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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16.7 92.6 118 it is the complementary color RGB 238.3 162.4 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16.7 92.6 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16.7 92.6 118 shade: RGB 21.7 92.6 113, RGB 38.7 110.6 132, RGB 55.7 128.6 151, RGB 72.7 146.6 170 and RGB 89.7 164.6 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16.7 92.6 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16.7 92.6 118 shade: RGB 16.7 92.6 118, RGB 0 74.6 99, RGB 0 56.6 80, RGB 0 38.6 61 and RGB 0 20.6 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16.7 92.6 118 shade: RGB 17 91 116, RGB 17 64 116, RGB 17 37 116, RGB 23 17 116 and RGB 49 17 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16.7 92.6 118 shade: RGB 17 91 116, RGB 17 64 116, RGB 17 37 116 and RGB 17 17 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16.7 92.6 118 shade matches the following richer shades: RGB 17 91 116 and RGB 6 96 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16.7 92.6 118 shade: RGB 17 91 116, RGB 27 86 105, RGB 38 80 95, RGB 49 75 84 and RGB 59 70 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16.7 92.6 118 shade: RGB 17 116 88, RGB 17 116 114, RGB 17 91 116, RGB 17 65 116 and RGB 17 38 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16.7 92.6 118 shade: RGB 6 34 44, RGB 11 63 80, RGB 17 91 116, RGB 22 119 152 and RGB 27 148 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16.7 92.6 118 shade: RGB 16.7 92.6 118, RGB 61 17 116 and RGB 116 101 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16.7 92.6 118 shade: RGB 16.7 92.6 118, RGB 116 17 91 and RGB 91 116 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16.7 92.6 118 shade: RGB 16.7 92.6 118, RGB 61 17 116, RGB 116 41 17 and RGB 71 116 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16.7 92.6 118 shade: RGB 16.7 92.6 118, RGB 91 17 116, RGB 116 41 17 and RGB 41 116 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 22 / 0 / 54

HEX #105C76

RGB 16.7 92.6 118

HSL 195.04, 0.75%, 0.26%

LAB 36.33, -12.32, -20.59

 

Complementary color

CMYK 0 / 32 / 43 / 7

HEX #EEA289

RGB 238.3 162.4 137

HSL 15.04, 0.75%, 0.74%

LAB 73.56, 25.18, 24.61

 

CMYK 81 / 18 / 0 / 56

HEX #155C71

RGB 21.7 92.6 113

HSL 193.41, 0.68%, 0.26%

LAB 36.21, -13.64, -17.68

 

CMYK 71 / 16 / 0 / 48

HEX #266E84

RGB 38.7 110.6 132

HSL 193.76, 0.55%, 0.33%

LAB 43.32, -14.78, -18.29

 

CMYK 63 / 15 / 0 / 41

HEX #378097

RGB 55.7 128.6 151

HSL 194.1, 0.46%, 0.41%

LAB 50.29, -15.54, -18.8

 

CMYK 57 / 14 / 0 / 33

HEX #4892AA

RGB 72.7 146.6 170

HSL 194.43, 0.4%, 0.48%

LAB 57.12, -16.06, -19.27

 

CMYK 53 / 13 / 0 / 26

HEX #59A4BD

RGB 89.7 164.6 189

HSL 194.74, 0.43%, 0.55%

LAB 63.83, -16.43, -19.71

 

CMYK 86 / 22 / 0 / 54

HEX #105C76

RGB 16.7 92.6 118

HSL 195.04, 0.75%, 0.26%

LAB 36.33, -12.32, -20.59

 

CMYK 100 / 25 / 0 / 61

HEX #004A63

RGB 0 74.6 99

HSL 194.79, 1%, 0.19%

LAB 29.1, -10.36, -19.92

 

CMYK 100 / 29 / 0 / 69

HEX #003850

RGB 0 56.6 80

HSL 197.55, 1%, 0.16%

LAB 21.82, -6.94, -18.93

 

CMYK 100 / 37 / 0 / 76

HEX #00263D

RGB 0 38.6 61

HSL 202.03, 1%, 0.12%

LAB 14.18, -3.18, -17.98

 

