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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164.1 129 59 it is the complementary color RGB 90.9 126 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164.1 129 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164.1 129 59 shade: RGB 169.1 129 54, RGB 186.1 147 73, RGB 203.1 165 92, RGB 220.1 183 111 and RGB 237.1 201 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164.1 129 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164.1 129 59 shade: RGB 164.1 129 59, RGB 147.1 111 40, RGB 130.1 93 21, RGB 113.1 75 2 and RGB 96.1 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164.1 129 59 shade: RGB 165 130 59, RGB 165 101 59, RGB 165 73 59 and RGB 165 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164.1 129 59 shade: RGB 165 130 59, RGB 165 158 59, RGB 143 165 59, RGB 115 165 59 and RGB 86 165 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164.1 129 59 shade matches the following richer shades: RGB 165 130 59, RGB 183 136 41, RGB 201 142 23 and RGB 219 148 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164.1 129 59 shade: RGB 165 130 59, RGB 147 124 78, RGB 129 118 96, RGB 110 112 114 and RGB 92 106 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164.1 129 59 shade: RGB 165 72 59, RGB 165 100 59, RGB 165 128 59, RGB 165 156 59 and RGB 146 165 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164.1 129 59 shade: RGB 104 82 38, RGB 135 106 49, RGB 165 130 59, RGB 190 152 75 and RGB 201 169 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164.1 129 59 shade: RGB 164.1 129 59, RGB 75 165 59 and RGB 86 59 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164.1 129 59 shade: RGB 164.1 129 59, RGB 59 165 128 and RGB 128 59 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164.1 129 59 shade: RGB 164.1 129 59, RGB 75 165 59, RGB 59 96 165 and RGB 149 59 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164.1 129 59 shade: RGB 164.1 129 59, RGB 59 165 75, RGB 59 96 165 and RGB 165 59 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 64 / 36

HEX #A4813B

RGB 164.1 129 59

HSL 39.96, 0.47%, 0.44%

LAB 56.01, 5.52, 42.2

 

Complementary color

CMYK 54 / 36 / 0 / 23

HEX #5A7EC4

RGB 90.9 126 196

HSL 219.96, 0.47%, 0.56%

LAB 53.09, 7.94, -40.32

 

CMYK 0 / 24 / 68 / 34

HEX #A98136

RGB 169.1 129 54

HSL 39.1, 0.52%, 0.44%

LAB 56.5, 7.44, 45.3

 

CMYK 0 / 21 / 61 / 27

HEX #BA9349

RGB 186.1 147 73

HSL 39.26, 0.45%, 0.51%

LAB 63.18, 6.23, 44.05

 

CMYK 0 / 19 / 55 / 20

HEX #CBA55C

RGB 203.1 165 92

HSL 39.42, 0.52%, 0.58%

LAB 69.75, 5.22, 42.72

 

CMYK 0 / 17 / 50 / 14

HEX #DCB76F

RGB 220.1 183 111

HSL 39.6, 0.61%, 0.65%

LAB 76.22, 4.37, 41.4

 

CMYK 0 / 15 / 45 / 7

HEX #EDC982

RGB 237.1 201 130

HSL 39.78, 0.75%, 0.72%

LAB 82.6, 3.63, 40.12

 

CMYK 0 / 21 / 64 / 36

HEX #A4813B

RGB 164.1 129 59

HSL 39.96, 0.47%, 0.44%

LAB 56.01, 5.52, 42.2

 

CMYK 0 / 25 / 73 / 42

HEX #936F28

RGB 147.1 111 40

HSL 39.78, 0.57%, 0.37%

LAB 49.17, 6.84, 43.34

 

CMYK 0 / 29 / 84 / 49

HEX #825D15

RGB 130.1 93 21

HSL 39.6, 0.72%, 0.3%

LAB 42.21, 8.49, 43.91

 

CMYK 0 / 34 / 98 / 56

HEX #714B02

RGB 113.1 75 2

HSL 39.42, 0.97%, 0.23%

LAB 35.11, 10.51, 43.42

 

CMYK 0 / 41 / 100 / 62

HEX #603900

RGB 96.1 57 0

HSL 35.59, 1%, 0.19%

LAB 27.9, 13.12, 37.88

 

