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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16.1 90.8 177 it is the complementary color RGB 238.9 164.2 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16.1 90.8 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16.1 90.8 177 shade: RGB 21.1 90.8 172, RGB 38.1 108.8 191, RGB 55.1 126.8 210, RGB 72.1 144.8 229 and RGB 89.1 162.8 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16.1 90.8 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16.1 90.8 177 shade: RGB 16.1 90.8 177, RGB 0 72.8 158, RGB 0 54.8 139, RGB 0 36.8 120 and RGB 0 18.8 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16.1 90.8 177 shade: RGB 16 91 177, RGB 16 48 177, RGB 29 16 177, RGB 72 16 177 and RGB 115 16 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16.1 90.8 177 shade: RGB 16 91 177, RGB 16 48 177 and RGB 16 16 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16.1 90.8 177 shade matches the following richer shades: RGB 16 91 177 and RGB 1 90 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16.1 90.8 177 shade: RGB 16 91 177, RGB 32 92 162, RGB 48 93 146, RGB 64 95 130 and RGB 79 96 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16.1 90.8 177 shade: RGB 16 177 177, RGB 16 134 177, RGB 16 92 177, RGB 16 49 177 and RGB 27 16 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16.1 90.8 177 shade: RGB 9 52 102, RGB 13 72 140, RGB 16 91 177, RGB 20 111 215 and RGB 41 131 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16.1 90.8 177 shade: RGB 16.1 90.8 177, RGB 134 16 177 and RGB 156 177 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16.1 90.8 177 shade: RGB 16.1 90.8 177, RGB 177 16 92 and RGB 92 177 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16.1 90.8 177 shade: RGB 16.1 90.8 177, RGB 134 16 177, RGB 177 102 16 and RGB 59 177 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16.1 90.8 177 shade: RGB 16.1 90.8 177, RGB 177 16 172, RGB 177 102 16 and RGB 16 177 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 49 / 0 / 31

HEX #105AB1

RGB 16.1 90.8 177

HSL 212.14, 0.83%, 0.38%

LAB 39.13, 12.34, -51.73

 

Complementary color

CMYK 0 / 31 / 67 / 6

HEX #EEA44E

RGB 238.9 164.2 78

HSL 32.14, 0.83%, 0.62%

LAB 73.22, 19.71, 54.49

 

CMYK 88 / 47 / 0 / 33

HEX #155AAC

RGB 21.1 90.8 172

HSL 212.29, 0.78%, 0.38%

LAB 38.88, 10.63, -49.18

 

CMYK 80 / 43 / 0 / 25

HEX #266CBF

RGB 38.1 108.8 191

HSL 212.26, 0.67%, 0.45%

LAB 45.73, 8, -49.27

 

CMYK 74 / 40 / 0 / 18

HEX #377ED2

RGB 55.1 126.8 210

HSL 212.23, 0.63%, 0.52%

LAB 52.5, 5.93, -49.3

 

CMYK 69 / 37 / 0 / 10

HEX #4890E5

RGB 72.1 144.8 229

HSL 212.2, 0.75%, 0.59%

LAB 59.19, 4.28, -49.3

 

CMYK 64 / 34 / 0 / 3

HEX #59A2F8

RGB 89.1 162.8 248

HSL 212.17, 0.92%, 0.66%

LAB 65.77, 2.94, -49.3

 

CMYK 91 / 49 / 0 / 31

HEX #105AB1

RGB 16.1 90.8 177

HSL 212.14, 0.83%, 0.38%

LAB 39.13, 12.34, -51.73

 

CMYK 100 / 54 / 0 / 38

HEX #00489E

RGB 0 72.8 158

HSL 212.35, 1%, 0.31%

LAB 32.27, 15.87, -51.5

 

CMYK 100 / 61 / 0 / 45

HEX #00368B

RGB 0 54.8 139

HSL 216.35, 1%, 0.27%

LAB 25.5, 20.41, -50.91

 

CMYK 100 / 69 / 0 / 53

HEX #002478

RGB 0 36.8 120

HSL 221.6, 1%, 0.24%

LAB 18.66, 25.19, -50.16

 

