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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 155 133 it is the complementary color RGB 85 100 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 155 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 170 155 133: RGB 175 155 128, RGB 192 173 147, RGB 209 191 166, RGB 226 209 185 and RGB 243 227 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 155 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 170 155 133: RGB 170 155 133, RGB 153 137 114, RGB 136 119 95, RGB 119 101 76 and RGB 102 83 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 22 / 33

HEX #AA9B85

RGB 170 155 133

HSL 35.68, 0.18%, 0.59%

LAB 64.71, 1.87, 13.54

 

Complementary color

CMYK 30 / 18 / 0 / 52

HEX #55647A

RGB 85 100 122

HSL 215.68, 0.18%, 0.41%

LAB 41.92, -0.12, -14.18

 

CMYK 0 / 11 / 27 / 31

HEX #AF9B80

RGB 175 155 128

HSL 34.47, 0.23%, 0.59%

LAB 65.05, 3.1, 16.87

 

CMYK 0 / 10 / 23 / 25

HEX #C0AD93

RGB 192 173 147

HSL 34.67, 0.26%, 0.66%

LAB 71.69, 2.7, 15.86

 

CMYK 0 / 9 / 21 / 18

HEX #D1BFA6

RGB 209 191 166

HSL 34.88, 0.32%, 0.74%

LAB 78.21, 2.36, 14.92

 

CMYK 0 / 8 / 18 / 11

HEX #E2D1B9

RGB 226 209 185

HSL 35.12, 0.41%, 0.81%

LAB 84.62, 2.05, 14.03

 

CMYK 0 / 7 / 16 / 5

HEX #F3E3CC

RGB 243 227 204

HSL 35.38, 0.62%, 0.88%

LAB 90.94, 1.76, 13.19

 

CMYK 0 / 9 / 22 / 33

HEX #AA9B85

RGB 170 155 133

HSL 35.68, 0.18%, 0.59%

LAB 64.71, 1.87, 13.54

 

CMYK 0 / 10 / 25 / 40

HEX #998972

RGB 153 137 114

HSL 35.38, 0.16%, 0.52%

LAB 57.92, 2.24, 14.54

 

CMYK 0 / 13 / 30 / 47

HEX #88775F

RGB 136 119 95

HSL 35.12, 0.18%, 0.45%

LAB 50.98, 2.68, 15.63

 

CMYK 0 / 15 / 36 / 53

HEX #77654C

RGB 119 101 76

HSL 34.88, 0.22%, 0.38%

LAB 43.87, 3.22, 16.84

 

CMYK 0 / 19 / 44 / 60

HEX #665339

RGB 102 83 57

HSL 34.67, 0.28%, 0.31%

LAB 36.57, 3.91, 18.18

 

CMYK 0 / 9 / 22 / 33

HEX #AA9B85

RGB 170 155 133

HSL 35.68, 0.18%, 0.59%

LAB 64.71, 1.87, 13.54

 

CMYK 0 / 6 / 22 / 34

HEX #A99F83

RGB 169 159 131

HSL 44.21, 0.18%, 0.59%

LAB 65.65, -1.01, 15.95

 

CMYK 0 / 2 / 22 / 34

HEX #A9A683

RGB 169 166 131

HSL 55.26, 0.18%, 0.59%

LAB 67.54, -4.8, 18.56

 

CMYK 2 / 0 / 22 / 34

HEX #A6A983

RGB 166 169 131

HSL 64.74, 0.18%, 0.59%

LAB 68.11, -7.57, 19.31

 

CMYK 6 / 0 / 22 / 34

HEX #9FA983

RGB 159 169 131

HSL 75.79, 0.18%, 0.59%

LAB 67.57, -10.26, 18.47

 

CMYK 0 / 9 / 22 / 33

HEX #AA9B85

RGB 170 155 133

HSL 35.68, 0.18%, 0.59%

LAB 64.71, 1.87, 13.54

 

CMYK 0 / 9 / 22 / 13

HEX #DDCAAD

RGB 221 202 173

HSL 36.25, 0.41%, 0.77%

LAB 82.18, 2.08, 16.9

 

CMYK 0 / 6 / 24 / 93

HEX #11100D

RGB 17 16 13

HSL 45, 0.13%, 0.06%

LAB 4.69, -0.16, 1.57

 

CMYK 0 / 9 / 22 / 73

HEX #443E35

RGB 68 62 53

HSL 36, 0.12%, 0.24%

LAB 26.54, 0.81, 6.47

 

CMYK 0 / 8 / 22 / 53

HEX #776D5D

RGB 119 109 93

HSL 36.92, 0.12%, 0.42%

LAB 46.51, 1.07, 10.36

 

CMYK 0 / 9 / 22 / 33

HEX #AA9B85

RGB 170 155 133

HSL 35.68, 0.18%, 0.59%

LAB 64.71, 1.87, 13.54

 

CMYK 18 / 0 / 22 / 34

HEX #8BA983

RGB 139 169 131

HSL 107.37, 0.18%, 0.59%

LAB 66.14, -17.7, 16.28

 

CMYK 18 / 22 / 0 / 34

HEX #8A83A9

RGB 138 131 169

HSL 251.05, 0.18%, 0.59%

LAB 56.59, 10.7, -19.17

 

CMYK 0 / 9 / 22 / 33

HEX #AA9B85

RGB 170 155 133

HSL 35.68, 0.18%, 0.59%

LAB 64.71, 1.87, 13.54

 

CMYK 22 / 0 / 9 / 34

HEX #83A999

RGB 131 169 153

HSL 154.74, 0.18%, 0.59%

LAB 66.14, -16.28, 4.03

 

CMYK 9 / 22 / 0 / 34

HEX #9983A9

RGB 153 131 169

HSL 274.74, 0.18%, 0.59%

LAB 57.91, 15.74, -17.02

 

CMYK 0 / 9 / 22 / 33

HEX #AA9B85

RGB 170 155 133

HSL 35.68, 0.18%, 0.59%

LAB 64.71, 1.87, 13.54

 

CMYK 18 / 0 / 22 / 34

HEX #8BA983

RGB 139 169 131

HSL 107.37, 0.18%, 0.59%

LAB 66.14, -17.7, 16.28

 

CMYK 22 / 13 / 0 / 34

HEX #8393A9

RGB 131 147 169

HSL 214.74, 0.18%, 0.59%

LAB 60.39, -0.76, -13.45

 

CMYK 5 / 22 / 0 / 34

HEX #A183A9

RGB 161 131 169

HSL 287.37, 0.18%, 0.59%

LAB 58.67, 18.48, -15.8

 

CMYK 0 / 9 / 22 / 33

HEX #AA9B85

RGB 170 155 133

HSL 35.68, 0.18%, 0.59%

LAB 64.71, 1.87, 13.54

 

CMYK 22 / 0 / 21 / 34

HEX #83A986

RGB 131 169 134

HSL 124.74, 0.18%, 0.59%

LAB 65.69, -20, 13.92

 

CMYK 22 / 13 / 0 / 34

HEX #8393A9

RGB 131 147 169

HSL 214.74, 0.18%, 0.59%

LAB 60.39, -0.76, -13.45

 

CMYK 0 / 22 / 2 / 34

HEX #A983A6

RGB 169 131 166

HSL 304.74, 0.18%, 0.59%

LAB 59.36, 20.67, -12.97

 

Description

Color code: RGB 170 155 133 | qconv.com Color code: RGB 170 155 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 155 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 155 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 22 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 22% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Revista Época
Link: http://epoca.globo.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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