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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17.3 198.4 163 it is the complementary color RGB 237.7 56.6 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17.3 198.4 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17.3 198.4 163 shade: RGB 22.3 198.4 158, RGB 39.3 216.4 177, RGB 56.3 234.4 196, RGB 73.3 252.4 215 and RGB 90.3 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17.3 198.4 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17.3 198.4 163 shade: RGB 17.3 198.4 163, RGB 0.3 180.4 144, RGB 0 162.4 125, RGB 0 144.4 106 and RGB 0 126.4 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17.3 198.4 163 shade: RGB 17 197 162, RGB 17 197 113, RGB 17 197 65, RGB 18 197 17 and RGB 66 197 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17.3 198.4 163 shade: RGB 17 197 162, RGB 17 184 197, RGB 17 135 197, RGB 17 87 197 and RGB 17 38 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17.3 198.4 163 shade matches the following richer shades: RGB 17 197 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17.3 198.4 163 shade: RGB 17 197 162, RGB 34 180 151, RGB 52 162 141, RGB 69 145 130 and RGB 86 128 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17.3 198.4 163 shade: RGB 17 197 65, RGB 17 197 113, RGB 17 197 161, RGB 17 185 197 and RGB 17 137 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17.3 198.4 163 shade: RGB 11 121 100, RGB 14 159 131, RGB 17 197 162, RGB 21 235 193 and RGB 59 238 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17.3 198.4 163 shade: RGB 17.3 198.4 163, RGB 17 17 197 and RGB 197 89 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17.3 198.4 163 shade: RGB 17.3 198.4 163, RGB 161 17 197 and RGB 197 161 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17.3 198.4 163 shade: RGB 17.3 198.4 163, RGB 17 17 197, RGB 197 17 53 and RGB 197 197 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17.3 198.4 163 shade: RGB 17.3 198.4 163, RGB 71 17 197, RGB 197 17 53 and RGB 143 197 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 18 / 22

HEX #11C6A3

RGB 17.3 198.4 163

HSL 168.27, 0.84%, 0.42%

LAB 71.78, -49.15, 6.24

 

Complementary color

CMYK 0 / 76 / 61 / 7

HEX #ED385C

RGB 237.7 56.6 92

HSL 348.27, 0.84%, 0.58%

LAB 53.8, 69.21, 23.66

 

CMYK 89 / 0 / 20 / 22

HEX #16C69E

RGB 22.3 198.4 158

HSL 166.24, 0.8%, 0.43%

LAB 71.7, -50.17, 8.84

 

CMYK 82 / 0 / 18 / 15

HEX #27D8B1

RGB 39.3 216.4 177

HSL 166.65, 0.7%, 0.5%

LAB 77.83, -51.47, 7.43

 

CMYK 76 / 0 / 16 / 8

HEX #38EAC4

RGB 56.3 234.4 196

HSL 167.06, 0.81%, 0.57%

LAB 83.92, -52.44, 6.15

 

CMYK 71 / 0 / 15 / 1

HEX #49FCD7

RGB 73.3 252.4 215

HSL 167.47, 0.97%, 0.64%

LAB 89.96, -53.15, 4.99

 

CMYK 65 / 0 / 8 / 0

HEX #5AFFEA

RGB 90.3 255 234

HSL 172.35, 1%, 0.68%

LAB 91.53, -47.18, -2.53

 

CMYK 91 / 0 / 18 / 22

HEX #11C6A3

RGB 17.3 198.4 163

HSL 168.27, 0.84%, 0.42%

LAB 71.78, -49.15, 6.24

 

CMYK 100 / 0 / 20 / 29

HEX #00B490

RGB 0.3 180.4 144

HSL 167.87, 1%, 0.35%

LAB 65.61, -47.39, 7.76

 

CMYK 100 / 0 / 23 / 36

HEX #00A27D

RGB 0 162.4 125

HSL 166.18, 1%, 0.32%

LAB 59.4, -45, 9.48

 

CMYK 100 / 0 / 27 / 43

HEX #00906A

RGB 0 144.4 106

HSL 164.04, 1%, 0.28%

LAB 53.07, -42.52, 11.3

 

