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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 186 170 it is the complementary color RGB 81 69 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 186 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 186 170: RGB 179 186 165, RGB 196 204 184, RGB 213 222 203, RGB 230 240 222 and RGB 247 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 186 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 186 170: RGB 174 186 170, RGB 157 168 151, RGB 140 150 132, RGB 123 132 113 and RGB 106 114 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 9 / 27

HEX #AEBAAA

RGB 174 186 170

HSL 105, 0.1%, 0.7%

LAB 74.2, -7.15, 6.68

 

Complementary color

CMYK 5 / 19 / 0 / 67

HEX #514555

RGB 81 69 85

HSL 285, 0.1%, 0.3%

LAB 31.02, 8.49, -7.64

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 4 / 0 / 10 / 20

HEX #C4CCB8

RGB 196 204 184

HSL 84, 0.16%, 0.76%

LAB 80.95, -6.32, 9.02

 

CMYK 4 / 0 / 9 / 13

HEX #D5DECB

RGB 213 222 203

HSL 88.42, 0.22%, 0.83%

LAB 87.34, -6.4, 8.27

 

CMYK 4 / 0 / 8 / 6

HEX #E6F0DE

RGB 230 240 222

HSL 93.33, 0.38%, 0.91%

LAB 93.63, -6.48, 7.54

 

CMYK 3 / 0 / 5 / 0

HEX #F7FFF1

RGB 247 255 241

HSL 94.29, 1%, 0.97%

LAB 99.08, -5.06, 5.76

 

CMYK 6 / 0 / 9 / 27

HEX #AEBAAA

RGB 174 186 170

HSL 105, 0.1%, 0.7%

LAB 74.2, -7.15, 6.68

 

CMYK 7 / 0 / 10 / 34

HEX #9DA897

RGB 157 168 151

HSL 98.82, 0.09%, 0.63%

LAB 67.58, -7.1, 7.45

 

CMYK 7 / 0 / 12 / 41

HEX #8C9684

RGB 140 150 132

HSL 93.33, 0.08%, 0.55%

LAB 60.83, -7.06, 8.27

 

CMYK 7 / 0 / 14 / 48

HEX #7B8471

RGB 123 132 113

HSL 88.42, 0.08%, 0.48%

LAB 53.93, -7.02, 9.14

 

CMYK 7 / 0 / 18 / 55

HEX #6A725E

RGB 106 114 94

HSL 84, 0.1%, 0.41%

LAB 46.85, -6.97, 10.08

 

CMYK 6 / 0 / 9 / 27

HEX #AEBAAA

RGB 174 186 170

HSL 105, 0.1%, 0.7%

LAB 74.2, -7.15, 6.68

 

CMYK 8 / 0 / 9 / 27

HEX #ACBAAA

RGB 172 186 170

HSL 112.5, 0.1%, 0.7%

LAB 74.06, -7.85, 6.45

 

CMYK 9 / 0 / 8 / 27

HEX #AABAAC

RGB 170 186 172

HSL 127.5, 0.1%, 0.7%

LAB 73.96, -8.19, 5.21

 

CMYK 9 / 0 / 6 / 27

HEX #AABAAE

RGB 170 186 174

HSL 135, 0.1%, 0.7%

LAB 74.01, -7.81, 4.19

 

CMYK 9 / 0 / 5 / 27

HEX #AABAB1

RGB 170 186 177

HSL 146.25, 0.1%, 0.7%

LAB 74.09, -7.25, 2.67

 

CMYK 6 / 0 / 9 / 27

HEX #AEBAAA

RGB 174 186 170

HSL 105, 0.1%, 0.7%

LAB 74.2, -7.15, 6.68

 

CMYK 6 / 0 / 8 / 7

HEX #DEEDD9

RGB 222 237 217

HSL 105, 0.36%, 0.89%

LAB 92.18, -8.54, 7.98

 

CMYK 6 / 0 / 9 / 87

HEX #1F211E

RGB 31 33 30

HSL 100, 0.05%, 0.12%

LAB 12.43, -1.67, 1.71

 

CMYK 6 / 0 / 8 / 67

HEX #4F544D

RGB 79 84 77

HSL 102.86, 0.04%, 0.32%

LAB 35.08, -3.51, 3.4

 

CMYK 7 / 0 / 9 / 47

HEX #7E877B

RGB 126 135 123

HSL 105, 0.05%, 0.51%

LAB 55.27, -5.69, 5.31

 

CMYK 6 / 0 / 9 / 27

HEX #AEBAAA

RGB 174 186 170

HSL 105, 0.1%, 0.7%

LAB 74.2, -7.15, 6.68

 

CMYK 9 / 0 / 1 / 27

HEX #AABAB9

RGB 170 186 185

HSL 176.25, 0.1%, 0.7%

LAB 74.3, -5.69, -1.39

 

CMYK 0 / 9 / 3 / 27

HEX #BAAAB4

RGB 186 170 180

HSL 322.5, 0.1%, 0.7%

LAB 71.2, 7.55, -3.04

 

CMYK 6 / 0 / 9 / 27

HEX #AEBAAA

RGB 174 186 170

HSL 105, 0.1%, 0.7%

LAB 74.2, -7.15, 6.68

 

CMYK 9 / 6 / 0 / 27

HEX #AAAEBA

RGB 170 174 186

HSL 225, 0.1%, 0.7%

LAB 71.12, 0.97, -6.61

 

CMYK 0 / 9 / 6 / 27

HEX #BAAAAE

RGB 186 170 174

HSL 345, 0.1%, 0.7%

LAB 71.04, 6.47, 0.03

 

CMYK 6 / 0 / 9 / 27

HEX #AEBAAA

RGB 174 186 170

HSL 105, 0.1%, 0.7%

LAB 74.2, -7.15, 6.68

 

CMYK 9 / 0 / 1 / 27

HEX #AABAB9

RGB 170 186 185

HSL 176.25, 0.1%, 0.7%

LAB 74.3, -5.69, -1.39

 

CMYK 2 / 9 / 0 / 27

HEX #B6AABA

RGB 182 170 186

HSL 285, 0.1%, 0.7%

LAB 71.04, 7.28, -6.63

 

CMYK 0 / 9 / 8 / 27

HEX #BAAAAB

RGB 186 170 171

HSL 356.25, 0.1%, 0.7%

LAB 70.96, 5.94, 1.57

 

CMYK 6 / 0 / 9 / 27

HEX #AEBAAA

RGB 174 186 170

HSL 105, 0.1%, 0.7%

LAB 74.2, -7.15, 6.68

 

CMYK 9 / 2 / 0 / 27

HEX #AAB6BA

RGB 170 182 186

HSL 195, 0.1%, 0.7%

LAB 73.25, -3.35, -3.47

 

CMYK 2 / 9 / 0 / 27

HEX #B6AABA

RGB 182 170 186

HSL 285, 0.1%, 0.7%

LAB 71.04, 7.28, -6.63

 

CMYK 0 / 6 / 9 / 27

HEX #BAAEAA

RGB 186 174 170

HSL 15, 0.1%, 0.7%

LAB 71.97, 3.59, 3.58

 

Description

Color code: RGB 174 186 170 | qconv.com Color code: RGB 174 186 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 186 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 186 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 9 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 9% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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