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Color name
RGB 173 110.2 17.6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 110.2 17.6 it is the complementary color RGB 82 144.8 237.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 110.2 17.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 110.2 17.6 shade: RGB 178 110.2 12.6, RGB 195 128.2 31.6, RGB 212 146.2 50.6, RGB 229 164.2 69.6 and RGB 246 182.2 88.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 110.2 17.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 110.2 17.6 shade: RGB 173 110.2 17.6, RGB 156 92.2 0, RGB 139 74.2 0, RGB 122 56.2 0 and RGB 105 38.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 110.2 17.6 shade: RGB 172 109 17, RGB 172 67 17, RGB 172 26 17 and RGB 172 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 110.2 17.6 shade: RGB 172 109 17, RGB 172 151 17, RGB 151 172 17, RGB 109 172 17 and RGB 67 172 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 110.2 17.6 shade matches the following richer shades: RGB 172 109 17 and RGB 187 112 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 110.2 17.6 shade: RGB 172 109 17, RGB 156 106 32, RGB 141 103 48, RGB 126 100 63 and RGB 111 97 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 110.2 17.6 shade: RGB 172 25 17, RGB 172 66 17, RGB 172 107 17, RGB 172 149 17 and RGB 154 172 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 110.2 17.6 shade: RGB 97 61 10, RGB 134 85 13, RGB 172 109 17, RGB 209 133 21 and RGB 234 154 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 110.2 17.6 shade: RGB 173 110.2 17.6, RGB 51 172 17 and RGB 45 17 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 110.2 17.6 shade: RGB 173 110.2 17.6, RGB 17 172 107 and RGB 107 17 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 110.2 17.6 shade: RGB 173 110.2 17.6, RGB 51 172 17, RGB 17 81 172 and RGB 138 17 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 110.2 17.6 shade: RGB 173 110.2 17.6, RGB 17 172 30, RGB 17 81 172 and RGB 172 17 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 90 / 32

HEX #AD6E11

RGB 173 110.2 17.6

HSL 35.75, 0.82%, 0.37%

LAB 51.97, 18.3, 55.28

 

Complementary color

CMYK 65 / 39 / 0 / 7

HEX #5290ED

RGB 82 144.8 237.4

HSL 215.75, 0.82%, 0.63%

LAB 60, 8.72, -52.64

 

CMYK 0 / 38 / 93 / 30

HEX #B26E0C

RGB 178 110.2 12.6

HSL 35.41, 0.87%, 0.37%

LAB 52.61, 20.43, 57.25

 

CMYK 0 / 34 / 84 / 24

HEX #C3801F

RGB 195 128.2 31.6

HSL 35.47, 0.72%, 0.44%

LAB 59.15, 18.4, 58.05

 

CMYK 0 / 31 / 76 / 17

HEX #D49232

RGB 212 146.2 50.6

HSL 35.54, 0.65%, 0.51%

LAB 65.63, 16.64, 57.66

 

CMYK 0 / 28 / 70 / 10

HEX #E5A445

RGB 229 164.2 69.6

HSL 35.61, 0.75%, 0.59%

LAB 72.04, 15.11, 56.7

 

CMYK 0 / 26 / 64 / 4

HEX #F6B658

RGB 246 182.2 88.6

HSL 35.68, 0.9%, 0.66%

LAB 78.37, 13.79, 55.49

 

CMYK 0 / 36 / 90 / 32

HEX #AD6E11

RGB 173 110.2 17.6

HSL 35.75, 0.82%, 0.37%

LAB 51.97, 18.3, 55.28

 

CMYK 0 / 41 / 100 / 39

HEX #9C5C00

RGB 156 92.2 0

HSL 35.46, 1%, 0.31%

LAB 45.3, 20.52, 53.6

 

CMYK 0 / 47 / 100 / 45

HEX #8B4A00

RGB 139 74.2 0

HSL 32.03, 1%, 0.27%

LAB 38.57, 23.1, 48.16

 

CMYK 0 / 54 / 100 / 52

HEX #7A3800

RGB 122 56.2 0

HSL 27.64, 1%, 0.24%

LAB 31.77, 25.71, 42.62

 

