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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 166 212 it is the complementary color RGB 84 89 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 166 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 171 166 212: RGB 176 166 207, RGB 193 184 226, RGB 210 202 245, RGB 227 220 255 and RGB 244 238 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 166 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 171 166 212: RGB 171 166 212, RGB 154 148 193, RGB 137 130 174, RGB 120 112 155 and RGB 103 94 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 22 / 0 / 17

HEX #ABA6D4

RGB 171 166 212

HSL 246.52, 0.35%, 0.74%

LAB 69.95, 11.3, -22.68

 

Complementary color

CMYK 6 / 0 / 52 / 65

HEX #54592B

RGB 84 89 43

HSL 66.52, 0.35%, 0.26%

LAB 36.37, -9.73, 25.77

 

CMYK 15 / 20 / 0 / 19

HEX #B0A6CF

RGB 176 166 207

HSL 254.63, 0.3%, 0.73%

LAB 70.18, 11.78, -19.55

 

CMYK 15 / 19 / 0 / 11

HEX #C1B8E2

RGB 193 184 226

HSL 252.86, 0.42%, 0.8%

LAB 76.75, 11.42, -19.83

 

CMYK 14 / 18 / 0 / 4

HEX #D2CAF5

RGB 210 202 245

HSL 251.16, 0.68%, 0.88%

LAB 83.2, 11.08, -20.13

 

CMYK 11 / 14 / 0 / 0

HEX #E3DCFF

RGB 227 220 255

HSL 252, 1%, 0.93%

LAB 89.27, 8.95, -16.13

 

CMYK 4 / 7 / 0 / 0

HEX #F4EEFF

RGB 244 238 255

HSL 261.18, 1%, 0.97%

LAB 94.99, 5.06, -7.47

 

CMYK 19 / 22 / 0 / 17

HEX #ABA6D4

RGB 171 166 212

HSL 246.52, 0.35%, 0.74%

LAB 69.95, 11.3, -22.68

 

CMYK 20 / 23 / 0 / 24

HEX #9A94C1

RGB 154 148 193

HSL 248, 0.27%, 0.67%

LAB 63.26, 11.7, -22.47

 

CMYK 21 / 25 / 0 / 32

HEX #8982AE

RGB 137 130 174

HSL 249.55, 0.21%, 0.6%

LAB 56.43, 12.14, -22.29

 

CMYK 23 / 28 / 0 / 39

HEX #78709B

RGB 120 112 155

HSL 251.16, 0.18%, 0.52%

LAB 49.43, 12.64, -22.13

 

CMYK 24 / 31 / 0 / 47

HEX #675E88

RGB 103 94 136

HSL 252.86, 0.18%, 0.45%

LAB 42.26, 13.21, -22.02

 

CMYK 19 / 22 / 0 / 17

HEX #ABA6D4

RGB 171 166 212

HSL 246.52, 0.35%, 0.74%

LAB 69.95, 11.3, -22.68

 

CMYK 16 / 22 / 0 / 17

HEX #B1A5D3

RGB 177 165 211

HSL 255.65, 0.34%, 0.74%

LAB 70.15, 13.53, -21.79

 

CMYK 12 / 22 / 0 / 17

HEX #B9A5D3

RGB 185 165 211

HSL 266.09, 0.34%, 0.74%

LAB 70.82, 16.1, -20.71

 

CMYK 9 / 22 / 0 / 17

HEX #C1A5D3

RGB 193 165 211

HSL 276.52, 0.34%, 0.74%

LAB 71.52, 18.71, -19.58

 

CMYK 5 / 22 / 0 / 17

HEX #C9A5D3

RGB 201 165 211

HSL 286.96, 0.34%, 0.74%

LAB 72.25, 21.35, -18.4

 

CMYK 19 / 22 / 0 / 17

HEX #ABA6D4

RGB 171 166 212

HSL 246.52, 0.35%, 0.74%

LAB 69.95, 11.3, -22.68

 

CMYK 25 / 25 / 0 / 97

HEX #060608

RGB 6 6 8

HSL 240, 0.14%, 0.03%

LAB 1.68, 0.28, -0.76

 

CMYK 19 / 22 / 0 / 77

HEX #302E3B

RGB 48 46 59

HSL 249.23, 0.12%, 0.21%

LAB 19.63, 4.17, -7.92

 

CMYK 19 / 22 / 0 / 57

HEX #59566E

RGB 89 86 110

HSL 247.5, 0.12%, 0.38%

LAB 37.67, 6.74, -13.27

 

CMYK 19 / 22 / 0 / 37

HEX #827EA1

RGB 130 126 161

HSL 246.86, 0.16%, 0.56%

LAB 54.28, 9.09, -18.13

 

CMYK 19 / 22 / 0 / 17

HEX #ABA6D4

RGB 171 166 212

HSL 246.52, 0.35%, 0.74%

LAB 69.95, 11.3, -22.68

 

CMYK 0 / 22 / 7 / 17

HEX #D3A5C5

RGB 211 165 197

HSL 318.26, 0.34%, 0.74%

LAB 72.75, 22.13, -9.86

 

CMYK 15 / 0 / 22 / 17

HEX #B3D3A5

RGB 179 211 165

HSL 101.74, 0.34%, 0.74%

LAB 81.23, -19.06, 19.33

 

CMYK 19 / 22 / 0 / 17

HEX #ABA6D4

RGB 171 166 212

HSL 246.52, 0.35%, 0.74%

LAB 69.95, 11.3, -22.68

 

CMYK 0 / 19 / 22 / 17

HEX #D3AAA5

RGB 211 170 165

HSL 6.52, 0.34%, 0.74%

LAB 73.1, 14.21, 8.25

 

CMYK 22 / 0 / 19 / 17

HEX #A5D3AA

RGB 165 211 170

HSL 126.52, 0.34%, 0.74%

LAB 80.45, -23, 15.47

 

CMYK 19 / 22 / 0 / 17

HEX #ABA6D4

RGB 171 166 212

HSL 246.52, 0.35%, 0.74%

LAB 69.95, 11.3, -22.68

 

CMYK 0 / 22 / 7 / 17

HEX #D3A5C5

RGB 211 165 197

HSL 318.26, 0.34%, 0.74%

LAB 72.75, 22.13, -9.86

 

CMYK 2 / 0 / 22 / 17

HEX #CFD3A5

RGB 207 211 165

HSL 65.22, 0.34%, 0.74%

LAB 83.22, -8.94, 22.38

 

CMYK 22 / 0 / 15 / 17

HEX #A5D3B3

RGB 165 211 179

HSL 138.26, 0.34%, 0.74%

LAB 80.65, -21.36, 10.98

 

CMYK 19 / 22 / 0 / 17

HEX #ABA6D4

RGB 171 166 212

HSL 246.52, 0.35%, 0.74%

LAB 69.95, 11.3, -22.68

 

CMYK 0 / 22 / 13 / 17

HEX #D3A5B8

RGB 211 165 184

HSL 335.22, 0.34%, 0.74%

LAB 72.38, 19.91, -3.26

 

CMYK 2 / 0 / 22 / 17

HEX #CFD3A5

RGB 207 211 165

HSL 65.22, 0.34%, 0.74%

LAB 83.22, -8.94, 22.38

 

CMYK 22 / 0 / 9 / 17

HEX #A5D3C1

RGB 165 211 193

HSL 156.52, 0.34%, 0.74%

LAB 80.98, -18.65, 3.99

 

Description

Color code: RGB 171 166 212 | qconv.com Color code: RGB 171 166 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 166 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 166 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 22 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 22% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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