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Color name
RGB 172 72.8 16.4

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 72.8 16.4 it is the complementary color RGB 83 182.2 238.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 72.8 16.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 72.8 16.4 shade: RGB 177 72.8 11.4, RGB 194 90.8 30.4, RGB 211 108.8 49.4, RGB 228 126.8 68.4 and RGB 245 144.8 87.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 72.8 16.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 72.8 16.4 shade: RGB 172 72.8 16.4, RGB 155 54.8 0, RGB 138 36.8 0, RGB 121 18.8 0 and RGB 104 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 72.8 16.4 shade: RGB 173 73 16, RGB 173 31 16 and RGB 173 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 72.8 16.4 shade: RGB 173 73 16, RGB 173 115 16, RGB 173 157 16, RGB 146 173 16 and RGB 104 173 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 72.8 16.4 shade matches the following richer shades: RGB 173 73 16 and RGB 188 69 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 72.8 16.4 shade: RGB 173 73 16, RGB 157 77 31, RGB 142 81 47, RGB 127 85 62 and RGB 112 90 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 72.8 16.4 shade: RGB 173 16 45, RGB 173 29 16, RGB 173 71 16, RGB 173 113 16 and RGB 173 154 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 72.8 16.4 shade: RGB 97 41 9, RGB 135 57 13, RGB 173 73 16, RGB 210 89 20 and RGB 235 108 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 72.8 16.4 shade: RGB 172 72.8 16.4, RGB 87 173 16 and RGB 16 24 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 72.8 16.4 shade: RGB 172 72.8 16.4, RGB 16 173 71 and RGB 71 16 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 72.8 16.4 shade: RGB 172 72.8 16.4, RGB 87 173 16, RGB 16 118 173 and RGB 102 16 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 72.8 16.4 shade: RGB 172 72.8 16.4, RGB 40 173 16, RGB 16 118 173 and RGB 149 16 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 90 / 33

HEX #AC4810

RGB 172 72.8 16.4

HSL 21.75, 0.83%, 0.37%

LAB 43.58, 37.99, 49.13

 

Complementary color

CMYK 65 / 24 / 0 / 6

HEX #53B6EE

RGB 83 182.2 238.6

HSL 201.75, 0.83%, 0.63%

LAB 70.58, -11.92, -36.65

 

CMYK 0 / 59 / 94 / 31

HEX #B1480B

RGB 177 72.8 11.4

HSL 22.25, 0.88%, 0.37%

LAB 44.39, 39.85, 51.63

 

CMYK 0 / 53 / 84 / 24

HEX #C25A1E

RGB 194 90.8 30.4

HSL 22.15, 0.73%, 0.44%

LAB 50.7, 37.94, 51.15

 

CMYK 0 / 48 / 77 / 17

HEX #D36C31

RGB 211 108.8 49.4

HSL 22.05, 0.65%, 0.51%

LAB 57.04, 36.13, 49.68

 

CMYK 0 / 44 / 70 / 11

HEX #E47E44

RGB 228 126.8 68.4

HSL 21.95, 0.75%, 0.58%

LAB 63.38, 34.45, 47.91

 

CMYK 0 / 41 / 64 / 4

HEX #F59057

RGB 245 144.8 87.4

HSL 21.85, 0.89%, 0.65%

LAB 69.68, 32.93, 46.13

 

CMYK 0 / 58 / 90 / 33

HEX #AC4810

RGB 172 72.8 16.4

HSL 21.75, 0.83%, 0.37%

LAB 43.58, 37.99, 49.13

 

CMYK 0 / 65 / 100 / 39

HEX #9B3600

RGB 155 54.8 0

HSL 21.21, 1%, 0.3%

LAB 37.27, 39.85, 48.8

 

CMYK 0 / 73 / 100 / 46

HEX #8A2400

RGB 138 36.8 0

HSL 16, 1%, 0.27%

LAB 31.15, 41.45, 43.56

 

CMYK 0 / 84 / 100 / 53

HEX #791200

RGB 121 18.8 0

HSL 9.32, 1%, 0.24%

LAB 25.33, 42, 37.31

 