CMYK 100 / 0 / 31 / 50

HEX #007E57

RGB 0 126.4 87

HSL 161.3, 1%, 0.25%

LAB 46.59, -39.96, 13.21

 

CMYK 91 / 0 / 18 / 23

HEX #11C5A2

RGB 17 197 162

HSL 168.33, 0.84%, 0.42%

LAB 71.32, -48.86, 6.12

 

CMYK 91 / 0 / 43 / 23

HEX #11C571

RGB 17 197 113

HSL 152, 0.84%, 0.42%

LAB 70.35, -59.8, 30.87

 

CMYK 91 / 0 / 67 / 23

HEX #11C541

RGB 17 197 65

HSL 136, 0.84%, 0.42%

LAB 69.78, -66.73, 52.83

 

CMYK 91 / 0 / 91 / 23

HEX #12C511

RGB 18 197 17

HSL 119.67, 0.84%, 0.42%

LAB 69.54, -69.76, 66.61

 

CMYK 66 / 0 / 91 / 23

HEX #42C511

RGB 66 197 17

HSL 103.67, 0.84%, 0.42%

LAB 70.27, -63.39, 67.51

 

CMYK 91 / 0 / 18 / 23

HEX #11C5A2

RGB 17 197 162

HSL 168.33, 0.84%, 0.42%

LAB 71.32, -48.86, 6.12

 

CMYK 91 / 7 / 0 / 23

HEX #11B8C5

RGB 17 184 197

HSL 184.33, 0.84%, 0.42%

LAB 68.34, -33.02, -17.45

 

CMYK 91 / 31 / 0 / 23

HEX #1187C5

RGB 17 135 197

HSL 200.67, 0.84%, 0.42%

LAB 53.47, -7.22, -40.44

 

CMYK 91 / 56 / 0 / 23

HEX #1157C5

RGB 17 87 197

HSL 216.67, 0.84%, 0.42%

LAB 39.52, 22.94, -62.79

 

CMYK 91 / 81 / 0 / 23

HEX #1126C5

RGB 17 38 197

HSL 233, 0.84%, 0.42%

LAB 28.21, 53.11, -81.41

 

CMYK 91 / 0 / 18 / 23

HEX #11C5A2

RGB 17 197 162

HSL 168.33, 0.84%, 0.42%

LAB 71.32, -48.86, 6.12

 

CMYK 91 / 0 / 18 / 23

HEX #11C5A2

RGB 17 197 162

HSL 168.33, 0.84%, 0.42%

LAB 71.32, -48.86, 6.12

 

CMYK 81 / 0 / 16 / 29

HEX #22B497

RGB 34 180 151

HSL 168.08, 0.68%, 0.42%

LAB 65.92, -43.48, 4.38

 

CMYK 68 / 0 / 13 / 36

HEX #34A28D

RGB 52 162 141

HSL 168.55, 0.51%, 0.42%

LAB 60.33, -35.93, 1.92

 

CMYK 52 / 0 / 10 / 43

HEX #459182

RGB 69 145 130

HSL 168.16, 0.36%, 0.42%

LAB 55.2, -27.38, 0.78

 

CMYK 33 / 0 / 6 / 50

HEX #568078

RGB 86 128 120

HSL 168.57, 0.2%, 0.42%

LAB 50.42, -16.41, -0.31

 

CMYK 91 / 0 / 67 / 23

HEX #11C541

RGB 17 197 65

HSL 136, 0.84%, 0.42%

LAB 69.78, -66.73, 52.83

 

CMYK 91 / 0 / 43 / 23

HEX #11C571

RGB 17 197 113

HSL 152, 0.84%, 0.42%

LAB 70.35, -59.8, 30.87

 

CMYK 91 / 0 / 18 / 23

HEX #11C5A1

RGB 17 197 161

HSL 168, 0.84%, 0.42%

LAB 71.3, -49.11, 6.63

 

CMYK 91 / 6 / 0 / 23

HEX #11B9C5

RGB 17 185 197

HSL 184, 0.84%, 0.42%

LAB 68.64, -33.5, -16.99

 

