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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 126 84 it is the complementary color RGB 86 129 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 126 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 169 126 84: RGB 174 126 79, RGB 191 144 98, RGB 208 162 117, RGB 225 180 136 and RGB 242 198 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 126 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 169 126 84: RGB 169 126 84, RGB 152 108 65, RGB 135 90 46, RGB 118 72 27 and RGB 101 54 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 50 / 34

HEX #A97E54

RGB 169 126 84

HSL 29.65, 0.34%, 0.5%

LAB 56.08, 11.45, 29.26

 

Complementary color

CMYK 50 / 25 / 0 / 33

HEX #5681AB

RGB 86 129 171

HSL 209.65, 0.34%, 0.5%

LAB 52.53, -2.84, -26.86

 

CMYK 0 / 28 / 55 / 32

HEX #AE7E4F

RGB 174 126 79

HSL 29.68, 0.38%, 0.5%

LAB 56.57, 13.13, 32.73

 

CMYK 0 / 25 / 49 / 25

HEX #BF9062

RGB 191 144 98

HSL 29.68, 0.42%, 0.57%

LAB 63.26, 12.11, 31.26

 

CMYK 0 / 22 / 44 / 18

HEX #D0A275

RGB 208 162 117

HSL 29.67, 0.49%, 0.64%

LAB 69.85, 11.23, 29.89

 

CMYK 0 / 20 / 40 / 12

HEX #E1B488

RGB 225 180 136

HSL 29.66, 0.6%, 0.71%

LAB 76.33, 10.48, 28.62

 

CMYK 0 / 18 / 36 / 5

HEX #F2C69B

RGB 242 198 155

HSL 29.66, 0.77%, 0.78%

LAB 82.72, 9.82, 27.44

 

CMYK 0 / 25 / 50 / 34

HEX #A97E54

RGB 169 126 84

HSL 29.65, 0.34%, 0.5%

LAB 56.08, 11.45, 29.26

 

CMYK 0 / 29 / 57 / 40

HEX #986C41

RGB 152 108 65

HSL 29.66, 0.4%, 0.43%

LAB 49.23, 12.54, 30.78

 

CMYK 0 / 33 / 66 / 47

HEX #875A2E

RGB 135 90 46

HSL 29.66, 0.49%, 0.35%

LAB 42.25, 13.88, 32.41

 

CMYK 0 / 39 / 77 / 54

HEX #76481B

RGB 118 72 27

HSL 29.67, 0.63%, 0.28%

LAB 35.13, 15.53, 33.99

 

CMYK 0 / 47 / 92 / 60

HEX #653608

RGB 101 54 8

HSL 29.68, 0.85%, 0.21%

LAB 27.91, 17.6, 34.93

 

CMYK 0 / 25 / 50 / 34

HEX #A97E54

RGB 169 126 84

HSL 29.65, 0.34%, 0.5%

LAB 56.08, 11.45, 29.26

 

CMYK 0 / 18 / 51 / 33

HEX #AA8C54

RGB 170 140 84

HSL 39.07, 0.34%, 0.5%

LAB 59.84, 4.04, 34

 

CMYK 0 / 9 / 51 / 33

HEX #AA9A54

RGB 170 154 84

HSL 48.84, 0.34%, 0.5%

LAB 63.59, -3.63, 38.6

 

CMYK 0 / 1 / 51 / 33

HEX #AAA954

RGB 170 169 84

HSL 59.3, 0.34%, 0.5%

LAB 67.7, -11.61, 43.52

 

CMYK 8 / 0 / 51 / 33

HEX #9DAA54

RGB 157 170 84

HSL 69.07, 0.34%, 0.5%

LAB 66.94, -17.54, 42.38

 

CMYK 0 / 25 / 50 / 34

HEX #A97E54

RGB 169 126 84

HSL 29.65, 0.34%, 0.5%

LAB 56.08, 11.45, 29.26

 

CMYK 0 / 25 / 50 / 14

HEX #DCA46D

RGB 220 164 109

HSL 29.73, 0.61%, 0.65%

LAB 71.47, 14.27, 36.47

 

CMYK 0 / 25 / 50 / 94

HEX #100C08

RGB 16 12 8

HSL 30, 0.33%, 0.05%

LAB 3.53, 0.73, 2.01

 

CMYK 0 / 25 / 51 / 74

HEX #433221

RGB 67 50 33

HSL 30, 0.34%, 0.2%

LAB 22.25, 5.05, 13.76

 

CMYK 0 / 25 / 50 / 54

HEX #76583B

RGB 118 88 59

HSL 29.49, 0.33%, 0.35%

LAB 39.83, 8.45, 21.57

 

CMYK 0 / 25 / 50 / 34

HEX #A97E54

RGB 169 126 84

HSL 29.65, 0.34%, 0.5%

LAB 56.08, 11.45, 29.26

 

CMYK 35 / 0 / 51 / 33

HEX #6FAA54

RGB 111 170 84

HSL 101.16, 0.34%, 0.5%

LAB 63.97, -35.27, 38.09

 

CMYK 46 / 51 / 0 / 33

HEX #5B54AA

RGB 91 84 170

HSL 244.88, 0.34%, 0.5%

LAB 40.36, 25.72, -45.43

 

CMYK 0 / 25 / 50 / 34

HEX #A97E54

RGB 169 126 84

HSL 29.65, 0.34%, 0.5%

LAB 56.08, 11.45, 29.26

 

CMYK 51 / 0 / 26 / 33

HEX #54AA7E

RGB 84 170 126

HSL 149.3, 0.34%, 0.5%

LAB 63.46, -36.45, 14.87

 

CMYK 26 / 51 / 0 / 33

HEX #7E54AA

RGB 126 84 170

HSL 269.3, 0.34%, 0.5%

LAB 43.77, 34.89, -39.79

 

CMYK 0 / 25 / 50 / 34

HEX #A97E54

RGB 169 126 84

HSL 29.65, 0.34%, 0.5%

LAB 56.08, 11.45, 29.26

 

CMYK 35 / 0 / 51 / 33

HEX #6FAA54

RGB 111 170 84

HSL 101.16, 0.34%, 0.5%

LAB 63.97, -35.27, 38.09

 

CMYK 51 / 25 / 0 / 33

HEX #5480AA

RGB 84 128 170

HSL 209.3, 0.34%, 0.5%

LAB 52.09, -3.05, -26.97

 

CMYK 16 / 51 / 0 / 33

HEX #8F54AA

RGB 143 84 170

HSL 281.16, 0.34%, 0.5%

LAB 45.75, 39.69, -36.53

 

CMYK 0 / 25 / 50 / 34

HEX #A97E54

RGB 169 126 84

HSL 29.65, 0.34%, 0.5%

LAB 56.08, 11.45, 29.26

 

CMYK 50 / 0 / 51 / 33

HEX #55AA54

RGB 85 170 84

HSL 119.3, 0.34%, 0.5%

LAB 62.78, -43.55, 36.36

 

CMYK 51 / 25 / 0 / 33

HEX #5480AA

RGB 84 128 170

HSL 209.3, 0.34%, 0.5%

LAB 52.09, -3.05, -26.97

 

CMYK 1 / 51 / 0 / 33

HEX #A954AA

RGB 169 84 170

HSL 299.3, 0.34%, 0.5%

LAB 49.1, 47.21, -31.03

 

Description

Color code: RGB 169 126 84 | qconv.com Color code: RGB 169 126 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 126 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 126 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 50 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 50% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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