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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 184 155 it is the complementary color RGB 96 71 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 184 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 184 155: RGB 164 184 150, RGB 181 202 169, RGB 198 220 188, RGB 215 238 207 and RGB 232 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 184 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 184 155: RGB 159 184 155, RGB 142 166 136, RGB 125 148 117, RGB 108 130 98 and RGB 91 112 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 16 / 28

HEX #9FB89B

RGB 159 184 155

HSL 111.72, 0.17%, 0.66%

LAB 72.24, -14.1, 11.9

 

Complementary color

CMYK 4 / 29 / 0 / 61

HEX #604764

RGB 96 71 100

HSL 291.72, 0.17%, 0.34%

LAB 33.8, 16.38, -12.84

 

CMYK 11 / 0 / 18 / 28

HEX #A4B896

RGB 164 184 150

HSL 95.29, 0.19%, 0.65%

LAB 72.48, -13.18, 15

 

CMYK 10 / 0 / 16 / 21

HEX #B5CAA9

RGB 181 202 169

HSL 98.18, 0.24%, 0.73%

LAB 79, -13.15, 14.11

 

CMYK 10 / 0 / 15 / 14

HEX #C6DCBC

RGB 198 220 188

HSL 101.25, 0.31%, 0.8%

LAB 85.41, -13.13, 13.27

 

CMYK 10 / 0 / 13 / 7

HEX #D7EECF

RGB 215 238 207

HSL 104.52, 0.48%, 0.87%

LAB 91.73, -13.12, 12.46

 

CMYK 9 / 0 / 11 / 0

HEX #E8FFE2

RGB 232 255 226

HSL 107.59, 1%, 0.94%

LAB 97.7, -12.62, 11.33

 

CMYK 14 / 0 / 16 / 28

HEX #9FB89B

RGB 159 184 155

HSL 111.72, 0.17%, 0.66%

LAB 72.24, -14.1, 11.9

 

CMYK 14 / 0 / 18 / 35

HEX #8EA688

RGB 142 166 136

HSL 108, 0.14%, 0.59%

LAB 65.59, -14.18, 12.79

 

CMYK 16 / 0 / 21 / 42

HEX #7D9475

RGB 125 148 117

HSL 104.52, 0.13%, 0.52%

LAB 58.81, -14.27, 13.74

 

CMYK 17 / 0 / 25 / 49

HEX #6C8262

RGB 108 130 98

HSL 101.25, 0.14%, 0.45%

LAB 51.88, -14.38, 14.76

 

CMYK 19 / 0 / 29 / 56

HEX #5B704F

RGB 91 112 79

HSL 98.18, 0.17%, 0.37%

LAB 44.77, -14.49, 15.87

 

CMYK 14 / 0 / 16 / 28

HEX #9FB89B

RGB 159 184 155

HSL 111.72, 0.17%, 0.66%

LAB 72.24, -14.1, 11.9

 

CMYK 16 / 0 / 16 / 28

HEX #99B79A

RGB 153 183 154

HSL 122, 0.17%, 0.66%

LAB 71.54, -15.87, 11.39

 

CMYK 16 / 0 / 14 / 28

HEX #99B79E

RGB 153 183 158

HSL 130, 0.17%, 0.66%

LAB 71.63, -15.14, 9.34

 

CMYK 16 / 0 / 11 / 28

HEX #99B7A3

RGB 153 183 163

HSL 140, 0.17%, 0.66%

LAB 71.75, -14.19, 6.78

 

CMYK 16 / 0 / 8 / 28

HEX #99B7A8

RGB 153 183 168

HSL 150, 0.17%, 0.66%

LAB 71.87, -13.22, 4.22

 

CMYK 14 / 0 / 16 / 28

HEX #9FB89B

RGB 159 184 155

HSL 111.72, 0.17%, 0.66%

LAB 72.24, -14.1, 11.9

 

CMYK 14 / 0 / 16 / 8

HEX #CBEBC6

RGB 203 235 198

HSL 111.89, 0.48%, 0.85%

LAB 89.95, -17.22, 14.5

 

CMYK 13 / 0 / 16 / 88

HEX #1B1F1A

RGB 27 31 26

HSL 108, 0.09%, 0.11%

LAB 11.19, -3.13, 2.79

 

CMYK 13 / 0 / 16 / 68

HEX #475245

RGB 71 82 69

HSL 110.77, 0.09%, 0.3%

LAB 33.57, -7.23, 6.18

 

CMYK 14 / 0 / 16 / 48

HEX #738570

RGB 115 133 112

HSL 111.43, 0.09%, 0.48%

LAB 53.59, -10.8, 9.15

 

CMYK 14 / 0 / 16 / 28

HEX #9FB89B

RGB 159 184 155

HSL 111.72, 0.17%, 0.66%

LAB 72.24, -14.1, 11.9

 

CMYK 16 / 1 / 0 / 28

HEX #99B5B7

RGB 153 181 183

HSL 184, 0.17%, 0.66%

LAB 71.72, -9.08, -4.22

 

CMYK 0 / 16 / 8 / 28

HEX #B799A9

RGB 183 153 169

HSL 328, 0.17%, 0.66%

LAB 66.3, 13.86, -4.18

 

CMYK 14 / 0 / 16 / 28

HEX #9FB89B

RGB 159 184 155

HSL 111.72, 0.17%, 0.66%

LAB 72.24, -14.1, 11.9

 

CMYK 16 / 14 / 0 / 28

HEX #999DB7

RGB 153 157 183

HSL 232, 0.17%, 0.66%

LAB 65.2, 4.02, -13.93

 

CMYK 0 / 16 / 14 / 28

HEX #B7999D

RGB 183 153 157

HSL 352, 0.17%, 0.66%

LAB 65.97, 11.78, 2.07

 

CMYK 14 / 0 / 16 / 28

HEX #9FB89B

RGB 159 184 155

HSL 111.72, 0.17%, 0.66%

LAB 72.24, -14.1, 11.9

 

CMYK 16 / 1 / 0 / 28

HEX #99B5B7

RGB 153 181 183

HSL 184, 0.17%, 0.66%

LAB 71.72, -9.08, -4.22

 

CMYK 3 / 16 / 0 / 28

HEX #B299B7

RGB 178 153 183

HSL 290, 0.17%, 0.66%

LAB 66.26, 14.72, -12.12

 

CMYK 0 / 15 / 16 / 28

HEX #B79B99

RGB 183 155 153

HSL 4, 0.17%, 0.66%

LAB 66.37, 10.02, 4.89

 

CMYK 14 / 0 / 16 / 28

HEX #9FB89B

RGB 159 184 155

HSL 111.72, 0.17%, 0.66%

LAB 72.24, -14.1, 11.9

 

CMYK 16 / 6 / 0 / 28

HEX #99ACB7

RGB 153 172 183

HSL 202, 0.17%, 0.66%

LAB 69.25, -4.25, -7.87

 

CMYK 3 / 16 / 0 / 28

HEX #B299B7

RGB 178 153 183

HSL 290, 0.17%, 0.66%

LAB 66.26, 14.72, -12.12

 

CMYK 0 / 11 / 16 / 28

HEX #B7A399

RGB 183 163 153

HSL 20, 0.17%, 0.66%

LAB 68.43, 5.62, 7.85

 

Description

Color code: RGB 159 184 155 | qconv.com Color code: RGB 159 184 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 184 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 184 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 16 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 16% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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