CMYK 100 / 51 / 0 / 84

HEX #00142A

RGB 0 20.6 42

HSL 210.57, 1%, 0.08%

LAB 6.22, 0.98, -16.87

 

CMYK 85 / 22 / 0 / 55

HEX #115B74

RGB 17 91 116

HSL 195.15, 0.74%, 0.26%

LAB 35.72, -12.1, -20.31

 

CMYK 85 / 45 / 0 / 55

HEX #114074

RGB 17 64 116

HSL 211.52, 0.74%, 0.26%

LAB 26.87, 5.24, -34.25

 

CMYK 85 / 68 / 0 / 55

HEX #112574

RGB 17 37 116

HSL 227.88, 0.74%, 0.26%

LAB 18.81, 24.51, -47.31

 

CMYK 80 / 85 / 0 / 55

HEX #171174

RGB 23 17 116

HSL 243.64, 0.74%, 0.26%

LAB 14.65, 37.45, -54.18

 

CMYK 58 / 85 / 0 / 55

HEX #311174

RGB 49 17 116

HSL 259.39, 0.74%, 0.26%

LAB 17.06, 39.97, -50.11

 

CMYK 85 / 22 / 0 / 55

HEX #115B74

RGB 17 91 116

HSL 195.15, 0.74%, 0.26%

LAB 35.72, -12.1, -20.31

 

CMYK 85 / 45 / 0 / 55

HEX #114074

RGB 17 64 116

HSL 211.52, 0.74%, 0.26%

LAB 26.87, 5.24, -34.25

 

CMYK 85 / 68 / 0 / 55

HEX #112574

RGB 17 37 116

HSL 227.88, 0.74%, 0.26%

LAB 18.81, 24.51, -47.31

 

CMYK 85 / 85 / 0 / 55

HEX #111174

RGB 17 17 116

HSL 240, 0.74%, 0.26%

LAB 14.29, 37.09, -54.78

 

CMYK 85 / 22 / 0 / 55

HEX #115B74

RGB 17 91 116

HSL 195.15, 0.74%, 0.26%

LAB 35.72, -12.1, -20.31

 

CMYK 95 / 24 / 0 / 50

HEX #06607F

RGB 6 96 127

HSL 195.37, 0.91%, 0.26%

LAB 37.73, -11.66, -23.95

 

CMYK 85 / 22 / 0 / 55

HEX #115B74

RGB 17 91 116

HSL 195.15, 0.74%, 0.26%

LAB 35.72, -12.1, -20.31

 

CMYK 74 / 18 / 0 / 59

HEX #1B5669

RGB 27 86 105

HSL 194.62, 0.59%, 0.26%

LAB 33.79, -11.95, -16.42

 

CMYK 60 / 16 / 0 / 63

HEX #26505F

RGB 38 80 95

HSL 195.79, 0.43%, 0.26%

LAB 31.75, -9.73, -13.21

 

CMYK 42 / 11 / 0 / 67

HEX #314B54

RGB 49 75 84

HSL 195.43, 0.26%, 0.26%

LAB 30.22, -7.21, -8.47

 

CMYK 19 / 4 / 0 / 71

HEX #3B4649

RGB 59 70 73

HSL 192.86, 0.11%, 0.26%

LAB 28.88, -3.68, -3.3

 

CMYK 85 / 0 / 24 / 55

HEX #117458

RGB 17 116 88

HSL 163.03, 0.74%, 0.26%

LAB 43.23, -34.04, 7.95

 

CMYK 85 / 0 / 2 / 55

HEX #117472

RGB 17 116 114

HSL 178.79, 0.74%, 0.26%

LAB 43.98, -26.38, -6.53

 

CMYK 85 / 22 / 0 / 55

HEX #115B74

RGB 17 91 116

HSL 195.15, 0.74%, 0.26%

LAB 35.72, -12.1, -20.31

 

CMYK 85 / 44 / 0 / 55

HEX #114174

RGB 17 65 116

HSL 210.91, 0.74%, 0.26%

LAB 27.19, 4.55, -33.74

 

