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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 167 247 it is the complementary color RGB 92 88 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 167 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 163 167 247: RGB 168 167 242, RGB 185 185 255, RGB 202 203 255, RGB 219 221 255 and RGB 236 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 167 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 163 167 247: RGB 163 167 247, RGB 146 149 228, RGB 129 131 209, RGB 112 113 190 and RGB 95 95 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 32 / 0 / 3

HEX #A3A7F7

RGB 163 167 247

HSL 237.14, 0.84%, 0.8%

LAB 70.97, 16.88, -40.31

 

Complementary color

CMYK 0 / 4 / 91 / 64

HEX #5C5808

RGB 92 88 8

HSL 57.14, 0.84%, 0.2%

LAB 36.5, -7.67, 41.53

 

CMYK 31 / 31 / 0 / 5

HEX #A8A7F2

RGB 168 167 242

HSL 240.8, 0.74%, 0.8%

LAB 71.13, 17, -37.31

 

CMYK 27 / 27 / 0 / 0

HEX #B9B9FF

RGB 185 185 255

HSL 240, 1%, 0.86%

LAB 77.42, 15.01, -34.48

 

CMYK 21 / 20 / 0 / 0

HEX #CACBFF

RGB 202 203 255

HSL 238.87, 1%, 0.9%

LAB 83.17, 10.24, -25.54

 

CMYK 14 / 13 / 0 / 0

HEX #DBDDFF

RGB 219 221 255

HSL 236.67, 1%, 0.93%

LAB 88.92, 5.91, -16.72

 

CMYK 7 / 6 / 0 / 0

HEX #ECEFFF

RGB 236 239 255

HSL 230.53, 1%, 0.96%

LAB 94.65, 1.96, -8.04

 

CMYK 34 / 32 / 0 / 3

HEX #A3A7F7

RGB 163 167 247

HSL 237.14, 0.84%, 0.8%

LAB 70.97, 16.88, -40.31

 

CMYK 36 / 35 / 0 / 11

HEX #9295E4

RGB 146 149 228

HSL 237.8, 0.6%, 0.73%

LAB 64.33, 17.54, -40.36

 

CMYK 38 / 37 / 0 / 18

HEX #8183D1

RGB 129 131 209

HSL 238.5, 0.47%, 0.66%

LAB 57.56, 18.28, -40.47

 

CMYK 41 / 41 / 0 / 25

HEX #7071BE

RGB 112 113 190

HSL 239.23, 0.38%, 0.59%

LAB 50.66, 19.14, -40.63

 

CMYK 44 / 44 / 0 / 33

HEX #5F5FAB

RGB 95 95 171

HSL 240, 0.31%, 0.52%

LAB 43.59, 20.15, -40.84

 

CMYK 34 / 32 / 0 / 3

HEX #A3A7F7

RGB 163 167 247

HSL 237.14, 0.84%, 0.8%

LAB 70.97, 16.88, -40.31

 

CMYK 30 / 35 / 0 / 4

HEX #ABA1F6

RGB 171 161 246

HSL 247.06, 0.83%, 0.8%

LAB 70.04, 22.21, -41.17

 

CMYK 25 / 35 / 0 / 4

HEX #B9A1F6

RGB 185 161 246

HSL 256.94, 0.83%, 0.8%

LAB 71.19, 26.17, -39.29

 

CMYK 19 / 35 / 0 / 4

HEX #C7A1F6

RGB 199 161 246

HSL 266.82, 0.83%, 0.8%

LAB 72.42, 30.25, -37.28

 

CMYK 13 / 35 / 0 / 4

HEX #D5A1F6

RGB 213 161 246

HSL 276.71, 0.83%, 0.8%

LAB 73.73, 34.42, -35.14

 

CMYK 34 / 32 / 0 / 3

HEX #A3A7F7

RGB 163 167 247

HSL 237.14, 0.84%, 0.8%

LAB 70.97, 16.88, -40.31

 

CMYK 35 / 33 / 0 / 83

HEX #1C1D2B

RGB 28 29 43

HSL 236, 0.21%, 0.14%

LAB 11.28, 3.65, -9.55

 

CMYK 34 / 32 / 0 / 63

HEX #3E405E

RGB 62 64 94

HSL 236.25, 0.21%, 0.31%

LAB 28.11, 7.17, -18.05

 

CMYK 34 / 32 / 0 / 43

HEX #606291

RGB 96 98 145

HSL 237.55, 0.2%, 0.47%

LAB 43.16, 10.94, -26.07

 

CMYK 34 / 32 / 0 / 23

HEX #8185C4

RGB 129 133 196

HSL 236.42, 0.36%, 0.64%

LAB 57.49, 13.55, -33.24

 

CMYK 34 / 32 / 0 / 3

HEX #A3A7F7

RGB 163 167 247

HSL 237.14, 0.84%, 0.8%

LAB 70.97, 16.88, -40.31

 

CMYK 0 / 35 / 5 / 4

HEX #F6A1E9

RGB 246 161 233

HSL 309.18, 0.83%, 0.8%

LAB 76.66, 42.16, -23.29

 

CMYK 19 / 0 / 35 / 4

HEX #C7F6A1

RGB 199 246 161

HSL 93.18, 0.83%, 0.8%

LAB 91.97, -29.55, 36.12

 

CMYK 34 / 32 / 0 / 3

HEX #A3A7F7

RGB 163 167 247

HSL 237.14, 0.84%, 0.8%

LAB 70.97, 16.88, -40.31

 

CMYK 0 / 35 / 33 / 4

HEX #F6A1A5

RGB 246 161 165

HSL 357.18, 0.83%, 0.8%

LAB 74.7, 32.04, 11.03

 

CMYK 33 / 0 / 35 / 4

HEX #A5F6A1

RGB 165 246 161

HSL 117.18, 0.83%, 0.8%

LAB 90.08, -40.84, 33.28

 

CMYK 34 / 32 / 0 / 3

HEX #A3A7F7

RGB 163 167 247

HSL 237.14, 0.84%, 0.8%

LAB 70.97, 16.88, -40.31

 

CMYK 0 / 35 / 5 / 4

HEX #F6A1E9

RGB 246 161 233

HSL 309.18, 0.83%, 0.8%

LAB 76.66, 42.16, -23.29

 

CMYK 0 / 2 / 35 / 4

HEX #F6F2A1

RGB 246 242 161

HSL 57.18, 0.83%, 0.8%

LAB 94.17, -10.4, 39.62

 

CMYK 35 / 0 / 29 / 4

HEX #A1F6AE

RGB 161 246 174

HSL 129.18, 0.83%, 0.8%

LAB 90.11, -39.98, 26.72

 

CMYK 34 / 32 / 0 / 3

HEX #A3A7F7

RGB 163 167 247

HSL 237.14, 0.84%, 0.8%

LAB 70.97, 16.88, -40.31

 

CMYK 0 / 35 / 15 / 4

HEX #F6A1D0

RGB 246 161 208

HSL 326.82, 0.83%, 0.8%

LAB 75.85, 38.06, -10.89

 

CMYK 0 / 2 / 35 / 4

HEX #F6F2A1

RGB 246 242 161

HSL 57.18, 0.83%, 0.8%

LAB 94.17, -10.4, 39.62

 

CMYK 35 / 0 / 19 / 4

HEX #A1F6C7

RGB 161 246 199

HSL 146.82, 0.83%, 0.8%

LAB 90.6, -35.49, 14.57

 

Description

Color code: RGB 163 167 247 | qconv.com Color code: RGB 163 167 247 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 167 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 167 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 32 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 32% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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