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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 229 199 it is the complementary color RGB 91 26 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 229 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 229 199 shade: RGB 169 229 194, RGB 186 247 213, RGB 203 255 232, RGB 220 255 251 and RGB 237 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 229 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 229 199 shade: RGB 164 229 199, RGB 147 211 180, RGB 130 193 161, RGB 113 175 142 and RGB 96 157 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 229 199 shade: RGB 164 229 199, RGB 164 229 181, RGB 164 229 164, RGB 181 229 164 and RGB 199 229 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 229 199 shade: RGB 164 229 199, RGB 164 229 217, RGB 164 224 229, RGB 164 206 229 and RGB 164 189 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 229 199 shade matches the following richer shades: RGB 164 229 199, RGB 154 239 200 and RGB 145 248 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 229 199 shade: RGB 164 229 199, RGB 173 220 198, RGB 182 210 197, RGB 192 201 197 and RGB 201 191 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 229 199 shade: RGB 164 229 164, RGB 164 229 181, RGB 164 229 199, RGB 164 229 216 and RGB 164 225 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 229 199 shade: RGB 99 211 159, RGB 131 220 179, RGB 164 229 199, RGB 196 238 219 and RGB 228 247 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 229 199 shade: RGB 164 229 199, RGB 164 181 229 and RGB 229 172 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 229 199 shade: RGB 164 229 199, RGB 199 164 229 and RGB 229 199 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 229 199 shade: RGB 164 229 199, RGB 164 181 229, RGB 229 164 194 and RGB 229 212 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 229 199 shade: RGB 164 229 199, RGB 166 164 229, RGB 229 164 194 and RGB 227 229 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

Complementary color

CMYK 0 / 71 / 38 / 64

HEX #5B1A38

RGB 91 26 56

HSL 332.31, 0.56%, 0.23%

LAB 21.01, 32.65, -3.13

 

CMYK 26 / 0 / 15 / 10

HEX #A9E5C2

RGB 169 229 194

HSL 145, 0.54%, 0.78%

LAB 86.19, -26.06, 10.97

 

CMYK 25 / 0 / 14 / 3

HEX #BAF7D5

RGB 186 247 213

HSL 146.56, 0.79%, 0.85%

LAB 92.47, -25.86, 10.17

 

CMYK 20 / 0 / 9 / 0

HEX #CBFFE8

RGB 203 255 232

HSL 153.46, 1%, 0.9%

LAB 96.01, -20.88, 5.59

 

CMYK 14 / 0 / 2 / 0

HEX #DCFFFB

RGB 220 255 251

HSL 173.14, 1%, 0.93%

LAB 97.51, -11.96, -1.88

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 30 / 0 / 15 / 17

HEX #93D3B4

RGB 147 211 180

HSL 150.94, 0.42%, 0.7%

LAB 79.66, -26.83, 8.9

 

CMYK 33 / 0 / 17 / 24

HEX #82C1A1

RGB 130 193 161

HSL 149.52, 0.34%, 0.63%

LAB 73.19, -27.07, 9.75

 

CMYK 35 / 0 / 19 / 31

HEX #71AF8E

RGB 113 175 142

HSL 148.06, 0.28%, 0.56%

LAB 66.61, -27.32, 10.67

 

CMYK 39 / 0 / 22 / 38

HEX #609D7B

RGB 96 157 123

HSL 146.56, 0.24%, 0.5%

LAB 59.92, -27.59, 11.66

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 28 / 0 / 21 / 10

HEX #A4E5B5

RGB 164 229 181

HSL 135.69, 0.56%, 0.77%

LAB 85.64, -30.03, 16.95

 

CMYK 28 / 0 / 28 / 10

HEX #A4E5A4

RGB 164 229 164

HSL 120, 0.56%, 0.77%

LAB 85.31, -32.96, 25.32

 

CMYK 21 / 0 / 28 / 10

HEX #B5E5A4

RGB 181 229 164

HSL 104.31, 0.56%, 0.77%

LAB 86.28, -27.31, 26.8

 

CMYK 13 / 0 / 28 / 10

HEX #C7E5A4

RGB 199 229 164

HSL 87.69, 0.56%, 0.77%

LAB 87.42, -21, 28.53

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 28 / 0 / 5 / 10

HEX #A4E5D9

RGB 164 229 217

HSL 168.92, 0.56%, 0.77%

LAB 86.47, -22.9, -0.74

 

CMYK 28 / 2 / 0 / 10

HEX #A4E0E5

RGB 164 224 229

HSL 184.62, 0.56%, 0.77%

LAB 85.43, -17.78, -8.6

 

CMYK 28 / 10 / 0 / 10

HEX #A4CEE5

RGB 164 206 229

HSL 201.23, 0.56%, 0.77%

LAB 80.57, -8.55, -15.87

 

CMYK 28 / 17 / 0 / 10

HEX #A4BDE5

RGB 164 189 229

HSL 216.92, 0.56%, 0.77%

LAB 76.04, 0.5, -22.73

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 36 / 0 / 16 / 6

HEX #9AEFC8

RGB 154 239 200

HSL 152.47, 0.73%, 0.77%

LAB 88.34, -34.05, 10.8

 

