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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 0 62 it is the complementary color RGB 84 255 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 0 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 171 0 62: RGB 176 0 57, RGB 193 18 76, RGB 210 36 95, RGB 227 54 114 and RGB 244 72 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 0 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 171 0 62: RGB 171 0 62, RGB 154 0 43, RGB 137 0 24, RGB 120 0 5 and RGB 103 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 64 / 33

HEX #AB003E

RGB 171 0 62

HSL 338.25, 1%, 0.34%

LAB 36, 61.22, 16.33

 

Complementary color

CMYK 67 / 0 / 24 / 0

HEX #54FFC1

RGB 84 255 193

HSL 158.25, 1%, 0.66%

LAB 90.44, -57.76, 17.05

 

CMYK 0 / 100 / 68 / 31

HEX #B00039

RGB 176 0 57

HSL 340.57, 1%, 0.35%

LAB 36.98, 62.16, 21.05

 

CMYK 0 / 91 / 61 / 24

HEX #C1124C

RGB 193 18 76

HSL 340.11, 0.83%, 0.41%

LAB 41.68, 65.27, 15.78

 

CMYK 0 / 83 / 55 / 18

HEX #D2245F

RGB 210 36 95

HSL 339.66, 0.71%, 0.48%

LAB 46.7, 67.42, 11.34

 

CMYK 0 / 76 / 50 / 11

HEX #E33672

RGB 227 54 114

HSL 339.19, 0.76%, 0.55%

LAB 52.04, 68.58, 7.72

 

CMYK 0 / 70 / 45 / 4

HEX #F44885

RGB 244 72 133

HSL 338.72, 0.89%, 0.62%

LAB 57.62, 69.06, 4.77

 

CMYK 0 / 100 / 64 / 33

HEX #AB003E

RGB 171 0 62

HSL 338.25, 1%, 0.34%

LAB 36, 61.22, 16.33

 

CMYK 0 / 100 / 72 / 40

HEX #9A002B

RGB 154 0 43

HSL 343.25, 1%, 0.3%

LAB 31.91, 56.06, 22.74

 

CMYK 0 / 100 / 82 / 46

HEX #890018

RGB 137 0 24

HSL 349.49, 1%, 0.27%

LAB 27.8, 50.97, 29.22

 

CMYK 0 / 100 / 96 / 53

HEX #780005

RGB 120 0 5

HSL 357.5, 1%, 0.24%

LAB 23.68, 45.98, 33.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 100 / 64 / 33

HEX #AB003E

RGB 171 0 62

HSL 338.25, 1%, 0.34%

LAB 36, 61.22, 16.33

 

CMYK 0 / 100 / 80 / 32

HEX #AD0022

RGB 173 0 34

HSL 348.21, 1%, 0.34%

LAB 35.98, 60.5, 34.13

 

CMYK 0 / 100 / 97 / 32

HEX #AD0005

RGB 173 0 5

HSL 358.27, 1%, 0.34%

LAB 35.78, 59.95, 48.09

 

CMYK 0 / 87 / 100 / 32

HEX #AD1700

RGB 173 23 0

HSL 7.98, 1%, 0.34%

LAB 36.92, 56.54, 50.67

 

CMYK 0 / 70 / 100 / 32

HEX #AD3400

RGB 173 52 0

HSL 18.03, 1%, 0.34%

LAB 40.15, 47.55, 52.1

 

CMYK 0 / 100 / 64 / 33

HEX #AB003E

RGB 171 0 62

HSL 338.25, 1%, 0.34%

LAB 36, 61.22, 16.33

 

CMYK 0 / 100 / 64 / 13

HEX #DE0050

RGB 222 0 80

HSL 338.38, 1%, 0.44%

LAB 47.12, 74.22, 21.59

 

CMYK 0 / 100 / 61 / 93

HEX #120007

RGB 18 0 7

HSL 336.67, 1%, 0.04%

LAB 1.3, 6.19, -0.81

 

CMYK 0 / 100 / 64 / 73

HEX #450019

RGB 69 0 25

HSL 338.26, 1%, 0.14%

LAB 11.52, 32.6, 5.03

 

CMYK 0 / 100 / 63 / 53

HEX #78002C

RGB 120 0 44

HSL 338, 1%, 0.24%

LAB 24.24, 47.48, 10.66

 

CMYK 0 / 100 / 64 / 33

HEX #AB003E

RGB 171 0 62

HSL 338.25, 1%, 0.34%

LAB 36, 61.22, 16.33

 

CMYK 0 / 17 / 100 / 32

HEX #AD9000

RGB 173 144 0

HSL 49.94, 1%, 0.34%

LAB 60.63, -0.79, 64.92

 

CMYK 100 / 24 / 0 / 32

HEX #0084AD

RGB 0 132 173

HSL 194.22, 1%, 0.34%

LAB 51.29, -15.15, -30.11

 

CMYK 0 / 100 / 64 / 33

HEX #AB003E

RGB 171 0 62

HSL 338.25, 1%, 0.34%

LAB 36, 61.22, 16.33

 

CMYK 64 / 0 / 100 / 32

HEX #3FAD00

RGB 63 173 0

HSL 98.15, 1%, 0.34%

LAB 62.46, -56.51, 63.29

 

CMYK 100 / 64 / 0 / 32

HEX #003FAD

RGB 0 63 173

HSL 218.15, 1%, 0.34%

LAB 30.81, 28.79, -62.9

 

CMYK 0 / 100 / 64 / 33

HEX #AB003E

RGB 171 0 62

HSL 338.25, 1%, 0.34%

LAB 36, 61.22, 16.33

 

CMYK 0 / 17 / 100 / 32

HEX #AD9000

RGB 173 144 0

HSL 49.94, 1%, 0.34%

LAB 60.63, -0.79, 64.92

 

CMYK 100 / 0 / 37 / 32

HEX #00AD6D

RGB 0 173 109

HSL 157.8, 1%, 0.34%

LAB 62.5, -52.81, 22.58

 

CMYK 100 / 84 / 0 / 32

HEX #001CAD

RGB 0 28 173

HSL 230.29, 1%, 0.34%

LAB 23.16, 49.94, -75.55

 

CMYK 0 / 100 / 64 / 33

HEX #AB003E

RGB 171 0 62

HSL 338.25, 1%, 0.34%

LAB 36, 61.22, 16.33

 

CMYK 13 / 0 / 100 / 32

HEX #96AD00

RGB 150 173 0

HSL 67.98, 1%, 0.34%

LAB 66.8, -26.12, 68.52

 

CMYK 100 / 0 / 37 / 32

HEX #00AD6D

RGB 0 173 109

HSL 157.8, 1%, 0.34%

LAB 62.5, -52.81, 22.58

 

CMYK 87 / 100 / 0 / 32

HEX #1700AD

RGB 23 0 173

HSL 247.98, 1%, 0.34%

LAB 20.82, 59.44, -79.43

 

Description

Color code: RGB 171 0 62 | qconv.com Color code: RGB 171 0 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, none green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 0 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 64 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 64% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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