CMYK 85 / 67 / 0 / 55

HEX #112674

RGB 17 38 116

HSL 227.27, 0.74%, 0.26%

LAB 19.08, 23.8, -46.87

 

CMYK 86 / 23 / 0 / 83

HEX #06222C

RGB 6 34 44

HSL 195.79, 0.76%, 0.1%

LAB 11.72, -6.33, -9.71

 

CMYK 86 / 21 / 0 / 69

HEX #0B3F50

RGB 11 63 80

HSL 194.78, 0.76%, 0.18%

LAB 24.34, -9.72, -14.99

 

CMYK 85 / 22 / 0 / 55

HEX #115B74

RGB 17 91 116

HSL 195.15, 0.74%, 0.26%

LAB 35.72, -12.1, -20.31

 

CMYK 86 / 22 / 0 / 40

HEX #167798

RGB 22 119 152

HSL 195.23, 0.75%, 0.34%

LAB 46.49, -14.43, -25.32

 

CMYK 86 / 21 / 0 / 26

HEX #1B94BC

RGB 27 148 188

HSL 194.91, 0.75%, 0.42%

LAB 57.12, -17.18, -29.61

 

CMYK 86 / 22 / 0 / 54

HEX #105C76

RGB 16.7 92.6 118

HSL 195.04, 0.75%, 0.26%

LAB 36.33, -12.32, -20.59

 

CMYK 47 / 85 / 0 / 55

HEX #3D1174

RGB 61 17 116

HSL 266.67, 0.74%, 0.26%

LAB 18.6, 41.61, -47.52

 

CMYK 0 / 13 / 85 / 55

HEX #746511

RGB 116 101 17

HSL 50.91, 0.74%, 0.26%

LAB 42.85, -3.15, 45.23

 

CMYK 86 / 22 / 0 / 54

HEX #105C76

RGB 16.7 92.6 118

HSL 195.04, 0.75%, 0.26%

LAB 36.33, -12.32, -20.59

 

CMYK 0 / 85 / 22 / 55

HEX #74115B

RGB 116 17 91

HSL 315.15, 0.74%, 0.26%

LAB 26.36, 47.75, -18.24

 

CMYK 22 / 0 / 85 / 55

HEX #5B7411

RGB 91 116 17

HSL 75.15, 0.74%, 0.26%

LAB 45.3, -23.08, 46.54

 

CMYK 86 / 22 / 0 / 54

HEX #105C76

RGB 16.7 92.6 118

HSL 195.04, 0.75%, 0.26%

LAB 36.33, -12.32, -20.59

 

CMYK 47 / 85 / 0 / 55

HEX #3D1174

RGB 61 17 116

HSL 266.67, 0.74%, 0.26%

LAB 18.6, 41.61, -47.52

 

CMYK 0 / 65 / 85 / 55

HEX #742911

RGB 116 41 17

HSL 14.55, 0.74%, 0.26%

LAB 27.68, 31.72, 31.63

 

CMYK 39 / 0 / 85 / 55

HEX #477411

RGB 71 116 17

HSL 87.27, 0.74%, 0.26%

LAB 44.05, -31.39, 44.95

 

CMYK 86 / 22 / 0 / 54

HEX #105C76

RGB 16.7 92.6 118

HSL 195.04, 0.75%, 0.26%

LAB 36.33, -12.32, -20.59

 

CMYK 22 / 85 / 0 / 55

HEX #5B1174

RGB 91 17 116

HSL 284.85, 0.74%, 0.26%

LAB 23.29, 46.68, -39.67

 

CMYK 0 / 65 / 85 / 55

HEX #742911

RGB 116 41 17

HSL 14.55, 0.74%, 0.26%

LAB 27.68, 31.72, 31.63

 

CMYK 65 / 0 / 85 / 55

HEX #297411

RGB 41 116 17

HSL 105.45, 0.74%, 0.26%

LAB 42.77, -41.15, 43.31

 

Description

Color code: RGB 16.7 92.6 118 | qconv.com Color code: RGB 16.7 92.6 118 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16.7 red, 92.6 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16.7 92.6 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 22 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 22% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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