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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 199 218 it is the complementary color RGB 82 56 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 199 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 199 218: RGB 178 199 213, RGB 195 217 232, RGB 212 235 251, RGB 229 253 255 and RGB 246 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 199 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 199 218: RGB 173 199 218, RGB 156 181 199, RGB 139 163 180, RGB 122 145 161 and RGB 105 127 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 9 / 0 / 15

HEX #ADC7DA

RGB 173 199 218

HSL 205.33, 0.38%, 0.77%

LAB 78.92, -4.68, -12.38

 

Complementary color

CMYK 0 / 32 / 55 / 68

HEX #523825

RGB 82 56 37

HSL 25.33, 0.38%, 0.23%

LAB 26.03, 9, 16.44

 

CMYK 16 / 7 / 0 / 16

HEX #B2C7D5

RGB 178 199 213

HSL 204, 0.29%, 0.77%

LAB 79.11, -4.2, -9.38

 

CMYK 16 / 6 / 0 / 9

HEX #C3D9E8

RGB 195 217 232

HSL 204.32, 0.45%, 0.84%

LAB 85.53, -4.27, -9.84

 

CMYK 16 / 6 / 0 / 2

HEX #D4EBFB

RGB 212 235 251

HSL 204.62, 0.83%, 0.91%

LAB 91.85, -4.35, -10.29

 

CMYK 10 / 1 / 0 / 0

HEX #E5FDFF

RGB 229 253 255

HSL 184.62, 1%, 0.95%

LAB 97.68, -7.37, -3.62

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 21 / 9 / 0 / 15

HEX #ADC7DA

RGB 173 199 218

HSL 205.33, 0.38%, 0.77%

LAB 78.92, -4.68, -12.38

 

CMYK 22 / 9 / 0 / 22

HEX #9CB5C7

RGB 156 181 199

HSL 205.12, 0.28%, 0.7%

LAB 72.39, -4.6, -11.97

 

CMYK 23 / 9 / 0 / 29

HEX #8BA3B4

RGB 139 163 180

HSL 204.88, 0.21%, 0.63%

LAB 65.73, -4.52, -11.56

 

CMYK 24 / 10 / 0 / 37

HEX #7A91A1

RGB 122 145 161

HSL 204.62, 0.17%, 0.55%

LAB 58.94, -4.44, -11.14

 

CMYK 26 / 11 / 0 / 44

HEX #697F8E

RGB 105 127 142

HSL 204.32, 0.15%, 0.48%

LAB 51.99, -4.35, -10.73

 

CMYK 21 / 9 / 0 / 15

HEX #ADC7DA

RGB 173 199 218

HSL 205.33, 0.38%, 0.77%

LAB 78.92, -4.68, -12.38

 

CMYK 20 / 12 / 0 / 15

HEX #AEC0DA

RGB 174 192 218

HSL 215.45, 0.37%, 0.77%

LAB 77.14, -0.64, -15.05

 

CMYK 20 / 15 / 0 / 15

HEX #AEB9DA

RGB 174 185 218

HSL 225, 0.37%, 0.77%

LAB 75.3, 3.13, -17.82

 

CMYK 20 / 19 / 0 / 15

HEX #AEB1DA

RGB 174 177 218

HSL 235.91, 0.37%, 0.77%

LAB 73.22, 7.5, -20.97

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 21 / 9 / 0 / 15

HEX #ADC7DA

RGB 173 199 218

HSL 205.33, 0.38%, 0.77%

LAB 78.92, -4.68, -12.38

 

CMYK 21 / 7 / 0 / 95

HEX #0B0D0E

RGB 11 13 14

HSL 200, 0.12%, 0.05%

LAB 3.53, -0.42, -0.66

 

CMYK 20 / 9 / 0 / 75

HEX #343B41

RGB 52 59 65

HSL 207.69, 0.11%, 0.23%

LAB 24.45, -1.39, -4.69

 

CMYK 21 / 9 / 0 / 55

HEX #5C6A74

RGB 92 106 116

HSL 205, 0.12%, 0.41%

LAB 44.01, -2.91, -7.36

 

CMYK 20 / 9 / 0 / 35

HEX #8598A7

RGB 133 152 167

HSL 206.47, 0.16%, 0.59%

LAB 61.85, -3.38, -10.1

 

CMYK 21 / 9 / 0 / 15

HEX #ADC7DA

RGB 173 199 218

HSL 205.33, 0.38%, 0.77%

LAB 78.92, -4.68, -12.38

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 0 / 0 / 20 / 15

HEX #D9DAAE

RGB 217 218 174

HSL 61.36, 0.37%, 0.77%

LAB 85.98, -7.52, 21.6

 

CMYK 21 / 9 / 0 / 15

HEX #ADC7DA

RGB 173 199 218

HSL 205.33, 0.38%, 0.77%

LAB 78.92, -4.68, -12.38

 

CMYK 0 / 20 / 8 / 15

HEX #DAAEC8

RGB 218 174 200

HSL 324.55, 0.37%, 0.77%

LAB 75.67, 20.21, -7.1

 

CMYK 8 / 0 / 20 / 15

HEX #C8DAAE

RGB 200 218 174

HSL 84.55, 0.37%, 0.77%

LAB 84.73, -13.69, 19.68

 

CMYK 21 / 9 / 0 / 15

HEX #ADC7DA

RGB 173 199 218

HSL 205.33, 0.38%, 0.77%

LAB 78.92, -4.68, -12.38

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 0 / 12 / 20 / 15

HEX #DAC0AE

RGB 218 192 174

HSL 24.55, 0.37%, 0.77%

LAB 79.42, 6.38, 12.44

 

CMYK 12 / 0 / 20 / 15

HEX #BFDAAE

RGB 191 218 174

HSL 96.82, 0.37%, 0.77%

LAB 84.11, -16.88, 18.72

 

CMYK 21 / 9 / 0 / 15

HEX #ADC7DA

RGB 173 199 218

HSL 205.33, 0.38%, 0.77%

LAB 78.92, -4.68, -12.38

 

CMYK 2 / 20 / 0 / 15

HEX #D6AEDA

RGB 214 174 218

HSL 294.55, 0.37%, 0.77%

LAB 75.84, 22.1, -16.68

 

CMYK 0 / 12 / 20 / 15

HEX #DAC0AE

RGB 218 192 174

HSL 24.55, 0.37%, 0.77%

LAB 79.42, 6.38, 12.44

 

CMYK 19 / 0 / 20 / 15

HEX #B1DAAE

RGB 177 218 174

HSL 115.91, 0.37%, 0.77%

LAB 83.2, -21.72, 17.32

 

Description

Color code: RGB 173 199 218 | qconv.com Color code: RGB 173 199 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 199 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 199 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 9 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 9% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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