CMYK 0 / 64 / 100 / 59

HEX #692600

RGB 105 38.2 0

HSL 21.83, 1%, 0.21%

LAB 24.96, 28.19, 35.8

 

CMYK 0 / 37 / 90 / 33

HEX #AC6D11

RGB 172 109 17

HSL 35.61, 0.82%, 0.37%

LAB 51.55, 18.51, 55.06

 

CMYK 0 / 61 / 90 / 33

HEX #AC4311

RGB 172 67 17

HSL 19.35, 0.82%, 0.37%

LAB 42.5, 40.82, 48.11

 

CMYK 0 / 85 / 90 / 33

HEX #AC1A11

RGB 172 26 17

HSL 3.48, 0.82%, 0.37%

LAB 37.02, 55.82, 43.99

 

CMYK 0 / 90 / 90 / 33

HEX #AC1111

RGB 172 17 17

HSL 0, 0.82%, 0.37%

LAB 36.39, 57.63, 43.52

 

CMYK 0 / 37 / 90 / 33

HEX #AC6D11

RGB 172 109 17

HSL 35.61, 0.82%, 0.37%

LAB 51.55, 18.51, 55.06

 

CMYK 0 / 12 / 90 / 33

HEX #AC9711

RGB 172 151 17

HSL 51.87, 0.82%, 0.37%

LAB 62.46, -4.78, 63.57

 

CMYK 12 / 0 / 90 / 33

HEX #97AC11

RGB 151 172 17

HSL 68.13, 0.82%, 0.37%

LAB 66.62, -24.93, 66.13

 

CMYK 37 / 0 / 90 / 33

HEX #6DAC11

RGB 109 172 17

HSL 84.39, 0.82%, 0.37%

LAB 64, -41.77, 62.91

 

CMYK 61 / 0 / 90 / 33

HEX #43AC11

RGB 67 172 17

HSL 100.65, 0.82%, 0.37%

LAB 62.29, -54.8, 60.78

 

CMYK 0 / 37 / 90 / 33

HEX #AC6D11

RGB 172 109 17

HSL 35.61, 0.82%, 0.37%

LAB 51.55, 18.51, 55.06

 

CMYK 0 / 40 / 99 / 27

HEX #BB7002

RGB 187 112 2

HSL 35.68, 0.98%, 0.37%

LAB 54.19, 23.25, 60.97

 

CMYK 0 / 37 / 90 / 33

HEX #AC6D11

RGB 172 109 17

HSL 35.61, 0.82%, 0.37%

LAB 51.55, 18.51, 55.06

 

CMYK 0 / 32 / 79 / 39

HEX #9C6A20

RGB 156 106 32

HSL 35.81, 0.66%, 0.37%

LAB 48.86, 13.43, 46.86

 

CMYK 0 / 27 / 66 / 45

HEX #8D6730

RGB 141 103 48

HSL 35.48, 0.49%, 0.37%

LAB 46.41, 9.15, 36.28

 

CMYK 0 / 21 / 50 / 51

HEX #7E643F

RGB 126 100 63

HSL 35.24, 0.33%, 0.37%

LAB 44.1, 5.37, 24.88

 

CMYK 0 / 13 / 30 / 56

HEX #6F614E

RGB 111 97 78

HSL 34.55, 0.17%, 0.37%

LAB 41.97, 2.4, 12.91

 

CMYK 0 / 85 / 90 / 33

HEX #AC1911

RGB 172 25 17

HSL 3.1, 0.82%, 0.37%

LAB 36.94, 56.05, 43.93

 

CMYK 0 / 62 / 90 / 33

HEX #AC4211

RGB 172 66 17

HSL 18.97, 0.82%, 0.37%

LAB 42.32, 41.3, 47.97

 

CMYK 0 / 38 / 90 / 33

HEX #AC6B11

RGB 172 107 17

HSL 34.84, 0.82%, 0.37%

LAB 51.07, 19.63, 54.68

 

CMYK 0 / 13 / 90 / 33

HEX #AC9511

RGB 172 149 17

HSL 51.1, 0.82%, 0.37%

LAB 61.92, -3.71, 63.15

 

