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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 125 75 it is the complementary color RGB 89 130 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 125 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 166 125 75: RGB 171 125 70, RGB 188 143 89, RGB 205 161 108, RGB 222 179 127 and RGB 239 197 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 125 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 166 125 75: RGB 166 125 75, RGB 149 107 56, RGB 132 89 37, RGB 115 71 18 and RGB 98 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 55 / 35

HEX #A67D4B

RGB 166 125 75

HSL 32.97, 0.38%, 0.47%

LAB 55.36, 9.87, 33.2

 

Complementary color

CMYK 51 / 28 / 0 / 29

HEX #5982B4

RGB 89 130 180

HSL 212.97, 0.38%, 0.53%

LAB 53.37, 0.08, -30.73

 

CMYK 0 / 27 / 59 / 33

HEX #AB7D46

RGB 171 125 70

HSL 32.67, 0.42%, 0.47%

LAB 55.85, 11.64, 36.6

 

CMYK 0 / 24 / 53 / 26

HEX #BC8F59

RGB 188 143 89

HSL 32.73, 0.42%, 0.54%

LAB 62.56, 10.55, 35.13

 

CMYK 0 / 21 / 47 / 20

HEX #CDA16C

RGB 205 161 108

HSL 32.78, 0.49%, 0.61%

LAB 69.15, 9.63, 33.73

 

CMYK 0 / 19 / 43 / 13

HEX #DEB37F

RGB 222 179 127

HSL 32.84, 0.59%, 0.68%

LAB 75.64, 8.83, 32.42

 

CMYK 0 / 18 / 39 / 6

HEX #EFC592

RGB 239 197 146

HSL 32.9, 0.74%, 0.75%

LAB 82.03, 8.15, 31.18

 

CMYK 0 / 25 / 55 / 35

HEX #A67D4B

RGB 166 125 75

HSL 32.97, 0.38%, 0.47%

LAB 55.36, 9.87, 33.2

 

CMYK 0 / 28 / 62 / 42

HEX #956B38

RGB 149 107 56

HSL 32.9, 0.45%, 0.4%

LAB 48.5, 11.05, 34.71

 

CMYK 0 / 33 / 72 / 48

HEX #845925

RGB 132 89 37

HSL 32.84, 0.56%, 0.33%

LAB 41.51, 12.5, 36.2

 

CMYK 0 / 38 / 84 / 55

HEX #734712

RGB 115 71 18

HSL 32.78, 0.73%, 0.26%

LAB 34.39, 14.31, 37.31

 

CMYK 0 / 46 / 100 / 62

HEX #623500

RGB 98 53 0

HSL 32.45, 1%, 0.19%

LAB 27.14, 16.52, 37.35

 

CMYK 0 / 25 / 55 / 35

HEX #A67D4B

RGB 166 125 75

HSL 32.97, 0.38%, 0.47%

LAB 55.36, 9.87, 33.2

 

CMYK 0 / 16 / 55 / 35

HEX #A58A4A

RGB 165 138 74

HSL 42.2, 0.38%, 0.47%

LAB 58.67, 2.07, 37.71

 

CMYK 0 / 7 / 55 / 35

HEX #A5994A

RGB 165 153 74

HSL 52.09, 0.38%, 0.47%

LAB 62.74, -6.13, 42.52

 

CMYK 2 / 0 / 55 / 35

HEX #A2A54A

RGB 162 165 74

HSL 61.98, 0.38%, 0.47%

LAB 65.82, -13.77, 46

 

CMYK 11 / 0 / 55 / 35

HEX #93A54A

RGB 147 165 74

HSL 71.87, 0.38%, 0.47%

LAB 64.65, -20.07, 44.36

 

CMYK 0 / 25 / 55 / 35

HEX #A67D4B

RGB 166 125 75

HSL 32.97, 0.38%, 0.47%

LAB 55.36, 9.87, 33.2

 

CMYK 0 / 25 / 55 / 15

HEX #D9A362

RGB 217 163 98

HSL 32.77, 0.61%, 0.62%

LAB 70.75, 12.61, 41.22

 

CMYK 0 / 23 / 54 / 95

HEX #0D0A06

RGB 13 10 6

HSL 34.29, 0.37%, 0.04%

LAB 2.85, 0.3, 1.81

 

CMYK 0 / 25 / 55 / 75

HEX #40301D

RGB 64 48 29

HSL 32.57, 0.38%, 0.18%

LAB 21.18, 4.38, 14.92

 

CMYK 0 / 24 / 55 / 55

HEX #735734

RGB 115 87 52

HSL 33.33, 0.38%, 0.33%

LAB 39.09, 6.94, 24.66

 

CMYK 0 / 25 / 55 / 35

HEX #A67D4B

RGB 166 125 75

HSL 32.97, 0.38%, 0.47%

LAB 55.36, 9.87, 33.2

 

CMYK 41 / 0 / 55 / 35

HEX #62A54A

RGB 98 165 74

HSL 104.18, 0.38%, 0.47%

LAB 61.66, -38.68, 40.1

 

CMYK 48 / 55 / 0 / 35

HEX #564AA5

RGB 86 74 165

HSL 247.91, 0.38%, 0.47%

LAB 37.1, 29.25, -47.71

 

CMYK 0 / 25 / 55 / 35

HEX #A67D4B

RGB 166 125 75

HSL 32.97, 0.38%, 0.47%

LAB 55.36, 9.87, 33.2

 

CMYK 55 / 0 / 26 / 35

HEX #4AA57A

RGB 74 165 122

HSL 151.65, 0.38%, 0.47%

LAB 61.46, -37.5, 14.23

 

CMYK 26 / 55 / 0 / 35

HEX #7A4AA5

RGB 122 74 165

HSL 271.65, 0.38%, 0.47%

LAB 40.82, 38.27, -41.55

 

CMYK 0 / 25 / 55 / 35

HEX #A67D4B

RGB 166 125 75

HSL 32.97, 0.38%, 0.47%

LAB 55.36, 9.87, 33.2

 

CMYK 41 / 0 / 55 / 35

HEX #62A54A

RGB 98 165 74

HSL 104.18, 0.38%, 0.47%

LAB 61.66, -38.68, 40.1

 

CMYK 55 / 30 / 0 / 35

HEX #4A74A5

RGB 74 116 165

HSL 212.31, 0.38%, 0.47%

LAB 47.83, 0.13, -30.73

 

CMYK 15 / 55 / 0 / 35

HEX #8D4AA5

RGB 141 74 165

HSL 284.18, 0.38%, 0.47%

LAB 43.18, 43.43, -37.65

 

CMYK 0 / 25 / 55 / 35

HEX #A67D4B

RGB 166 125 75

HSL 32.97, 0.38%, 0.47%

LAB 55.36, 9.87, 33.2

 

CMYK 55 / 0 / 53 / 35

HEX #4AA54D

RGB 74 165 77

HSL 121.98, 0.38%, 0.47%

LAB 60.69, -45.49, 37.23

 

CMYK 55 / 30 / 0 / 35

HEX #4A74A5

RGB 74 116 165

HSL 212.31, 0.38%, 0.47%

LAB 47.83, 0.13, -30.73

 

CMYK 0 / 55 / 2 / 35

HEX #A54AA2

RGB 165 74 162

HSL 301.98, 0.38%, 0.47%

LAB 46.32, 49.54, -30.7

 

Description

Color code: RGB 166 125 75 | qconv.com Color code: RGB 166 125 75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 125 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 125 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 55 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 55% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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