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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 20.2 2.6 it is the complementary color RGB 85 234.8 252.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 20.2 2.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 20.2 2.6 shade: RGB 175 20.2 0, RGB 192 38.2 16.6, RGB 209 56.2 35.6, RGB 226 74.2 54.6 and RGB 243 92.2 73.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 20.2 2.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 20.2 2.6 shade: RGB 170 20.2 2.6, RGB 153 2.2 0, RGB 136 0 0, RGB 119 0 0 and RGB 102 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 20.2 2.6 shade: RGB 171 20 3 and RGB 171 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 20.2 2.6 shade: RGB 171 20 3, RGB 171 66 3, RGB 171 111 3, RGB 171 156 3 and RGB 140 171 3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 20.2 2.6 shade matches the following richer shades: RGB 171 20 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 20.2 2.6 shade: RGB 171 20 3, RGB 157 31 17, RGB 143 42 31, RGB 129 54 45 and RGB 115 65 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 20.2 2.6 shade: RGB 171 3 75, RGB 171 3 31, RGB 171 19 3, RGB 171 64 3 and RGB 171 109 3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 20.2 2.6 shade: RGB 90 11 1, RGB 130 15 2, RGB 171 20 3, RGB 211 25 3 and RGB 251 31 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 20.2 2.6 shade: RGB 170 20.2 2.6, RGB 120 171 3 and RGB 3 53 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 20.2 2.6 shade: RGB 170 20.2 2.6, RGB 3 171 19 and RGB 19 3 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 20.2 2.6 shade: RGB 170 20.2 2.6, RGB 120 171 3, RGB 3 154 171 and RGB 53 3 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 20.2 2.6 shade: RGB 170 20.2 2.6, RGB 70 171 3, RGB 3 154 171 and RGB 104 3 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 98 / 33

HEX #AA1402

RGB 170 20.2 2.6

HSL 6.31, 0.97%, 0.34%

LAB 36.1, 56.3, 48.86

 

Complementary color

CMYK 66 / 7 / 0 / 1

HEX #55EAFC

RGB 85 234.8 252.4

HSL 186.31, 0.97%, 0.66%

LAB 86.15, -33.92, -20.16

 

CMYK 0 / 88 / 100 / 31

HEX #AF1400

RGB 175 20.2 0

HSL 6.93, 1%, 0.34%

LAB 37.15, 57.66, 51.01

 

CMYK 0 / 80 / 91 / 25

HEX #C02610

RGB 192 38.2 16.6

HSL 7.39, 0.84%, 0.41%

LAB 42.22, 58.51, 49.75

 

CMYK 0 / 73 / 83 / 18

HEX #D13823

RGB 209 56.2 35.6

HSL 7.13, 0.71%, 0.48%

LAB 47.66, 58.42, 47.09

 

CMYK 0 / 67 / 76 / 11

HEX #E24A36

RGB 226 74.2 54.6

HSL 6.86, 0.75%, 0.55%

LAB 53.35, 57.78, 44.01

 

CMYK 0 / 62 / 70 / 5

HEX #F35C49

RGB 243 92.2 73.6

HSL 6.59, 0.88%, 0.62%

LAB 59.19, 56.84, 41.09

 

CMYK 0 / 88 / 98 / 33

HEX #AA1402

RGB 170 20.2 2.6

HSL 6.31, 0.97%, 0.34%

LAB 36.1, 56.3, 48.86

 

CMYK 0 / 99 / 100 / 40

HEX #990200

RGB 153 2.2 0

HSL 0.86, 1%, 0.3%

LAB 31.39, 54.39, 45.22

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 88 / 98 / 33

HEX #AB1403

RGB 171 20 3

HSL 6.07, 0.97%, 0.34%

LAB 36.3, 56.62, 48.91

 

CMYK 0 / 98 / 98 / 33

HEX #AB0303

RGB 171 3 3

HSL 0, 0.97%, 0.34%

LAB 35.46, 59.04, 48.5

 

CMYK 0 / 88 / 98 / 33

HEX #AB1403

RGB 171 20 3

HSL 6.07, 0.97%, 0.34%

LAB 36.3, 56.62, 48.91

 

CMYK 0 / 61 / 98 / 33

HEX #AB4203

RGB 171 66 3

HSL 22.5, 0.97%, 0.34%

LAB 42.09, 40.71, 51.99

 

CMYK 0 / 35 / 98 / 33

HEX #AB6F03

RGB 171 111 3

HSL 38.57, 0.97%, 0.34%

LAB 51.87, 16.72, 58.22

 

CMYK 0 / 9 / 98 / 33

HEX #AB9C03

RGB 171 156 3

HSL 54.64, 0.97%, 0.34%

LAB 63.71, -8.12, 66.6

 

CMYK 18 / 0 / 98 / 33

HEX #8CAB03

RGB 140 171 3

HSL 71.07, 0.97%, 0.34%

LAB 65.52, -29.35, 66.86

 

CMYK 0 / 88 / 98 / 33

HEX #AB1403

RGB 171 20 3

HSL 6.07, 0.97%, 0.34%

LAB 36.3, 56.62, 48.91

 

CMYK 0 / 88 / 98 / 33

HEX #AB1403

RGB 171 20 3

HSL 6.07, 0.97%, 0.34%

LAB 36.3, 56.62, 48.91

 

CMYK 0 / 80 / 89 / 38

HEX #9D1F11

RGB 157 31 17

HSL 6, 0.8%, 0.34%

LAB 34.37, 50.02, 40.6

 

