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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 201 193 it is the complementary color RGB 82 54 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 201 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 201 193: RGB 178 201 188, RGB 195 219 207, RGB 212 237 226, RGB 229 255 245 and RGB 246 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 201 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 201 193: RGB 173 201 193, RGB 156 183 174, RGB 139 165 155, RGB 122 147 136 and RGB 105 129 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 4 / 21

HEX #ADC9C1

RGB 173 201 193

HSL 162.86, 0.21%, 0.73%

LAB 78.76, -10.97, 0.82

 

Complementary color

CMYK 0 / 34 / 24 / 68

HEX #52363E

RGB 82 54 62

HSL 342.86, 0.21%, 0.27%

LAB 26.1, 13.89, 0.11

 

CMYK 11 / 0 / 6 / 21

HEX #B2C9BC

RGB 178 201 188

HSL 146.09, 0.18%, 0.74%

LAB 78.97, -10.27, 3.86

 

CMYK 11 / 0 / 5 / 14

HEX #C3DBCF

RGB 195 219 207

HSL 150, 0.25%, 0.81%

LAB 85.39, -10.25, 3.18

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 10 / 0 / 4 / 0

HEX #E5FFF5

RGB 229 255 245

HSL 156.92, 1%, 0.95%

LAB 97.94, -10.25, 1.9

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 14 / 0 / 4 / 21

HEX #ADC9C1

RGB 173 201 193

HSL 162.86, 0.21%, 0.73%

LAB 78.76, -10.97, 0.82

 

CMYK 15 / 0 / 5 / 28

HEX #9CB7AE

RGB 156 183 174

HSL 160, 0.16%, 0.66%

LAB 72.22, -11.01, 1.48

 

CMYK 16 / 0 / 6 / 35

HEX #8BA59B

RGB 139 165 155

HSL 156.92, 0.13%, 0.6%

LAB 65.57, -11.07, 2.16

 

CMYK 17 / 0 / 7 / 42

HEX #7A9388

RGB 122 147 136

HSL 153.6, 0.1%, 0.53%

LAB 58.77, -11.15, 2.87

 

CMYK 19 / 0 / 9 / 49

HEX #698175

RGB 105 129 117

HSL 150, 0.1%, 0.46%

LAB 51.82, -11.26, 3.63

 

CMYK 14 / 0 / 4 / 21

HEX #ADC9C1

RGB 173 201 193

HSL 162.86, 0.21%, 0.73%

LAB 78.76, -10.97, 0.82

 

CMYK 15 / 0 / 2 / 22

HEX #ABC8C4

RGB 171 200 196

HSL 171.72, 0.21%, 0.73%

LAB 78.43, -10.5, -1.28

 

CMYK 15 / 0 / 0 / 22

HEX #ABC7C8

RGB 171 199 200

HSL 182.07, 0.21%, 0.73%

LAB 78.27, -9.16, -3.67

 

CMYK 15 / 3 / 0 / 22

HEX #ABC2C8

RGB 171 194 200

HSL 192.41, 0.21%, 0.73%

LAB 76.93, -6.54, -5.65

 

CMYK 15 / 5 / 0 / 22

HEX #ABBEC8

RGB 171 190 200

HSL 200.69, 0.21%, 0.73%

LAB 75.86, -4.42, -7.24

 

CMYK 14 / 0 / 4 / 21

HEX #ADC9C1

RGB 173 201 193

HSL 162.86, 0.21%, 0.73%

LAB 78.76, -10.97, 0.82

 

CMYK 14 / 0 / 4 / 1

HEX #D9FCF2

RGB 217 252 242

HSL 162.86, 0.85%, 0.92%

LAB 96.32, -13.13, 0.99

 

CMYK 15 / 0 / 4 / 81

HEX #29302E

RGB 41 48 46

HSL 162.86, 0.08%, 0.17%

LAB 19.15, -3.52, 0.25

 

CMYK 14 / 0 / 4 / 61

HEX #55635F

RGB 85 99 95

HSL 162.86, 0.08%, 0.36%

LAB 40.7, -6.24, 0.46

 

CMYK 14 / 0 / 4 / 41

HEX #819690

RGB 129 150 144

HSL 162.86, 0.09%, 0.55%

LAB 60.33, -8.68, 0.65

 

CMYK 14 / 0 / 4 / 21

HEX #ADC9C1

RGB 173 201 193

HSL 162.86, 0.21%, 0.73%

LAB 78.76, -10.97, 0.82

 

CMYK 15 / 13 / 0 / 22

HEX #ABAEC8

RGB 171 174 200

HSL 233.79, 0.21%, 0.73%

LAB 71.62, 4.23, -13.56

 

CMYK 0 / 10 / 15 / 22

HEX #C8B4AB

RGB 200 180 171

HSL 18.62, 0.21%, 0.73%

LAB 74.74, 5.65, 7.18

 

CMYK 14 / 0 / 4 / 21

HEX #ADC9C1

RGB 173 201 193

HSL 162.86, 0.21%, 0.73%

LAB 78.76, -10.97, 0.82

 

CMYK 5 / 15 / 0 / 22

HEX #BFABC8

RGB 191 171 200

HSL 281.38, 0.21%, 0.73%

LAB 72.48, 12.54, -12.11

 

CMYK 0 / 5 / 15 / 22

HEX #C8BFAB

RGB 200 191 171

HSL 41.38, 0.21%, 0.73%

LAB 77.57, -0.22, 11.22

 

CMYK 14 / 0 / 4 / 21

HEX #ADC9C1

RGB 173 201 193

HSL 162.86, 0.21%, 0.73%

LAB 78.76, -10.97, 0.82

 

CMYK 15 / 13 / 0 / 22

HEX #ABAEC8

RGB 171 174 200

HSL 233.79, 0.21%, 0.73%

LAB 71.62, 4.23, -13.56

 

CMYK 0 / 15 / 10 / 22

HEX #C8ABB4

RGB 200 171 180

HSL 341.38, 0.21%, 0.73%

LAB 72.69, 12.02, -0.71

 

CMYK 0 / 1 / 15 / 22

HEX #C8C5AB

RGB 200 197 171

HSL 53.79, 0.21%, 0.73%

LAB 79.13, -3.38, 13.43

 

CMYK 14 / 0 / 4 / 21

HEX #ADC9C1

RGB 173 201 193

HSL 162.86, 0.21%, 0.73%

LAB 78.76, -10.97, 0.82

 

CMYK 12 / 15 / 0 / 22

HEX #B1ABC8

RGB 177 171 200

HSL 252.41, 0.21%, 0.73%

LAB 71.31, 7.85, -13.98

 

CMYK 0 / 15 / 10 / 22

HEX #C8ABB4

RGB 200 171 180

HSL 341.38, 0.21%, 0.73%

LAB 72.69, 12.02, -0.71

 

CMYK 3 / 0 / 15 / 22

HEX #C2C8AB

RGB 194 200 171

HSL 72.41, 0.21%, 0.73%

LAB 79.45, -7.13, 13.82

 

Description

Color code: RGB 173 201 193 | qconv.com Color code: RGB 173 201 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 201 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 201 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 4 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 4% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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