CMYK 0 / 21 / 64 / 35

HEX #A5823B

RGB 165 130 59

HSL 40.19, 0.47%, 0.44%

LAB 56.37, 5.36, 42.63

 

CMYK 0 / 39 / 64 / 35

HEX #A5653B

RGB 165 101 59

HSL 23.77, 0.47%, 0.44%

LAB 49.03, 21.76, 34.23

 

CMYK 0 / 56 / 64 / 35

HEX #A5493B

RGB 165 73 59

HSL 7.92, 0.47%, 0.44%

LAB 42.88, 36.94, 26.81

 

CMYK 0 / 64 / 64 / 35

HEX #A53B3B

RGB 165 59 59

HSL 0, 0.47%, 0.44%

LAB 40.32, 43.7, 23.6

 

CMYK 0 / 21 / 64 / 35

HEX #A5823B

RGB 165 130 59

HSL 40.19, 0.47%, 0.44%

LAB 56.37, 5.36, 42.63

 

CMYK 0 / 4 / 64 / 35

HEX #A59E3B

RGB 165 158 59

HSL 56.04, 0.47%, 0.44%

LAB 63.97, -9.92, 50.9

 

CMYK 13 / 0 / 64 / 35

HEX #8FA53B

RGB 143 165 59

HSL 72.45, 0.47%, 0.44%

LAB 64.21, -22.97, 50.63

 

CMYK 30 / 0 / 64 / 35

HEX #73A53B

RGB 115 165 59

HSL 88.3, 0.47%, 0.44%

LAB 62.4, -34.15, 48.14

 

CMYK 48 / 0 / 64 / 35

HEX #56A53B

RGB 86 165 59

HSL 104.72, 0.47%, 0.44%

LAB 60.96, -44.16, 46.15

 

CMYK 0 / 21 / 64 / 35

HEX #A5823B

RGB 165 130 59

HSL 40.19, 0.47%, 0.44%

LAB 56.37, 5.36, 42.63

 

CMYK 0 / 26 / 78 / 28

HEX #B78829

RGB 183 136 41

HSL 40.14, 0.63%, 0.44%

LAB 59.74, 9.1, 54.66

 

CMYK 0 / 29 / 89 / 21

HEX #C98E17

RGB 201 142 23

HSL 40.11, 0.79%, 0.44%

LAB 63.2, 13.27, 64.14

 

CMYK 0 / 32 / 98 / 14

HEX #DB9405

RGB 219 148 5

HSL 40.09, 0.96%, 0.44%

LAB 66.71, 17.65, 70.79

 

CMYK 0 / 21 / 64 / 35

HEX #A5823B

RGB 165 130 59

HSL 40.19, 0.47%, 0.44%

LAB 56.37, 5.36, 42.63

 

CMYK 0 / 16 / 47 / 42

HEX #937C4E

RGB 147 124 78

HSL 40, 0.31%, 0.44%

LAB 53.13, 2.43, 28.34

 

CMYK 0 / 9 / 26 / 49

HEX #817660

RGB 129 118 96

HSL 40, 0.15%, 0.44%

LAB 50.06, 0.48, 13.67

 

CMYK 4 / 2 / 0 / 55

HEX #6E7072

RGB 110 112 114

HSL 210, 0.02%, 0.44%

LAB 47.13, -0.34, -1.38

 

CMYK 30 / 20 / 0 / 48

HEX #5C6A84

RGB 92 106 132

HSL 219, 0.18%, 0.44%

LAB 44.59, 1.21, -16.11

 

CMYK 0 / 56 / 64 / 35

HEX #A5483B

RGB 165 72 59

HSL 7.36, 0.47%, 0.44%

LAB 42.69, 37.45, 26.56

 

CMYK 0 / 39 / 64 / 35

HEX #A5643B

RGB 165 100 59

HSL 23.21, 0.47%, 0.44%

LAB 48.8, 22.32, 33.95

 

CMYK 0 / 22 / 64 / 35

HEX #A5803B

RGB 165 128 59

HSL 39.06, 0.47%, 0.44%

LAB 55.84, 6.49, 42.04

 

CMYK 0 / 5 / 64 / 35

HEX #A59C3B

RGB 165 156 59

HSL 54.91, 0.47%, 0.44%

LAB 63.42, -8.86, 50.31

 

