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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 163 84 it is the complementary color RGB 78 92 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 163 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 163 84: RGB 182 163 79, RGB 199 181 98, RGB 216 199 117, RGB 233 217 136 and RGB 250 235 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 163 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 163 84: RGB 177 163 84, RGB 160 145 65, RGB 143 127 46, RGB 126 109 27 and RGB 109 91 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 53 / 31

HEX #B1A354

RGB 177 163 84

HSL 50.97, 0.37%, 0.51%

LAB 66.66, -5.47, 42.44

 

Complementary color

CMYK 54 / 46 / 0 / 33

HEX #4E5CAB

RGB 78 92 171

HSL 230.97, 0.37%, 0.49%

LAB 41.55, 17.97, -44.16

 

CMYK 0 / 10 / 57 / 29

HEX #B6A34F

RGB 182 163 79

HSL 48.93, 0.41%, 0.51%

LAB 67.05, -3.75, 45.48

 

CMYK 0 / 9 / 51 / 22

HEX #C7B562

RGB 199 181 98

HSL 49.31, 0.47%, 0.58%

LAB 73.59, -4.49, 44.26

 

CMYK 0 / 8 / 46 / 15

HEX #D8C775

RGB 216 199 117

HSL 49.7, 0.56%, 0.65%

LAB 80.03, -5.1, 43.03

 

CMYK 0 / 7 / 42 / 9

HEX #E9D988

RGB 233 217 136

HSL 50.1, 0.69%, 0.72%

LAB 86.37, -5.61, 41.82

 

CMYK 0 / 6 / 38 / 2

HEX #FAEB9B

RGB 250 235 155

HSL 50.53, 0.9%, 0.79%

LAB 92.62, -6.06, 40.66

 

CMYK 0 / 8 / 53 / 31

HEX #B1A354

RGB 177 163 84

HSL 50.97, 0.37%, 0.51%

LAB 66.66, -5.47, 42.44

 

CMYK 0 / 9 / 59 / 37

HEX #A09141

RGB 160 145 65

HSL 50.53, 0.42%, 0.44%

LAB 59.98, -4.72, 43.64

 

CMYK 0 / 11 / 68 / 44

HEX #8F7F2E

RGB 143 127 46

HSL 50.1, 0.51%, 0.37%

LAB 53.18, -3.77, 44.66

 

CMYK 0 / 13 / 79 / 51

HEX #7E6D1B

RGB 126 109 27

HSL 49.7, 0.65%, 0.3%

LAB 46.25, -2.56, 45.17

 

CMYK 0 / 17 / 93 / 57

HEX #6D5B08

RGB 109 91 8

HSL 49.31, 0.86%, 0.23%

LAB 39.16, -0.99, 44.41

 

CMYK 0 / 8 / 53 / 31

HEX #B1A354

RGB 177 163 84

HSL 50.97, 0.37%, 0.51%

LAB 66.66, -5.47, 42.44

 

CMYK 0 / 0 / 53 / 31

HEX #B0B053

RGB 176 176 83

HSL 60, 0.37%, 0.51%

LAB 70.11, -12.81, 46.96

 

CMYK 9 / 0 / 53 / 31

HEX #A0B053

RGB 160 176 83

HSL 70.32, 0.37%, 0.51%

LAB 68.86, -19.45, 45.18

 

CMYK 18 / 0 / 53 / 31

HEX #91B053

RGB 145 176 83

HSL 80, 0.37%, 0.51%

LAB 67.8, -25.5, 43.67

 

CMYK 26 / 0 / 53 / 31

HEX #82B053

RGB 130 176 83

HSL 89.68, 0.37%, 0.51%

LAB 66.84, -31.28, 42.3

 

CMYK 0 / 8 / 53 / 31

HEX #B1A354

RGB 177 163 84

HSL 50.97, 0.37%, 0.51%

LAB 66.66, -5.47, 42.44

 

CMYK 0 / 8 / 53 / 11

HEX #E4D26C

RGB 228 210 108

HSL 51, 0.69%, 0.66%

LAB 83.79, -6.66, 52.2

 

CMYK 0 / 8 / 54 / 91

HEX #18160B

RGB 24 22 11

HSL 50.77, 0.37%, 0.07%

LAB 7.16, -1.19, 6.17

 

CMYK 0 / 8 / 52 / 71

HEX #4B4524

RGB 75 69 36

HSL 50.77, 0.35%, 0.22%

LAB 29.11, -2.82, 20.76

 

CMYK 0 / 8 / 52 / 51

HEX #7E743C

RGB 126 116 60

HSL 50.91, 0.35%, 0.36%

LAB 48.58, -4.21, 32.07

 

CMYK 0 / 8 / 53 / 31

HEX #B1A354

RGB 177 163 84

HSL 50.97, 0.37%, 0.51%

LAB 66.66, -5.47, 42.44

 

CMYK 53 / 0 / 51 / 31

HEX #53B056

RGB 83 176 86

HSL 121.94, 0.37%, 0.51%

LAB 64.61, -46.3, 37.59

 

CMYK 30 / 53 / 0 / 31

HEX #7B53B0

RGB 123 83 176

HSL 265.81, 0.37%, 0.51%

LAB 43.55, 36.16, -43.69

 

CMYK 0 / 8 / 53 / 31

HEX #B1A354

RGB 177 163 84

HSL 50.97, 0.37%, 0.51%

LAB 66.66, -5.47, 42.44

 

CMYK 53 / 0 / 9 / 31

HEX #53B0A0

RGB 83 176 160

HSL 169.68, 0.37%, 0.51%

LAB 66.08, -31.58, -0.22

 

CMYK 9 / 53 / 0 / 31

HEX #A053B0

RGB 160 83 176

HSL 289.68, 0.37%, 0.51%

LAB 48, 46.31, -36.36

 

CMYK 0 / 8 / 53 / 31

HEX #B1A354

RGB 177 163 84

HSL 50.97, 0.37%, 0.51%

LAB 66.66, -5.47, 42.44

 

CMYK 53 / 0 / 51 / 31

HEX #53B056

RGB 83 176 86

HSL 121.94, 0.37%, 0.51%

LAB 64.61, -46.3, 37.59

 

CMYK 53 / 44 / 0 / 31

HEX #5363B0

RGB 83 99 176

HSL 229.68, 0.37%, 0.51%

LAB 44.09, 16.31, -43.05

 

CMYK 0 / 53 / 2 / 31

HEX #B053AD

RGB 176 83 173

HSL 301.94, 0.37%, 0.51%

LAB 50.02, 50.26, -31.29

 

CMYK 0 / 8 / 53 / 31

HEX #B1A354

RGB 177 163 84

HSL 50.97, 0.37%, 0.51%

LAB 66.66, -5.47, 42.44

 

CMYK 53 / 0 / 35 / 31

HEX #53B072

RGB 83 176 114

HSL 140, 0.37%, 0.51%

LAB 65.05, -41.74, 23.57

 

CMYK 53 / 44 / 0 / 31

HEX #5363B0

RGB 83 99 176

HSL 229.68, 0.37%, 0.51%

LAB 44.09, 16.31, -43.05

 

CMYK 0 / 53 / 18 / 31

HEX #B05391

RGB 176 83 145

HSL 320, 0.37%, 0.51%

LAB 48.84, 45.56, -16.57

 

Description

Color code: RGB 177 163 84 | qconv.com Color code: RGB 177 163 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 163 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 163 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 53% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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