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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 175 105 it is the complementary color RGB 80 80 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 175 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 175 105: RGB 180 175 100, RGB 197 193 119, RGB 214 211 138, RGB 231 229 157 and RGB 248 247 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 175 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 175 105: RGB 175 175 105, RGB 158 157 86, RGB 141 139 67, RGB 124 121 48 and RGB 107 103 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 40 / 31

HEX #AFAF69

RGB 175 175 105

HSL 60, 0.3%, 0.55%

LAB 70.03, -10.54, 35.86

 

Complementary color

CMYK 47 / 47 / 0 / 41

HEX #505096

RGB 80 80 150

HSL 240, 0.3%, 0.45%

LAB 37.2, 19.3, -38.57

 

CMYK 0 / 3 / 44 / 29

HEX #B4AF64

RGB 180 175 100

HSL 56.25, 0.35%, 0.55%

LAB 70.37, -9.03, 38.94

 

CMYK 0 / 2 / 40 / 23

HEX #C5C177

RGB 197 193 119

HSL 56.92, 0.4%, 0.62%

LAB 76.89, -9.45, 37.73

 

CMYK 0 / 1 / 36 / 16

HEX #D6D38A

RGB 214 211 138

HSL 57.63, 0.48%, 0.69%

LAB 83.29, -9.79, 36.56

 

CMYK 0 / 1 / 32 / 9

HEX #E7E59D

RGB 231 229 157

HSL 58.38, 0.61%, 0.76%

LAB 89.61, -10.09, 35.43

 

CMYK 0 / 0 / 29 / 3

HEX #F8F7B0

RGB 248 247 176

HSL 59.17, 0.84%, 0.83%

LAB 95.84, -10.34, 34.35

 

CMYK 0 / 0 / 40 / 31

HEX #AFAF69

RGB 175 175 105

HSL 60, 0.3%, 0.55%

LAB 70.03, -10.54, 35.86

 

CMYK 0 / 1 / 46 / 38

HEX #9E9D56

RGB 158 157 86

HSL 59.17, 0.3%, 0.48%

LAB 63.39, -10.14, 37.09

 

CMYK 0 / 1 / 52 / 45

HEX #8D8B43

RGB 141 139 67

HSL 58.38, 0.36%, 0.41%

LAB 56.62, -9.64, 38.32

 

CMYK 0 / 2 / 61 / 51

HEX #7C7930

RGB 124 121 48

HSL 57.63, 0.44%, 0.34%

LAB 49.71, -8.97, 39.45

 

CMYK 0 / 4 / 73 / 58

HEX #6B671D

RGB 107 103 29

HSL 56.92, 0.57%, 0.27%

LAB 42.63, -8.08, 40.23

 

CMYK 0 / 0 / 40 / 31

HEX #AFAF69

RGB 175 175 105

HSL 60, 0.3%, 0.55%

LAB 70.03, -10.54, 35.86

 

CMYK 6 / 0 / 40 / 32

HEX #A3AE69

RGB 163 174 105

HSL 69.57, 0.3%, 0.55%

LAB 68.81, -14.88, 34.11

 

CMYK 13 / 0 / 40 / 32

HEX #97AE69

RGB 151 174 105

HSL 80, 0.3%, 0.55%

LAB 67.93, -19.63, 32.8

 

CMYK 20 / 0 / 40 / 32

HEX #8CAE69

RGB 140 174 105

HSL 89.57, 0.3%, 0.55%

LAB 67.18, -23.86, 31.69

 

CMYK 26 / 0 / 40 / 32

HEX #80AE69

RGB 128 174 105

HSL 100, 0.3%, 0.55%

LAB 66.43, -28.29, 30.57

 

CMYK 0 / 0 / 40 / 31

HEX #AFAF69

RGB 175 175 105

HSL 60, 0.3%, 0.55%

LAB 70.03, -10.54, 35.86

 

CMYK 0 / 0 / 40 / 11

HEX #E2E288

RGB 226 226 136

HSL 60, 0.61%, 0.71%

LAB 88.13, -12.88, 43.94

 

CMYK 0 / 0 / 41 / 91

HEX #16160D

RGB 22 22 13

HSL 60, 0.26%, 0.07%

LAB 6.99, -1.83, 4.98

 

CMYK 0 / 0 / 40 / 71

HEX #49492C

RGB 73 73 44

HSL 60, 0.25%, 0.23%

LAB 30.31, -5.23, 17.39

 

CMYK 0 / 0 / 40 / 51

HEX #7C7C4A

RGB 124 124 74

HSL 60, 0.25%, 0.39%

LAB 50.91, -8.07, 27.29

 

CMYK 0 / 0 / 40 / 31

HEX #AFAF69

RGB 175 175 105

HSL 60, 0.3%, 0.55%

LAB 70.03, -10.54, 35.86

 

CMYK 40 / 0 / 32 / 32

HEX #69AE77

RGB 105 174 119

HSL 132.17, 0.3%, 0.55%

LAB 65.44, -33.74, 21.56

 

CMYK 16 / 40 / 0 / 32

HEX #9369AE

RGB 147 105 174

HSL 276.52, 0.3%, 0.55%

LAB 51.11, 29.92, -30.44

 

CMYK 0 / 0 / 40 / 31

HEX #AFAF69

RGB 175 175 105

HSL 60, 0.3%, 0.55%

LAB 70.03, -10.54, 35.86

 

CMYK 40 / 0 / 0 / 32

HEX #69AEAE

RGB 105 174 174

HSL 180, 0.3%, 0.55%

LAB 66.77, -21.72, -6.87

 

CMYK 0 / 40 / 0 / 32

HEX #AE69AE

RGB 174 105 174

HSL 300, 0.3%, 0.55%

LAB 54.19, 38.43, -25.41

 

CMYK 0 / 0 / 40 / 31

HEX #AFAF69

RGB 175 175 105

HSL 60, 0.3%, 0.55%

LAB 70.03, -10.54, 35.86

 

CMYK 40 / 0 / 32 / 32

HEX #69AE77

RGB 105 174 119

HSL 132.17, 0.3%, 0.55%

LAB 65.44, -33.74, 21.56

 

CMYK 40 / 40 / 0 / 32

HEX #6969AE

RGB 105 105 174

HSL 240, 0.3%, 0.55%

LAB 47.19, 17.5, -36.86

 

CMYK 0 / 40 / 8 / 32

HEX #AE69A0

RGB 174 105 160

HSL 312.17, 0.3%, 0.55%

LAB 53.64, 35.85, -18.11

 

CMYK 0 / 0 / 40 / 31

HEX #AFAF69

RGB 175 175 105

HSL 60, 0.3%, 0.55%

LAB 70.03, -10.54, 35.86

 

CMYK 40 / 0 / 20 / 32

HEX #69AE8C

RGB 105 174 140

HSL 150.43, 0.3%, 0.55%

LAB 65.88, -29.63, 10.68

 

CMYK 40 / 40 / 0 / 32

HEX #6969AE

RGB 105 105 174

HSL 240, 0.3%, 0.55%

LAB 47.19, 17.5, -36.86

 

CMYK 0 / 40 / 20 / 32

HEX #AE698C

RGB 174 105 140

HSL 329.57, 0.3%, 0.55%

LAB 52.94, 32.48, -7.44

 

Description

Color code: RGB 175 175 105 | qconv.com Color code: RGB 175 175 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 175 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 175 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 40 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 40% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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