CMYK 0 / 99 / 100 / 59

HEX #680000

RGB 104 0.8 0

HSL 0.46, 1%, 0.2%

LAB 19.88, 41.24, 30.42

 

CMYK 0 / 58 / 91 / 32

HEX #AD4910

RGB 173 73 16

HSL 21.78, 0.83%, 0.37%

LAB 43.78, 38.28, 49.49

 

CMYK 0 / 82 / 91 / 32

HEX #AD1F10

RGB 173 31 16

HSL 5.73, 0.83%, 0.37%

LAB 37.67, 54.84, 44.99

 

CMYK 0 / 91 / 91 / 32

HEX #AD1010

RGB 173 16 16

HSL 0, 0.83%, 0.37%

LAB 36.54, 58.05, 44.17

 

CMYK 0 / 58 / 91 / 32

HEX #AD4910

RGB 173 73 16

HSL 21.78, 0.83%, 0.37%

LAB 43.78, 38.28, 49.49

 

CMYK 0 / 34 / 91 / 32

HEX #AD7310

RGB 173 115 16

HSL 37.83, 0.83%, 0.37%

LAB 53.15, 15.57, 56.6

 

CMYK 0 / 9 / 91 / 32

HEX #AD9D10

RGB 173 157 16

HSL 53.89, 0.83%, 0.37%

LAB 64.19, -7.56, 65.15

 

CMYK 16 / 0 / 91 / 32

HEX #92AD10

RGB 146 173 16

HSL 70.32, 0.83%, 0.37%

LAB 66.55, -27.56, 66.09

 

CMYK 40 / 0 / 91 / 32

HEX #68AD10

RGB 104 173 16

HSL 86.37, 0.83%, 0.37%

LAB 64.05, -44.01, 63.03

 

CMYK 0 / 58 / 91 / 32

HEX #AD4910

RGB 173 73 16

HSL 21.78, 0.83%, 0.37%

LAB 43.78, 38.28, 49.49

 

CMYK 0 / 63 / 99 / 26

HEX #BC4501

RGB 188 69 1

HSL 21.82, 0.99%, 0.37%

LAB 45.57, 45.63, 56.07

 

CMYK 0 / 58 / 91 / 32

HEX #AD4910

RGB 173 73 16

HSL 21.78, 0.83%, 0.37%

LAB 43.78, 38.28, 49.49

 

CMYK 0 / 51 / 80 / 38

HEX #9D4D1F

RGB 157 77 31

HSL 21.9, 0.67%, 0.37%

LAB 42.12, 30.14, 40.9

 

CMYK 0 / 43 / 67 / 44

HEX #8E512F

RGB 142 81 47

HSL 21.47, 0.5%, 0.37%

LAB 40.96, 22.32, 30.61

 

CMYK 0 / 33 / 51 / 50

HEX #7F553E

RGB 127 85 62

HSL 21.23, 0.34%, 0.37%

LAB 40.18, 14.62, 20.45

 

CMYK 0 / 20 / 31 / 56

HEX #705A4D

RGB 112 90 77

HSL 22.29, 0.19%, 0.37%

LAB 40.07, 6.89, 10.91

 

CMYK 0 / 91 / 74 / 32

HEX #AD102D

RGB 173 16 45

HSL 348.92, 0.83%, 0.37%

LAB 36.83, 58.86, 28.33

 

CMYK 0 / 83 / 91 / 32

HEX #AD1D10

RGB 173 29 16

HSL 4.97, 0.83%, 0.37%

LAB 37.48, 55.36, 44.85

 

CMYK 0 / 59 / 91 / 32

HEX #AD4710

RGB 173 71 16

HSL 21.02, 0.83%, 0.37%

LAB 43.4, 39.26, 49.21

 

CMYK 0 / 35 / 91 / 32

HEX #AD7110

RGB 173 113 16

HSL 37.07, 0.83%, 0.37%

LAB 52.65, 16.7, 56.22

 