CMYK 91 / 30 / 0 / 23

HEX #1189C5

RGB 17 137 197

HSL 200, 0.84%, 0.42%

LAB 54.07, -8.38, -39.49

 

CMYK 91 / 0 / 17 / 53

HEX #0B7964

RGB 11 121 100

HSL 168.55, 0.83%, 0.26%

LAB 45.17, -33.48, 3.58

 

CMYK 91 / 0 / 18 / 38

HEX #0E9F83

RGB 14 159 131

HSL 168.41, 0.84%, 0.34%

LAB 58.54, -41.36, 4.89

 

CMYK 91 / 0 / 18 / 23

HEX #11C5A2

RGB 17 197 162

HSL 168.33, 0.84%, 0.42%

LAB 71.32, -48.86, 6.12

 

CMYK 91 / 0 / 18 / 8

HEX #15EBC1

RGB 21 235 193

HSL 168.22, 0.84%, 0.5%

LAB 83.67, -56.02, 7.32

 

CMYK 75 / 0 / 15 / 7

HEX #3BEECB

RGB 59 238 203

HSL 168.27, 0.84%, 0.58%

LAB 85.2, -51.88, 4.33

 

CMYK 91 / 0 / 18 / 22

HEX #11C6A3

RGB 17.3 198.4 163

HSL 168.27, 0.84%, 0.42%

LAB 71.78, -49.15, 6.24

 

CMYK 91 / 91 / 0 / 23

HEX #1111C5

RGB 17 17 197

HSL 240, 0.84%, 0.42%

LAB 25.42, 61.47, -86.07

 

CMYK 0 / 55 / 91 / 23

HEX #C55911

RGB 197 89 17

HSL 24, 0.84%, 0.42%

LAB 50.75, 39.74, 56.05

 

CMYK 91 / 0 / 18 / 22

HEX #11C6A3

RGB 17.3 198.4 163

HSL 168.27, 0.84%, 0.42%

LAB 71.78, -49.15, 6.24

 

CMYK 18 / 91 / 0 / 23

HEX #A111C5

RGB 161 17 197

HSL 288, 0.84%, 0.42%

LAB 41.23, 73.57, -59.46

 

CMYK 0 / 18 / 91 / 23

HEX #C5A111

RGB 197 161 17

HSL 48, 0.84%, 0.42%

LAB 67.58, 1.09, 68.59

 

CMYK 91 / 0 / 18 / 22

HEX #11C6A3

RGB 17.3 198.4 163

HSL 168.27, 0.84%, 0.42%

LAB 71.78, -49.15, 6.24

 

CMYK 91 / 91 / 0 / 23

HEX #1111C5

RGB 17 17 197

HSL 240, 0.84%, 0.42%

LAB 25.42, 61.47, -86.07

 

CMYK 0 / 91 / 73 / 23

HEX #C51135

RGB 197 17 53

HSL 348, 0.84%, 0.42%

LAB 42.04, 65.27, 30.78

 

CMYK 0 / 0 / 91 / 23

HEX #C5C511

RGB 197 197 17

HSL 60, 0.84%, 0.42%

LAB 77.19, -17.55, 75.98

 

CMYK 91 / 0 / 18 / 22

HEX #11C6A3

RGB 17.3 198.4 163

HSL 168.27, 0.84%, 0.42%

LAB 71.78, -49.15, 6.24

 

CMYK 64 / 91 / 0 / 23

HEX #4711C5

RGB 71 17 197

HSL 258, 0.84%, 0.42%

LAB 28.83, 63.57, -80.29

 

CMYK 0 / 91 / 73 / 23

HEX #C51135

RGB 197 17 53

HSL 348, 0.84%, 0.42%

LAB 42.04, 65.27, 30.78

 

CMYK 27 / 0 / 91 / 23

HEX #8FC511

RGB 143 197 17

HSL 78, 0.84%, 0.42%

LAB 73.42, -39.82, 71.41

 

Description

Color code: RGB 17.3 198.4 163 | qconv.com Color code: RGB 17.3 198.4 163 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17.3 red, 198.4 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17.3 198.4 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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