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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 119 98 it is the complementary color RGB 88 136 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 119 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 167 119 98: RGB 172 119 93, RGB 189 137 112, RGB 206 155 131, RGB 223 173 150 and RGB 240 191 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 119 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 167 119 98: RGB 167 119 98, RGB 150 101 79, RGB 133 83 60, RGB 116 65 41 and RGB 99 47 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 41 / 35

HEX #A77762

RGB 167 119 98

HSL 18.26, 0.28%, 0.52%

LAB 54.33, 16.07, 19.01

 

Complementary color

CMYK 44 / 13 / 0 / 38

HEX #58889D

RGB 88 136 157

HSL 198.26, 0.28%, 0.48%

LAB 54.15, -10.46, -16.28

 

CMYK 0 / 31 / 46 / 33

HEX #AC775D

RGB 172 119 93

HSL 19.75, 0.32%, 0.52%

LAB 54.82, 17.59, 22.62

 

CMYK 0 / 28 / 41 / 26

HEX #BD8970

RGB 189 137 112

HSL 19.48, 0.37%, 0.59%

LAB 61.55, 16.64, 21.23

 

CMYK 0 / 25 / 36 / 19

HEX #CE9B83

RGB 206 155 131

HSL 19.2, 0.43%, 0.66%

LAB 68.17, 15.82, 19.98

 

CMYK 0 / 22 / 33 / 13

HEX #DFAD96

RGB 223 173 150

HSL 18.9, 0.53%, 0.73%

LAB 74.68, 15.1, 18.84

 

CMYK 0 / 20 / 30 / 6

HEX #F0BFA9

RGB 240 191 169

HSL 18.59, 0.7%, 0.8%

LAB 81.1, 14.46, 17.77

 

CMYK 0 / 29 / 41 / 35

HEX #A77762

RGB 167 119 98

HSL 18.26, 0.28%, 0.52%

LAB 54.33, 16.07, 19.01

 

CMYK 0 / 33 / 47 / 41

HEX #96654F

RGB 150 101 79

HSL 18.59, 0.31%, 0.45%

LAB 47.44, 17.07, 20.45

 

CMYK 0 / 38 / 55 / 48

HEX #85533C

RGB 133 83 60

HSL 18.9, 0.38%, 0.38%

LAB 40.41, 18.26, 22.1

 

CMYK 0 / 44 / 65 / 55

HEX #744129

RGB 116 65 41

HSL 19.2, 0.48%, 0.31%

LAB 33.25, 19.7, 24.01

 

CMYK 0 / 53 / 78 / 61

HEX #632F16

RGB 99 47 22

HSL 19.48, 0.64%, 0.24%

LAB 25.99, 21.43, 26.2

 

CMYK 0 / 29 / 41 / 35

HEX #A77762

RGB 167 119 98

HSL 18.26, 0.28%, 0.52%

LAB 54.33, 16.07, 19.01

 

CMYK 0 / 22 / 41 / 35

HEX #A68262

RGB 166 130 98

HSL 28.24, 0.28%, 0.52%

LAB 57.03, 9.43, 22.61

 

CMYK 0 / 15 / 41 / 35

HEX #A68D62

RGB 166 141 98

HSL 37.94, 0.28%, 0.52%

LAB 59.92, 3.26, 26.43

 

CMYK 0 / 8 / 41 / 35

HEX #A69962

RGB 166 153 98

HSL 48.53, 0.28%, 0.52%

LAB 63.15, -3.33, 30.62

 

CMYK 0 / 1 / 41 / 35

HEX #A6A462

RGB 166 164 98

HSL 58.24, 0.28%, 0.52%

LAB 66.17, -9.23, 34.46

 

CMYK 0 / 29 / 41 / 35

HEX #A77762

RGB 167 119 98

HSL 18.26, 0.28%, 0.52%

LAB 54.33, 16.07, 19.01

 

CMYK 0 / 29 / 41 / 15

HEX #DA9B80

RGB 218 155 128

HSL 18, 0.55%, 0.68%

LAB 69.4, 20.22, 23.52

 

CMYK 0 / 29 / 43 / 95

HEX #0E0A08

RGB 14 10 8

HSL 20, 0.27%, 0.04%

LAB 2.96, 0.89, 1.17

 

CMYK 0 / 29 / 42 / 75

HEX #412E26

RGB 65 46 38

HSL 17.78, 0.26%, 0.2%

LAB 20.9, 7.42, 8.57

 

CMYK 0 / 28 / 41 / 55

HEX #745344

RGB 116 83 68

HSL 18.75, 0.26%, 0.36%

LAB 38.41, 11.64, 14.21

 

CMYK 0 / 29 / 41 / 35

HEX #A77762

RGB 167 119 98

HSL 18.26, 0.28%, 0.52%

LAB 54.33, 16.07, 19.01

 

CMYK 20 / 0 / 41 / 35

HEX #84A662

RGB 132 166 98

HSL 90, 0.28%, 0.52%

LAB 64.21, -23.85, 31.45

 

CMYK 41 / 37 / 0 / 35

HEX #6269A6

RGB 98 105 166

HSL 233.82, 0.28%, 0.52%

LAB 46.25, 13.24, -33.69

 

CMYK 0 / 29 / 41 / 35

HEX #A77762

RGB 167 119 98

HSL 18.26, 0.28%, 0.52%

LAB 54.33, 16.07, 19.01

 

CMYK 41 / 0 / 29 / 35

HEX #62A676

RGB 98 166 118

HSL 137.65, 0.28%, 0.52%

LAB 62.66, -32.31, 18.25

 

CMYK 29 / 41 / 0 / 35

HEX #7662A6

RGB 118 98 166

HSL 257.65, 0.28%, 0.52%

LAB 46.1, 23.26, -33.81

 

CMYK 0 / 29 / 41 / 35

HEX #A77762

RGB 167 119 98

HSL 18.26, 0.28%, 0.52%

LAB 54.33, 16.07, 19.01

 

CMYK 20 / 0 / 41 / 35

HEX #84A662

RGB 132 166 98

HSL 90, 0.28%, 0.52%

LAB 64.21, -23.85, 31.45

 

CMYK 41 / 12 / 0 / 35

HEX #6292A6

RGB 98 146 166

HSL 197.65, 0.28%, 0.52%

LAB 57.95, -10.83, -15.63

 

CMYK 20 / 41 / 0 / 35

HEX #8462A6

RGB 132 98 166

HSL 270, 0.28%, 0.52%

LAB 47.49, 27.49, -31.53

 

CMYK 0 / 29 / 41 / 35

HEX #A77762

RGB 167 119 98

HSL 18.26, 0.28%, 0.52%

LAB 54.33, 16.07, 19.01

 

CMYK 33 / 0 / 41 / 35

HEX #70A662

RGB 112 166 98

HSL 107.65, 0.28%, 0.52%

LAB 63.01, -31.15, 29.67

 

CMYK 41 / 12 / 0 / 35

HEX #6292A6

RGB 98 146 166

HSL 197.65, 0.28%, 0.52%

LAB 57.95, -10.83, -15.63

 

CMYK 8 / 41 / 0 / 35

HEX #9962A6

RGB 153 98 166

HSL 288.53, 0.28%, 0.52%

LAB 49.81, 34.05, -27.73

 

Description

Color code: RGB 167 119 98 | qconv.com Color code: RGB 167 119 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 119 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 119 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 41 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 41% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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