

HEX #C7BE13

RGB 199 190 19

HSL 57, 0.83%, 0.43%

LAB 75.46, -13.14, 74.42

 

CMYK 0 / 4 / 82 / 15

HEX #D8D026

RGB 216 208 38

HSL 57.3, 0.7%, 0.5%

LAB 81.76, -14.47, 76.29

 

CMYK 0 / 3 / 76 / 9

HEX #E9E239

RGB 233 226 57

HSL 57.61, 0.8%, 0.57%

LAB 87.97, -15.61, 77.07

 

CMYK 0 / 2 / 70 / 2

HEX #FAF44C

RGB 250 244 76

HSL 57.93, 0.95%, 0.64%

LAB 94.12, -16.59, 77.13

 

CMYK 0 / 3 / 97 / 31

HEX #B1AC05

RGB 177 172 5

HSL 58.26, 0.95%, 0.36%

LAB 68.65, -13.77, 70.23

 

CMYK 0 / 4 / 100 / 37

HEX #A09A00

RGB 160 154 0

HSL 57.75, 1%, 0.31%

LAB 62.16, -12.08, 65.45

 

CMYK 0 / 5 / 100 / 44

HEX #8F8800

RGB 143 136 0

HSL 57.06, 1%, 0.28%

LAB 55.53, -10.28, 59.95

 

CMYK 0 / 6 / 100 / 51

HEX #7E7600

RGB 126 118 0

HSL 56.19, 1%, 0.25%

LAB 48.75, -8.4, 54.33

 

CMYK 0 / 8 / 100 / 57

HEX #6D6400

RGB 109 100 0

HSL 55.05, 1%, 0.21%

LAB 41.79, -6.45, 48.56

 

CMYK 0 / 3 / 97 / 31

HEX #B1AC05

RGB 177 172 5

HSL 58.26, 0.95%, 0.36%

LAB 68.65, -13.77, 70.23

 

CMYK 13 / 0 / 98 / 30

HEX #9BB304

RGB 155 179 4

HSL 68.23, 0.96%, 0.36%

LAB 68.91, -26.85, 69.78

 

CMYK 30 / 0 / 98 / 30

HEX #7EB304

RGB 126 179 4

HSL 78.17, 0.96%, 0.36%

LAB 67.04, -38.66, 67.53

 

CMYK 46 / 0 / 98 / 30

HEX #61B304

RGB 97 179 4

HSL 88.11, 0.96%, 0.36%

LAB 65.59, -49.04, 65.76

 

CMYK 62 / 0 / 98 / 30

HEX #44B304

RGB 68 179 4

HSL 98.06, 0.96%, 0.36%

LAB 64.55, -57.28, 64.49

 

CMYK 0 / 3 / 97 / 31

HEX #B1AC05

RGB 177 172 5

HSL 58.26, 0.95%, 0.36%

LAB 68.65, -13.77, 70.23

 

CMYK 0 / 3 / 97 / 11

HEX #E4DE06

RGB 228 222 6

HSL 58.38, 0.95%, 0.46%

LAB 86.38, -16.83, 85.16

 

CMYK 0 / 4 / 96 / 91

HEX #181701

RGB 24 23 1

HSL 57.39, 0.92%, 0.05%

LAB 7.31, -3.3, 10.48

 

CMYK 0 / 3 / 97 / 71

HEX #4B4902

RGB 75 73 2

HSL 58.36, 0.95%, 0.15%

LAB 30.07, -7.62, 37.72

 

CMYK 0 / 3 / 97 / 51

HEX #7E7A04

RGB 126 122 4

HSL 58.03, 0.94%, 0.25%

LAB 49.93, -10.53, 54.38

 

CMYK 0 / 3 / 97 / 31

HEX #B1AC05

RGB 177 172 5

HSL 58.26, 0.95%, 0.36%

LAB 68.65, -13.77, 70.23

 

CMYK 98 / 0 / 82 / 30

HEX #04B321

RGB 4 179 33

HSL 129.94, 0.96%, 0.36%

LAB 63.65, -64.72, 57.9

 

CMYK 42 / 98 / 0 / 30

HEX #6704B3

RGB 103 4 179

HSL 273.94, 0.96%, 0.36%

LAB 29.97, 64.47, -67.61

 

CMYK 0 / 3 / 97 / 31

HEX #B1AC05

RGB 177 172 5

HSL 58.26, 0.95%, 0.36%

LAB 68.65, -13.77, 70.23

 

CMYK 98 / 0 / 3 / 30

HEX #04B3AD

RGB 4 179 173

HSL 177.94, 0.96%, 0.36%

LAB 65.97, -38.55, -7.76

 

CMYK 3 / 98 / 0 / 30

HEX #AD04B3

RGB 173 4 179

HSL 297.94, 0.96%, 0.36%

LAB 41.57, 73.96, -48.23

 

CMYK 0 / 3 / 97 / 31

HEX #B1AC05

RGB 177 172 5

HSL 58.26, 0.95%, 0.36%

LAB 68.65, -13.77, 70.23

 

CMYK 98 / 0 / 82 / 30

HEX #04B321

RGB 4 179 33

HSL 129.94, 0.96%, 0.36%

LAB 63.65, -64.72, 57.9

 

CMYK 98 / 94 / 0 / 30

HEX #040AB3

RGB 4 10 179

HSL 237.94, 0.96%, 0.36%

LAB 21.94, 58.27, -81.2

 

CMYK 0 / 98 / 17 / 30

HEX #B30495

RGB 179 4 149

HSL 310.29, 0.96%, 0.36%

LAB 40.96, 70.76, -31.13

 

CMYK 0 / 3 / 97 / 31

HEX #B1AC05

RGB 177 172 5

HSL 58.26, 0.95%, 0.36%

LAB 68.65, -13.77, 70.23

 

CMYK 98 / 0 / 53 / 30

HEX #04B355

RGB 4 179 85

HSL 147.77, 0.96%, 0.36%

LAB 64.1, -59.13, 37.13

 

CMYK 98 / 94 / 0 / 30

HEX #040AB3

RGB 4 10 179

HSL 237.94, 0.96%, 0.36%

LAB 21.94, 58.27, -81.2

 

CMYK 0 / 98 / 46 / 30

HEX #B30461

RGB 179 4 97

HSL 328.11, 0.96%, 0.36%

LAB 38.78, 65.13, -2.09

 

Description

Color code: RGB 177 172 5 | qconv.com Color code: RGB 177 172 5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 172 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 172 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 97 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 97% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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