CMYK 0 / 11 / 91 / 32

HEX #AD9A10

RGB 173 154 16

HSL 52.74, 0.83%, 0.37%

LAB 63.37, -5.96, 64.51

 

CMYK 0 / 58 / 91 / 62

HEX #612909

RGB 97 41 9

HSL 21.82, 0.83%, 0.21%

LAB 24.15, 23.46, 30.85

 

CMYK 0 / 58 / 90 / 47

HEX #87390D

RGB 135 57 13

HSL 21.64, 0.82%, 0.29%

LAB 34.2, 31.1, 40.41

 

CMYK 0 / 58 / 91 / 32

HEX #AD4910

RGB 173 73 16

HSL 21.78, 0.83%, 0.37%

LAB 43.78, 38.28, 49.49

 

CMYK 0 / 58 / 90 / 18

HEX #D25914

RGB 210 89 20

HSL 21.79, 0.83%, 0.45%

LAB 52.84, 44.77, 57.62

 

CMYK 0 / 54 / 84 / 8

HEX #EB6C25

RGB 235 108 37

HSL 21.52, 0.83%, 0.53%

LAB 60.36, 45.44, 59.32

 

CMYK 0 / 58 / 90 / 33

HEX #AC4810

RGB 172 72.8 16.4

HSL 21.75, 0.83%, 0.37%

LAB 43.58, 37.99, 49.13

 

CMYK 50 / 0 / 91 / 32

HEX #57AD10

RGB 87 173 16

HSL 92.87, 0.83%, 0.37%

LAB 63.3, -49.63, 62.1

 

CMYK 91 / 86 / 0 / 32

HEX #1018AD

RGB 16 24 173

HSL 236.94, 0.83%, 0.37%

LAB 22.93, 52.07, -75.92

 

CMYK 0 / 58 / 90 / 33

HEX #AC4810

RGB 172 72.8 16.4

HSL 21.75, 0.83%, 0.37%

LAB 43.58, 37.99, 49.13

 

CMYK 91 / 0 / 59 / 32

HEX #10AD47

RGB 16 173 71

HSL 141.02, 0.83%, 0.37%

LAB 62.04, -58.63, 41.46

 

CMYK 59 / 91 / 0 / 32

HEX #4710AD

RGB 71 16 173

HSL 261.02, 0.83%, 0.37%

LAB 25.94, 57.8, -70.81

 

CMYK 0 / 58 / 90 / 33

HEX #AC4810

RGB 172 72.8 16.4

HSL 21.75, 0.83%, 0.37%

LAB 43.58, 37.99, 49.13

 

CMYK 50 / 0 / 91 / 32

HEX #57AD10

RGB 87 173 16

HSL 92.87, 0.83%, 0.37%

LAB 63.3, -49.63, 62.1

 

CMYK 91 / 32 / 0 / 32

HEX #1076AD

RGB 16 118 173

HSL 201.02, 0.83%, 0.37%

LAB 47.08, -6.39, -36.69

 

CMYK 41 / 91 / 0 / 32

HEX #6610AD

RGB 102 16 173

HSL 272.87, 0.83%, 0.37%

LAB 29.94, 60.95, -64.07

 

CMYK 0 / 58 / 90 / 33

HEX #AC4810

RGB 172 72.8 16.4

HSL 21.75, 0.83%, 0.37%

LAB 43.58, 37.99, 49.13

 

CMYK 77 / 0 / 91 / 32

HEX #28AD10

RGB 40 173 16

HSL 110.83, 0.83%, 0.37%

LAB 61.98, -60.54, 60.45

 

CMYK 91 / 32 / 0 / 32

HEX #1076AD

RGB 16 118 173

HSL 201.02, 0.83%, 0.37%

LAB 47.08, -6.39, -36.69

 

CMYK 14 / 91 / 0 / 32

HEX #9510AD

RGB 149 16 173

HSL 290.83, 0.83%, 0.37%

LAB 37.44, 67.66, -51.53

 

Description

Color code: RGB 172 72.8 16.4 | qconv.com Color code: RGB 172 72.8 16.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 72.8 green and 16.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 72.8 16.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 90% 33% C M Y K

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