CMYK 100 / 81 / 0 / 60

HEX #001265

RGB 0 18.8 101

HSL 228.83, 1%, 0.2%

LAB 11.95, 29.77, -48.88

 

CMYK 91 / 49 / 0 / 31

HEX #105BB1

RGB 16 91 177

HSL 212.05, 0.83%, 0.38%

LAB 39.18, 12.2, -51.64

 

CMYK 91 / 73 / 0 / 31

HEX #1030B1

RGB 16 48 177

HSL 228.07, 0.83%, 0.38%

LAB 27.84, 40.66, -70.18

 

CMYK 84 / 91 / 0 / 31

HEX #1D10B1

RGB 29 16 177

HSL 244.84, 0.83%, 0.38%

LAB 23.02, 56.52, -78.17

 

CMYK 59 / 91 / 0 / 31

HEX #4810B1

RGB 72 16 177

HSL 260.87, 0.83%, 0.38%

LAB 26.51, 58.88, -72.26

 

CMYK 35 / 91 / 0 / 31

HEX #7310B1

RGB 115 16 177

HSL 276.89, 0.83%, 0.38%

LAB 32.24, 63.44, -62.63

 

CMYK 91 / 49 / 0 / 31

HEX #105BB1

RGB 16 91 177

HSL 212.05, 0.83%, 0.38%

LAB 39.18, 12.2, -51.64

 

CMYK 91 / 73 / 0 / 31

HEX #1030B1

RGB 16 48 177

HSL 228.07, 0.83%, 0.38%

LAB 27.84, 40.66, -70.18

 

CMYK 91 / 91 / 0 / 31

HEX #1010B1

RGB 16 16 177

HSL 240, 0.83%, 0.38%

LAB 22.5, 56.2, -79.05

 

CMYK 91 / 49 / 0 / 31

HEX #105BB1

RGB 16 91 177

HSL 212.05, 0.83%, 0.38%

LAB 39.18, 12.2, -51.64

 

CMYK 99 / 53 / 0 / 24

HEX #015AC1

RGB 1 90 193

HSL 212.19, 0.99%, 0.38%

LAB 39.86, 18.75, -59.92

 

CMYK 91 / 49 / 0 / 31

HEX #105BB1

RGB 16 91 177

HSL 212.05, 0.83%, 0.38%

LAB 39.18, 12.2, -51.64

 

CMYK 80 / 43 / 0 / 36

HEX #205CA2

RGB 32 92 162

HSL 212.31, 0.67%, 0.38%

LAB 38.85, 6.84, -43.28

 

CMYK 67 / 36 / 0 / 43

HEX #305D92

RGB 48 93 146

HSL 212.45, 0.51%, 0.38%

LAB 38.78, 2.42, -33.76

 

CMYK 51 / 27 / 0 / 49

HEX #405F82

RGB 64 95 130

HSL 211.82, 0.34%, 0.38%

LAB 39.39, -0.86, -23.06

 

CMYK 31 / 17 / 0 / 55

HEX #4F6073

RGB 79 96 115

HSL 211.67, 0.19%, 0.38%

LAB 40.02, -1.56, -12.85

 

CMYK 91 / 0 / 0 / 31

HEX #10B1B1

RGB 16 177 177

HSL 180, 0.83%, 0.38%

LAB 65.54, -35.99, -10.61

 

CMYK 91 / 24 / 0 / 31

HEX #1086B1

RGB 16 134 177

HSL 196.02, 0.83%, 0.38%

LAB 52.21, -14.12, -30.97

 

CMYK 91 / 48 / 0 / 31

HEX #105CB1

RGB 16 92 177

HSL 211.68, 0.83%, 0.38%

LAB 39.48, 11.54, -51.17

 

CMYK 91 / 72 / 0 / 31

HEX #1031B1

RGB 16 49 177

HSL 227.7, 0.83%, 0.38%

LAB 28.06, 40.04, -69.81

 