CMYK 12 / 0 / 64 / 35

HEX #92A53B

RGB 146 165 59

HSL 70.75, 0.47%, 0.44%

LAB 64.43, -21.71, 50.93

 

CMYK 0 / 21 / 63 / 59

HEX #685226

RGB 104 82 38

HSL 40, 0.46%, 0.28%

LAB 36.21, 3.5, 28.85

 

CMYK 0 / 21 / 64 / 47

HEX #876A31

RGB 135 106 49

HSL 39.77, 0.47%, 0.36%

LAB 46.55, 4.72, 35.73

 

CMYK 0 / 21 / 64 / 35

HEX #A5823B

RGB 165 130 59

HSL 40.19, 0.47%, 0.44%

LAB 56.37, 5.36, 42.63

 

CMYK 0 / 20 / 61 / 25

HEX #BE984B

RGB 190 152 75

HSL 40.17, 0.47%, 0.52%

LAB 64.89, 5.33, 45.14

 

CMYK 0 / 16 / 47 / 21

HEX #C9A96A

RGB 201 169 106

HSL 39.79, 0.47%, 0.6%

LAB 70.76, 3.46, 36.74

 

CMYK 0 / 21 / 64 / 36

HEX #A4813B

RGB 164.1 129 59

HSL 39.96, 0.47%, 0.44%

LAB 56.01, 5.52, 42.2

 

CMYK 55 / 0 / 64 / 35

HEX #4BA53B

RGB 75 165 59

HSL 110.94, 0.47%, 0.44%

LAB 60.54, -47.38, 45.56

 

CMYK 48 / 64 / 0 / 35

HEX #563BA5

RGB 86 59 165

HSL 255.28, 0.47%, 0.44%

LAB 33.61, 38.33, -53.35

 

CMYK 0 / 21 / 64 / 36

HEX #A4813B

RGB 164.1 129 59

HSL 39.96, 0.47%, 0.44%

LAB 56.01, 5.52, 42.2

 

CMYK 64 / 0 / 22 / 35

HEX #3BA580

RGB 59 165 128

HSL 159.06, 0.47%, 0.44%

LAB 61.13, -39.32, 10.38

 

CMYK 22 / 64 / 0 / 35

HEX #803BA5

RGB 128 59 165

HSL 279.06, 0.47%, 0.44%

LAB 38.61, 47.74, -45.03

 

CMYK 0 / 21 / 64 / 36

HEX #A4813B

RGB 164.1 129 59

HSL 39.96, 0.47%, 0.44%

LAB 56.01, 5.52, 42.2

 

CMYK 55 / 0 / 64 / 35

HEX #4BA53B

RGB 75 165 59

HSL 110.94, 0.47%, 0.44%

LAB 60.54, -47.38, 45.56

 

CMYK 64 / 42 / 0 / 35

HEX #3B60A5

RGB 59 96 165

HSL 219.06, 0.47%, 0.44%

LAB 41.24, 9.44, -41.19

 

CMYK 10 / 64 / 0 / 35

HEX #953BA5

RGB 149 59 165

HSL 290.94, 0.47%, 0.44%

LAB 41.59, 52.85, -40.11

 

CMYK 0 / 21 / 64 / 36

HEX #A4813B

RGB 164.1 129 59

HSL 39.96, 0.47%, 0.44%

LAB 56.01, 5.52, 42.2

 

CMYK 64 / 0 / 55 / 35

HEX #3BA54B

RGB 59 165 75

HSL 129.06, 0.47%, 0.44%

LAB 60.2, -49.37, 37.51

 

CMYK 64 / 42 / 0 / 35

HEX #3B60A5

RGB 59 96 165

HSL 219.06, 0.47%, 0.44%

LAB 41.24, 9.44, -41.19

 

CMYK 0 / 64 / 10 / 35

HEX #A53B95

RGB 165 59 149

HSL 309.06, 0.47%, 0.44%

LAB 43.21, 54.12, -27.79

 

Description

Color code: RGB 164.1 129 59 | qconv.com Color code: RGB 164.1 129 59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164.1 red, 129 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164.1 129 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 64 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 64% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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