CMYK 0 / 71 / 78 / 44

HEX #8F2A1F

RGB 143 42 31

HSL 5.89, 0.64%, 0.34%

LAB 33.12, 41.87, 30.99

 

CMYK 0 / 58 / 65 / 49

HEX #81362D

RGB 129 54 45

HSL 6.43, 0.48%, 0.34%

LAB 32.91, 31.71, 21.61

 

CMYK 0 / 43 / 49 / 55

HEX #73413B

RGB 115 65 59

HSL 6.43, 0.32%, 0.34%

LAB 33.44, 20.96, 13.06

 

CMYK 0 / 98 / 56 / 33

HEX #AB034B

RGB 171 3 75

HSL 334.29, 0.97%, 0.34%

LAB 36.43, 61.68, 8.46

 

CMYK 0 / 98 / 82 / 33

HEX #AB031F

RGB 171 3 31

HSL 350, 0.97%, 0.34%

LAB 35.64, 59.54, 35.4

 

CMYK 0 / 89 / 98 / 33

HEX #AB1303

RGB 171 19 3

HSL 5.71, 0.97%, 0.34%

LAB 36.23, 56.81, 48.88

 

CMYK 0 / 63 / 98 / 33

HEX #AB4003

RGB 171 64 3

HSL 21.79, 0.97%, 0.34%

LAB 41.74, 41.65, 51.78

 

CMYK 0 / 36 / 98 / 33

HEX #AB6D03

RGB 171 109 3

HSL 37.86, 0.97%, 0.34%

LAB 51.38, 17.84, 57.89

 

CMYK 0 / 88 / 99 / 65

HEX #5A0B01

RGB 90 11 1

HSL 6.74, 0.98%, 0.18%

LAB 17.53, 34.21, 26.42

 

CMYK 0 / 88 / 98 / 49

HEX #820F02

RGB 130 15 2

HSL 6.09, 0.97%, 0.26%

LAB 26.99, 45.8, 38.74

 

CMYK 0 / 88 / 98 / 33

HEX #AB1403

RGB 171 20 3

HSL 6.07, 0.97%, 0.34%

LAB 36.3, 56.62, 48.91

 

CMYK 0 / 88 / 99 / 17

HEX #D31903

RGB 211 25 3

HSL 6.35, 0.97%, 0.42%

LAB 45.01, 66.62, 57.68

 

CMYK 0 / 88 / 98 / 2

HEX #FB1F05

RGB 251 31 5

HSL 6.34, 0.97%, 0.5%

LAB 53.49, 76.09, 65.59

 

CMYK 0 / 88 / 98 / 33

HEX #AA1402

RGB 170 20.2 2.6

HSL 6.31, 0.97%, 0.34%

LAB 36.1, 56.3, 48.86

 

CMYK 30 / 0 / 98 / 33

HEX #78AB03

RGB 120 171 3

HSL 78.21, 0.97%, 0.34%

LAB 64.26, -37.46, 65.34

 

CMYK 98 / 69 / 0 / 33

HEX #0335AB

RGB 3 53 171

HSL 222.14, 0.97%, 0.34%

LAB 28.13, 34.79, -66.11

 

CMYK 0 / 88 / 98 / 33

HEX #AA1402

RGB 170 20.2 2.6

HSL 6.31, 0.97%, 0.34%

LAB 36.1, 56.3, 48.86

 

CMYK 98 / 0 / 89 / 33

HEX #03AB13

RGB 3 171 19

HSL 125.71, 0.97%, 0.34%

LAB 60.95, -63.19, 58.85

 

CMYK 89 / 98 / 0 / 33

HEX #1303AB

RGB 19 3 171

HSL 245.71, 0.97%, 0.34%

LAB 20.61, 58.09, -78.59

 

CMYK 0 / 88 / 98 / 33

HEX #AA1402

RGB 170 20.2 2.6

HSL 6.31, 0.97%, 0.34%

LAB 36.1, 56.3, 48.86

 

CMYK 30 / 0 / 98 / 33

HEX #78AB03

RGB 120 171 3

HSL 78.21, 0.97%, 0.34%

LAB 64.26, -37.46, 65.34

 

CMYK 98 / 10 / 0 / 33

HEX #039AAB

RGB 3 154 171

HSL 186.07, 0.97%, 0.34%

LAB 58.1, -27.35, -18.47

 

CMYK 69 / 98 / 0 / 33

HEX #3503AB

RGB 53 3 171

HSL 257.86, 0.97%, 0.34%

LAB 22.87, 59.1, -74.76

 

CMYK 0 / 88 / 98 / 33

HEX #AA1402

RGB 170 20.2 2.6

HSL 6.31, 0.97%, 0.34%

LAB 36.1, 56.3, 48.86

 

CMYK 59 / 0 / 98 / 33

HEX #46AB03

RGB 70 171 3

HSL 96.07, 0.97%, 0.34%

LAB 62.03, -54.03, 62.63

 

CMYK 98 / 10 / 0 / 33

HEX #039AAB

RGB 3 154 171

HSL 186.07, 0.97%, 0.34%

LAB 58.1, -27.35, -18.47

 

CMYK 39 / 98 / 0 / 33

HEX #6803AB

RGB 104 3 171

HSL 276.07, 0.97%, 0.34%

LAB 29.28, 63.04, -63.95

 

Description

Color code: RGB 170 20.2 2.6 | qconv.com Color code: RGB 170 20.2 2.6 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 20.2 green and 2.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 20.2 2.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 98 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 98% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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