CMYK 42 / 0 / 19 / 3

HEX #91F8C8

RGB 145 248 200

HSL 152.04, 0.88%, 0.77%

LAB 90.47, -40.59, 13.77

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 21 / 0 / 10 / 14

HEX #ADDCC6

RGB 173 220 198

HSL 151.91, 0.4%, 0.77%

LAB 84.04, -19.62, 5.82

 

CMYK 13 / 0 / 6 / 18

HEX #B6D2C5

RGB 182 210 197

HSL 152.14, 0.24%, 0.77%

LAB 81.88, -11.85, 3.29

 

CMYK 4 / 0 / 2 / 21

HEX #C0C9C5

RGB 192 201 197

HSL 153.33, 0.08%, 0.77%

LAB 80.19, -3.82, 0.92

 

CMYK 0 / 5 / 2 / 21

HEX #C9BFC4

RGB 201 191 196

HSL 330, 0.08%, 0.77%

LAB 78.27, 4.4, -1.26

 

CMYK 28 / 0 / 28 / 10

HEX #A4E5A4

RGB 164 229 164

HSL 120, 0.56%, 0.77%

LAB 85.31, -32.96, 25.32

 

CMYK 28 / 0 / 21 / 10

HEX #A4E5B5

RGB 164 229 181

HSL 135.69, 0.56%, 0.77%

LAB 85.64, -30.03, 16.95

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 28 / 0 / 6 / 10

HEX #A4E5D8

RGB 164 229 216

HSL 168, 0.56%, 0.77%

LAB 86.45, -23.11, -0.25

 

CMYK 28 / 2 / 0 / 10

HEX #A4E1E5

RGB 164 225 229

HSL 183.69, 0.56%, 0.77%

LAB 85.71, -18.28, -8.2

 

CMYK 53 / 0 / 25 / 17

HEX #63D39F

RGB 99 211 159

HSL 152.14, 0.56%, 0.61%

LAB 77.13, -44.06, 16.19

 

CMYK 40 / 0 / 19 / 14

HEX #83DCB3

RGB 131 220 179

HSL 152.36, 0.56%, 0.69%

LAB 81.44, -35.89, 11.85

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 18 / 0 / 8 / 7

HEX #C4EEDB

RGB 196 238 219

HSL 152.86, 0.55%, 0.85%

LAB 90.78, -17.21, 4.7

 

CMYK 8 / 0 / 4 / 3

HEX #E4F7EE

RGB 228 247 238

HSL 151.58, 0.54%, 0.93%

LAB 95.66, -7.85, 2.18

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 28 / 21 / 0 / 10

HEX #A4B5E5

RGB 164 181 229

HSL 224.31, 0.56%, 0.77%

LAB 73.93, 4.86, -25.94

 

CMYK 0 / 25 / 28 / 10

HEX #E5ACA4

RGB 229 172 164

HSL 7.38, 0.56%, 0.77%

LAB 75.35, 19.75, 12.25

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 13 / 28 / 0 / 10

HEX #C7A4E5

RGB 199 164 229

HSL 272.31, 0.56%, 0.77%

LAB 72.46, 24.92, -27.95

 

CMYK 0 / 13 / 28 / 10

HEX #E5C7A4

RGB 229 199 164

HSL 32.31, 0.56%, 0.77%

LAB 81.94, 5.42, 21.44

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 28 / 21 / 0 / 10

HEX #A4B5E5

RGB 164 181 229

HSL 224.31, 0.56%, 0.77%

LAB 73.93, 4.86, -25.94

 

CMYK 0 / 28 / 15 / 10

HEX #E5A4C2

RGB 229 164 194

HSL 332.31, 0.56%, 0.77%

LAB 74.26, 28.44, -5.78

 

CMYK 0 / 7 / 28 / 10

HEX #E5D4A4

RGB 229 212 164

HSL 44.31, 0.56%, 0.77%

LAB 85.21, -1.34, 25.92

 

CMYK 28 / 0 / 13 / 10

HEX #A4E5C7

RGB 164 229 199

HSL 152.31, 0.56%, 0.77%

LAB 86.03, -26.61, 8.09

 

CMYK 28 / 28 / 0 / 10

HEX #A6A4E5

RGB 166 164 229

HSL 241.85, 0.56%, 0.77%

LAB 69.69, 14.9, -32.45

 

CMYK 0 / 28 / 15 / 10

HEX #E5A4C2

RGB 229 164 194

HSL 332.31, 0.56%, 0.77%

LAB 74.26, 28.44, -5.78

 

CMYK 1 / 0 / 28 / 10

HEX #E3E5A4

RGB 227 229 164

HSL 61.85, 0.56%, 0.77%

LAB 89.42, -10.73, 31.56

 

Description

Color code: RGB 164 229 199 | qconv.com Color code: RGB 164 229 199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 229 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 229 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 13 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 13% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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