CMYK 85 / 91 / 0 / 31

HEX #1B10B1

RGB 27 16 177

HSL 244.1, 0.83%, 0.38%

LAB 22.92, 56.46, -78.33

 

CMYK 91 / 49 / 0 / 60

HEX #093466

RGB 9 52 102

HSL 212.26, 0.84%, 0.22%

LAB 21.85, 6.91, -33.34

 

CMYK 91 / 49 / 0 / 45

HEX #0D488C

RGB 13 72 140

HSL 212.13, 0.83%, 0.3%

LAB 30.91, 9.52, -42.73

 

CMYK 91 / 49 / 0 / 31

HEX #105BB1

RGB 16 91 177

HSL 212.05, 0.83%, 0.38%

LAB 39.18, 12.2, -51.64

 

CMYK 91 / 48 / 0 / 16

HEX #146FD7

RGB 20 111 215

HSL 212, 0.83%, 0.46%

LAB 47.53, 14.58, -60.16

 

CMYK 83 / 44 / 0 / 8

HEX #2983EB

RGB 41 131 235

HSL 212.16, 0.83%, 0.54%

LAB 54.76, 11.13, -59.74

 

CMYK 91 / 49 / 0 / 31

HEX #105AB1

RGB 16.1 90.8 177

HSL 212.14, 0.83%, 0.38%

LAB 39.13, 12.34, -51.73

 

CMYK 24 / 91 / 0 / 31

HEX #8610B1

RGB 134 16 177

HSL 283.98, 0.83%, 0.38%

LAB 35.23, 66.07, -57.62

 

CMYK 12 / 0 / 91 / 31

HEX #9CB110

RGB 156 177 16

HSL 67.83, 0.83%, 0.38%

LAB 68.42, -25.27, 67.9

 

CMYK 91 / 49 / 0 / 31

HEX #105AB1

RGB 16.1 90.8 177

HSL 212.14, 0.83%, 0.38%

LAB 39.13, 12.34, -51.73

 

CMYK 0 / 91 / 48 / 31

HEX #B1105C

RGB 177 16 92

HSL 331.68, 0.83%, 0.38%

LAB 38.71, 62.81, 0.94

 

CMYK 48 / 0 / 91 / 31

HEX #5CB110

RGB 92 177 16

HSL 91.68, 0.83%, 0.38%

LAB 64.77, -49.62, 63.41

 

CMYK 91 / 49 / 0 / 31

HEX #105AB1

RGB 16.1 90.8 177

HSL 212.14, 0.83%, 0.38%

LAB 39.13, 12.34, -51.73

 

CMYK 24 / 91 / 0 / 31

HEX #8610B1

RGB 134 16 177

HSL 283.98, 0.83%, 0.38%

LAB 35.23, 66.07, -57.62

 

CMYK 0 / 42 / 91 / 31

HEX #B16610

RGB 177 102 16

HSL 32.05, 0.83%, 0.38%

LAB 50.56, 24.6, 54.85

 

CMYK 67 / 0 / 91 / 31

HEX #3BB110

RGB 59 177 16

HSL 103.98, 0.83%, 0.38%

LAB 63.68, -58.36, 62.05

 

CMYK 91 / 49 / 0 / 31

HEX #105AB1

RGB 16.1 90.8 177

HSL 212.14, 0.83%, 0.38%

LAB 39.13, 12.34, -51.73

 

CMYK 0 / 91 / 3 / 31

HEX #B110AC

RGB 177 16 172

HSL 301.86, 0.83%, 0.38%

LAB 42.3, 72.28, -42.87

 

CMYK 0 / 42 / 91 / 31

HEX #B16610

RGB 177 102 16

HSL 32.05, 0.83%, 0.38%

LAB 50.56, 24.6, 54.85

 

CMYK 91 / 0 / 88 / 31

HEX #10B116

RGB 16 177 22

HSL 122.24, 0.83%, 0.38%

LAB 63.02, -64.07, 60.08

 

Description

Color code: RGB 16.1 90.8 177 | qconv.com Color code: RGB 16.1 90.8 177 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16.1 red, 90.8 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16.1 90.8 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 49 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 49% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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