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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 100 60 it is the complementary color RGB 95 155 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 100 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 100 60: RGB 165 100 55, RGB 182 118 74, RGB 199 136 93, RGB 216 154 112 and RGB 233 172 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 100 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 100 60: RGB 160 100 60, RGB 143 82 41, RGB 126 64 22, RGB 109 46 3 and RGB 92 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 63 / 37

HEX #A0643C

RGB 160 100 60

HSL 24, 0.45%, 0.43%

LAB 48.15, 20.23, 32.47

 

Complementary color

CMYK 51 / 21 / 0 / 24

HEX #5F9BC3

RGB 95 155 195

HSL 204, 0.45%, 0.57%

LAB 61.49, -8.25, -26.63

 

CMYK 0 / 39 / 67 / 35

HEX #A56437

RGB 165 100 55

HSL 24.55, 0.5%, 0.43%

LAB 48.75, 22.05, 36.05

 

CMYK 0 / 35 / 59 / 29

HEX #B6764A

RGB 182 118 74

HSL 24.44, 0.43%, 0.5%

LAB 55.48, 20.61, 34.31

 

CMYK 0 / 32 / 53 / 22

HEX #C7885D

RGB 199 136 93

HSL 24.34, 0.49%, 0.57%

LAB 62.12, 19.38, 32.69

 

CMYK 0 / 29 / 48 / 15

HEX #D89A70

RGB 216 154 112

HSL 24.23, 0.57%, 0.64%

LAB 68.66, 18.31, 31.2

 

CMYK 0 / 26 / 44 / 9

HEX #E9AC83

RGB 233 172 131

HSL 24.12, 0.7%, 0.71%

LAB 75.12, 17.37, 29.82

 

CMYK 0 / 38 / 63 / 37

HEX #A0643C

RGB 160 100 60

HSL 24, 0.45%, 0.43%

LAB 48.15, 20.23, 32.47

 

CMYK 0 / 43 / 71 / 44

HEX #8F5229

RGB 143 82 41

HSL 24.12, 0.55%, 0.36%

LAB 41.27, 21.81, 34.29

 

CMYK 0 / 49 / 83 / 51

HEX #7E4016

RGB 126 64 22

HSL 24.23, 0.7%, 0.29%

LAB 34.31, 23.67, 36.02

 

CMYK 0 / 58 / 97 / 57

HEX #6D2E03

RGB 109 46 3

HSL 24.34, 0.95%, 0.22%

LAB 27.33, 25.77, 37

 

CMYK 0 / 70 / 100 / 64

HEX #5C1C00

RGB 92 28 0

HSL 18.26, 1%, 0.18%

LAB 20.46, 28.02, 30.35

 

CMYK 0 / 38 / 63 / 37

HEX #A0643C

RGB 160 100 60

HSL 24, 0.45%, 0.43%

LAB 48.15, 20.23, 32.47

 

CMYK 0 / 27 / 62 / 38

HEX #9E743C

RGB 158 116 60

HSL 34.29, 0.45%, 0.43%

LAB 51.93, 10.22, 36.87

 

CMYK 0 / 16 / 62 / 38

HEX #9E843C

RGB 158 132 60

HSL 44.08, 0.45%, 0.43%

LAB 56.19, 1.19, 41.73

 

CMYK 0 / 6 / 62 / 38

HEX #9E953C

RGB 158 149 60

HSL 54.49, 0.45%, 0.43%

LAB 60.86, -8.13, 46.92

 

CMYK 4 / 0 / 62 / 38

HEX #989E3C

RGB 152 158 60

HSL 63.67, 0.45%, 0.43%

LAB 62.89, -15.5, 48.97

 

CMYK 0 / 38 / 63 / 37

HEX #A0643C

RGB 160 100 60

HSL 24, 0.45%, 0.43%

LAB 48.15, 20.23, 32.47

 

CMYK 0 / 37 / 63 / 17

HEX #D3844F

RGB 211 132 79

HSL 24.09, 0.6%, 0.57%

LAB 62.44, 25.43, 40.86

 

CMYK 0 / 43 / 57 / 97

HEX #070403

RGB 7 4 3

HSL 15, 0.4%, 0.02%

LAB 1.25, 0.65, 0.65

 

CMYK 0 / 38 / 62 / 77

HEX #3A2416

RGB 58 36 22

HSL 23.33, 0.45%, 0.16%

LAB 16.6, 8.6, 13.57

 

CMYK 0 / 38 / 62 / 57

HEX #6D4429

RGB 109 68 41

HSL 23.82, 0.45%, 0.29%

LAB 33.02, 14.69, 23.5

 

CMYK 0 / 38 / 63 / 37

HEX #A0643C

RGB 160 100 60

HSL 24, 0.45%, 0.43%

LAB 48.15, 20.23, 32.47

 

CMYK 37 / 0 / 62 / 38

HEX #639E3C

RGB 99 158 60

HSL 96.12, 0.45%, 0.43%

LAB 59.37, -36.75, 44.1

 

CMYK 62 / 62 / 0 / 38

HEX #3C3C9E

RGB 60 60 158

HSL 240, 0.45%, 0.43%

LAB 31.02, 30.58, -53.44

 

CMYK 0 / 38 / 63 / 37

HEX #A0643C

RGB 160 100 60

HSL 24, 0.45%, 0.43%

LAB 48.15, 20.23, 32.47

 

CMYK 62 / 0 / 37 / 38

HEX #3C9E63

RGB 60 158 99

HSL 143.88, 0.45%, 0.43%

LAB 58.34, -42.38, 22.57

 

CMYK 37 / 62 / 0 / 38

HEX #633C9E

RGB 99 60 158

HSL 263.88, 0.45%, 0.43%

LAB 34.71, 38.61, -47.29

 

CMYK 0 / 38 / 63 / 37

HEX #A0643C

RGB 160 100 60

HSL 24, 0.45%, 0.43%

LAB 48.15, 20.23, 32.47

 

CMYK 37 / 0 / 62 / 38

HEX #639E3C

RGB 99 158 60

HSL 96.12, 0.45%, 0.43%

LAB 59.37, -36.75, 44.1

 

CMYK 62 / 25 / 0 / 38

HEX #3C779E

RGB 60 119 158

HSL 203.88, 0.45%, 0.43%

LAB 47.78, -6.95, -26.75

 

CMYK 25 / 62 / 0 / 38

HEX #773C9E

RGB 119 60 158

HSL 276.12, 0.45%, 0.43%

LAB 37.16, 43.43, -43.23

 

CMYK 0 / 38 / 63 / 37

HEX #A0643C

RGB 160 100 60

HSL 24, 0.45%, 0.43%

LAB 48.15, 20.23, 32.47

 

CMYK 56 / 0 / 62 / 38

HEX #469E3C

RGB 70 158 60

HSL 113.88, 0.45%, 0.43%

LAB 58.11, -45.89, 42.34

 

CMYK 62 / 25 / 0 / 38

HEX #3C779E

RGB 60 119 158

HSL 203.88, 0.45%, 0.43%

LAB 47.78, -6.95, -26.75

 

CMYK 6 / 62 / 0 / 38

HEX #953C9E

RGB 149 60 158

HSL 294.49, 0.45%, 0.43%

LAB 41.36, 51.06, -36.28

 

Description

Color code: RGB 160 100 60 | qconv.com Color code: RGB 160 100 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 100 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 100 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 63 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 63% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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