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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 34 179 it is the complementary color RGB 83 221 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 34 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 34 179: RGB 177 34 174, RGB 194 52 193, RGB 211 70 212, RGB 228 88 231 and RGB 245 106 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 34 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 34 179: RGB 172 34 179, RGB 155 16 160, RGB 138 0 141, RGB 121 0 122 and RGB 104 0 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

Complementary color

CMYK 62 / 0 / 66 / 13

HEX #53DD4C

RGB 83 221 76

HSL 117.1, 0.68%, 0.58%

LAB 78.5, -64.18, 58.16

 

CMYK 0 / 81 / 2 / 31

HEX #B122AE

RGB 177 34 174

HSL 301.26, 0.68%, 0.41%

LAB 43.58, 69.2, -42.02

 

CMYK 0 / 73 / 1 / 24

HEX #C234C1

RGB 194 52 193

HSL 300.42, 0.58%, 0.48%

LAB 49.22, 70.65, -44.02

 

CMYK 0 / 67 / 0 / 17

HEX #D346D4

RGB 211 70 212

HSL 299.58, 0.62%, 0.55%

LAB 55.05, 71.33, -45.52

 

CMYK 1 / 62 / 0 / 9

HEX #E458E7

RGB 228 88 231

HSL 298.74, 0.75%, 0.63%

LAB 61, 71.5, -46.67

 

CMYK 2 / 58 / 0 / 2

HEX #F56AFA

RGB 245 106 250

HSL 297.92, 0.94%, 0.7%

LAB 66.99, 71.35, -47.58

 

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

CMYK 3 / 90 / 0 / 37

HEX #9B10A0

RGB 155 16 160

HSL 297.92, 0.82%, 0.35%

LAB 37.62, 66.51, -43.38

 

CMYK 2 / 100 / 0 / 45

HEX #8A008D

RGB 138 0 141

HSL 298.72, 1%, 0.28%

LAB 32.54, 62.71, -40.09

 

CMYK 1 / 100 / 0 / 52

HEX #79007A

RGB 121 0 122

HSL 299.51, 1%, 0.24%

LAB 28.03, 56.76, -35.58

 

CMYK 0 / 100 / 1 / 59

HEX #680067

RGB 104 0 103

HSL 300.58, 1%, 0.2%

LAB 23.41, 50.66, -30.93

 

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

CMYK 0 / 81 / 9 / 30

HEX #B322A2

RGB 179 34 162

HSL 307.03, 0.68%, 0.42%

LAB 43.27, 67.8, -35.35

 

CMYK 0 / 81 / 23 / 30

HEX #B3228A

RGB 179 34 138

HSL 316.97, 0.68%, 0.42%

LAB 42.1, 64.51, -22.66

 

CMYK 0 / 81 / 36 / 30

HEX #B32272

RGB 179 34 114

HSL 326.9, 0.68%, 0.42%

LAB 41.12, 61.69, -9.32

 

CMYK 0 / 81 / 50 / 30

HEX #B3225A

RGB 179 34 90

HSL 336.83, 0.68%, 0.42%

LAB 40.35, 59.4, 4.64

 

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

CMYK 4 / 81 / 0 / 10

HEX #DD2CE6

RGB 221 44 230

HSL 297.1, 0.79%, 0.54%

LAB 54.96, 83.86, -55.78

 

CMYK 4 / 81 / 0 / 90

HEX #19051A

RGB 25 5 26

HSL 297.14, 0.68%, 0.06%

LAB 3.52, 11.11, -8.49

 

CMYK 4 / 81 / 0 / 70

HEX #4A0F4D

RGB 74 15 77

HSL 297.1, 0.67%, 0.18%

LAB 17.15, 35.76, -23.89

 

CMYK 4 / 81 / 0 / 50

HEX #7B1880

RGB 123 24 128

HSL 297.12, 0.68%, 0.3%

LAB 30.45, 53.29, -35.47

 

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

CMYK 0 / 69 / 81 / 30

HEX #B33822

RGB 179 56 34

HSL 9.1, 0.68%, 0.42%

LAB 42.04, 48.66, 40.61

 

CMYK 81 / 0 / 36 / 30

HEX #22B372

RGB 34 179 114

HSL 153.1, 0.68%, 0.42%

LAB 64.8, -51.79, 23.03

 

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

CMYK 0 / 4 / 81 / 30

HEX #B3AC22

RGB 179 172 34

HSL 57.1, 0.68%, 0.42%

LAB 68.9, -12.29, 65.1

 

CMYK 81 / 0 / 4 / 30

HEX #22B3AC

RGB 34 179 172

HSL 177.1, 0.68%, 0.42%

LAB 66.18, -37.21, -6.86

 

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

CMYK 0 / 69 / 81 / 30

HEX #B33822

RGB 179 56 34

HSL 9.1, 0.68%, 0.42%

LAB 42.04, 48.66, 40.61

 

CMYK 77 / 0 / 81 / 30

HEX #29B322

RGB 41 179 34

HSL 117.1, 0.68%, 0.42%

LAB 64.02, -61.43, 58.09

 

CMYK 81 / 12 / 0 / 30

HEX #229EB3

RGB 34 158 179

HSL 188.69, 0.68%, 0.42%

LAB 59.93, -24.91, -20.18

 

CMYK 4 / 81 / 0 / 30

HEX #AC22B3

RGB 172 34 179

HSL 297.1, 0.68%, 0.42%

LAB 43.02, 69.03, -45.92

 

CMYK 0 / 45 / 81 / 30

HEX #B36322

RGB 179 99 34

HSL 26.9, 0.68%, 0.42%

LAB 50.24, 27.58, 48.41

 

CMYK 77 / 0 / 81 / 30

HEX #29B322

RGB 41 179 34

HSL 117.1, 0.68%, 0.42%

LAB 64.02, -61.43, 58.09

 

CMYK 81 / 36 / 0 / 30

HEX #2272B3

RGB 34 114 179

HSL 206.9, 0.68%, 0.42%

LAB 46.48, -0.25, -41.12

 

Description

Color code: RGB 172 34 179 | qconv.com Color code: RGB 172 34 179 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 34 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 34 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 81 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 81% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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