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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 40 120 it is the complementary color RGB 95 215 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 40 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 40 120: RGB 165 40 115, RGB 182 58 134, RGB 199 76 153, RGB 216 94 172 and RGB 233 112 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 40 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 40 120: RGB 160 40 120, RGB 143 22 101, RGB 126 4 82, RGB 109 0 63 and RGB 92 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 25 / 37

HEX #A02878

RGB 160 40 120

HSL 320, 0.6%, 0.39%

LAB 38.46, 55.79, -17.44

 

Complementary color

CMYK 56 / 0 / 37 / 16

HEX #5FD787

RGB 95 215 135

HSL 140, 0.6%, 0.61%

LAB 77.75, -51.27, 29.57

 

CMYK 0 / 76 / 30 / 35

HEX #A52873

RGB 165 40 115

HSL 324, 0.61%, 0.4%

LAB 39.16, 56.46, -13.16

 

CMYK 0 / 68 / 26 / 29

HEX #B63A86

RGB 182 58 134

HSL 323.23, 0.52%, 0.47%

LAB 45.21, 56.98, -15.39

 

CMYK 0 / 62 / 23 / 22

HEX #C74C99

RGB 199 76 153

HSL 322.44, 0.52%, 0.54%

LAB 51.39, 56.93, -17.11

 

CMYK 0 / 56 / 20 / 15

HEX #D85EAC

RGB 216 94 172

HSL 321.64, 0.61%, 0.61%

LAB 57.64, 56.56, -18.48

 

CMYK 0 / 52 / 18 / 9

HEX #E970BF

RGB 233 112 191

HSL 320.83, 0.73%, 0.68%

LAB 63.9, 56, -19.6

 

CMYK 0 / 75 / 25 / 37

HEX #A02878

RGB 160 40 120

HSL 320, 0.6%, 0.39%

LAB 38.46, 55.79, -17.44

 

CMYK 0 / 85 / 29 / 44

HEX #8F1665

RGB 143 22 101

HSL 320.83, 0.73%, 0.32%

LAB 32.6, 54.36, -14.68

 

CMYK 0 / 97 / 35 / 51

HEX #7E0452

RGB 126 4 82

HSL 321.64, 0.94%, 0.25%

LAB 27.11, 51.57, -10.94

 

CMYK 0 / 100 / 42 / 57

HEX #6D003F

RGB 109 0 63

HSL 325.32, 1%, 0.21%

LAB 22.34, 46.35, -5.61

 

CMYK 0 / 100 / 52 / 64

HEX #5C002C

RGB 92 0 44

HSL 331.3, 1%, 0.18%

LAB 17.72, 40.33, 0.55

 

CMYK 0 / 75 / 25 / 37

HEX #A02878

RGB 160 40 120

HSL 320, 0.6%, 0.39%

LAB 38.46, 55.79, -17.44

 

CMYK 0 / 75 / 38 / 38

HEX #9F2763

RGB 159 39 99

HSL 330, 0.61%, 0.39%

LAB 37.34, 53.31, -5.93

 

CMYK 0 / 75 / 50 / 38

HEX #9F274F

RGB 159 39 79

HSL 340, 0.61%, 0.39%

LAB 36.72, 51.32, 5.95

 

CMYK 0 / 75 / 63 / 38

HEX #9F273B

RGB 159 39 59

HSL 350, 0.61%, 0.39%

LAB 36.25, 49.79, 18.14

 

CMYK 0 / 75 / 75 / 38

HEX #9F2727

RGB 159 39 39

HSL 0, 0.61%, 0.39%

LAB 35.92, 48.71, 30.21

 

CMYK 0 / 75 / 25 / 37

HEX #A02878

RGB 160 40 120

HSL 320, 0.6%, 0.39%

LAB 38.46, 55.79, -17.44

 

CMYK 0 / 75 / 25 / 17

HEX #D3359E

RGB 211 53 158

HSL 320.13, 0.64%, 0.52%

LAB 50.53, 69.25, -21.22

 

CMYK 0 / 71 / 29 / 97

HEX #070205

RGB 7 2 5

HSL 324, 0.56%, 0.02%

LAB 0.9, 1.72, -0.68

 

CMYK 0 / 74 / 24 / 77

HEX #3A0F2C

RGB 58 15 44

HSL 319.53, 0.59%, 0.14%

LAB 12.11, 24.92, -8.63

 

CMYK 0 / 75 / 25 / 57

HEX #6D1B52

RGB 109 27 82

HSL 319.76, 0.6%, 0.27%

LAB 25.7, 41.4, -13.4

 

CMYK 0 / 75 / 25 / 37

HEX #A02878

RGB 160 40 120

HSL 320, 0.6%, 0.39%

LAB 38.46, 55.79, -17.44

 

CMYK 0 / 35 / 75 / 38

HEX #9F6727

RGB 159 103 39

HSL 32, 0.61%, 0.39%

LAB 48.53, 16.81, 43.61

 

CMYK 75 / 0 / 5 / 38

HEX #279F97

RGB 39 159 151

HSL 176, 0.61%, 0.39%

LAB 59.4, -33.57, -5.14

 

CMYK 0 / 75 / 25 / 37

HEX #A02878

RGB 160 40 120

HSL 320, 0.6%, 0.39%

LAB 38.46, 55.79, -17.44

 

CMYK 25 / 0 / 75 / 38

HEX #779F27

RGB 119 159 39

HSL 80, 0.61%, 0.39%

LAB 60.66, -31.21, 54.34

 

CMYK 75 / 25 / 0 / 38

HEX #27779F

RGB 39 119 159

HSL 200, 0.61%, 0.39%

LAB 47.14, -10.06, -28.39

 

CMYK 0 / 75 / 25 / 37

HEX #A02878

RGB 160 40 120

HSL 320, 0.6%, 0.39%

LAB 38.46, 55.79, -17.44

 

CMYK 0 / 35 / 75 / 38

HEX #9F6727

RGB 159 103 39

HSL 32, 0.61%, 0.39%

LAB 48.53, 16.81, 43.61

 

CMYK 75 / 0 / 50 / 38

HEX #279F4F

RGB 39 159 79

HSL 140, 0.61%, 0.39%

LAB 57.84, -50.21, 32.49

 

CMYK 75 / 40 / 0 / 38

HEX #275F9F

RGB 39 95 159

HSL 212, 0.61%, 0.39%

LAB 39.78, 4.6, -39.99

 

CMYK 0 / 75 / 25 / 37

HEX #A02878

RGB 160 40 120

HSL 320, 0.6%, 0.39%

LAB 38.46, 55.79, -17.44

 

CMYK 0 / 13 / 75 / 38

HEX #9F8B27

RGB 159 139 39

HSL 50, 0.61%, 0.39%

LAB 58.02, -3.48, 52.91

 

CMYK 75 / 0 / 50 / 38

HEX #279F4F

RGB 39 159 79

HSL 140, 0.61%, 0.39%

LAB 57.84, -50.21, 32.49

 

CMYK 75 / 63 / 0 / 38

HEX #273B9F

RGB 39 59 159

HSL 230, 0.61%, 0.39%

LAB 29.57, 28.56, -56.47

 

Description

Color code: RGB 160 40 120 | qconv.com Color code: RGB 160 40 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 40 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 40 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 25 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 25% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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