CMYK 10 / 0 / 90 / 33

HEX #9AAC11

RGB 154 172 17

HSL 66.97, 0.82%, 0.37%

LAB 66.84, -23.65, 66.4

 

CMYK 0 / 37 / 90 / 62

HEX #613D0A

RGB 97 61 10

HSL 35.17, 0.81%, 0.21%

LAB 29.16, 11.41, 34.95

 

CMYK 0 / 37 / 90 / 47

HEX #86550D

RGB 134 85 13

HSL 35.7, 0.82%, 0.29%

LAB 40.56, 14.81, 45.42

 

CMYK 0 / 37 / 90 / 33

HEX #AC6D11

RGB 172 109 17

HSL 35.61, 0.82%, 0.37%

LAB 51.55, 18.51, 55.06

 

CMYK 0 / 36 / 90 / 18

HEX #D18515

RGB 209 133 21

HSL 35.74, 0.82%, 0.45%

LAB 61.98, 21.62, 64.1

 

CMYK 0 / 34 / 84 / 8

HEX #EA9A26

RGB 234 154 38

HSL 35.51, 0.82%, 0.53%

LAB 70, 21.43, 67.09

 

CMYK 0 / 36 / 90 / 32

HEX #AD6E11

RGB 173 110.2 17.6

HSL 35.75, 0.82%, 0.37%

LAB 51.97, 18.3, 55.28

 

CMYK 70 / 0 / 90 / 33

HEX #33AC11

RGB 51 172 17

HSL 106.84, 0.82%, 0.37%

LAB 61.87, -58.31, 60.26

 

CMYK 74 / 90 / 0 / 33

HEX #2D11AC

RGB 45 17 172

HSL 250.84, 0.82%, 0.37%

LAB 23.46, 55.49, -74.39

 

CMYK 0 / 36 / 90 / 32

HEX #AD6E11

RGB 173 110.2 17.6

HSL 35.75, 0.82%, 0.37%

LAB 51.97, 18.3, 55.28

 

CMYK 90 / 0 / 38 / 33

HEX #11AC6B

RGB 17 172 107

HSL 154.84, 0.82%, 0.37%

LAB 62.24, -52.06, 23.33

 

CMYK 38 / 90 / 0 / 33

HEX #6B11AC

RGB 107 17 172

HSL 274.84, 0.82%, 0.37%

LAB 30.65, 61.13, -62.28

 

CMYK 0 / 36 / 90 / 32

HEX #AD6E11

RGB 173 110.2 17.6

HSL 35.75, 0.82%, 0.37%

LAB 51.97, 18.3, 55.28

 

CMYK 70 / 0 / 90 / 33

HEX #33AC11

RGB 51 172 17

HSL 106.84, 0.82%, 0.37%

LAB 61.87, -58.31, 60.26

 

CMYK 90 / 53 / 0 / 33

HEX #1151AC

RGB 17 81 172

HSL 215.23, 0.82%, 0.37%

LAB 35.95, 16.9, -53.91

 

CMYK 20 / 90 / 0 / 33

HEX #8A11AC

RGB 138 17 172

HSL 286.84, 0.82%, 0.37%

LAB 35.56, 65.56, -54.06

 

CMYK 0 / 36 / 90 / 32

HEX #AD6E11

RGB 173 110.2 17.6

HSL 35.75, 0.82%, 0.37%

LAB 51.97, 18.3, 55.28

 

CMYK 90 / 0 / 83 / 33

HEX #11AC1E

RGB 17 172 30

HSL 125.03, 0.82%, 0.37%

LAB 61.41, -62.16, 56.68

 

CMYK 90 / 53 / 0 / 33

HEX #1151AC

RGB 17 81 172

HSL 215.23, 0.82%, 0.37%

LAB 35.95, 16.9, -53.91

 

CMYK 0 / 90 / 8 / 33

HEX #AC119F

RGB 172 17 159

HSL 305.03, 0.82%, 0.37%

LAB 40.69, 69.32, -37.69

 

Description

Color code: RGB 173 110.2 17.6 | qconv.com Color code: RGB 173 110.2 17.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 110.2 green and 17.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 110.2 17.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 90 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 90% 32% C M Y K

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Provide designers and agencies with accurate color values.

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