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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 113 166 it is the complementary color RGB 96 142 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 113 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 113 166: RGB 164 113 161, RGB 181 131 180, RGB 198 149 199, RGB 215 167 218 and RGB 232 185 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 113 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 113 166: RGB 159 113 166, RGB 142 95 147, RGB 125 77 128, RGB 108 59 109 and RGB 91 41 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 32 / 0 / 35

HEX #9F71A6

RGB 159 113 166

HSL 292.08, 0.23%, 0.55%

LAB 53.96, 27.49, -21.28

 

Complementary color

CMYK 32 / 0 / 37 / 44

HEX #608E59

RGB 96 142 89

HSL 112.08, 0.23%, 0.45%

LAB 54.61, -26.56, 23.4

 

CMYK 0 / 31 / 2 / 36

HEX #A471A1

RGB 164 113 161

HSL 303.53, 0.22%, 0.54%

LAB 54.32, 28.2, -17.77

 

CMYK 0 / 28 / 1 / 29

HEX #B583B4

RGB 181 131 180

HSL 301.2, 0.25%, 0.61%

LAB 61.09, 27.49, -18.21

 

CMYK 1 / 25 / 0 / 22

HEX #C695C7

RGB 198 149 199

HSL 298.8, 0.31%, 0.68%

LAB 67.74, 26.84, -18.63

 

CMYK 1 / 23 / 0 / 15

HEX #D7A7DA

RGB 215 167 218

HSL 296.47, 0.41%, 0.75%

LAB 74.28, 26.23, -19.03

 

CMYK 2 / 22 / 0 / 7

HEX #E8B9ED

RGB 232 185 237

HSL 294.23, 0.59%, 0.83%

LAB 80.72, 25.67, -19.42

 

CMYK 4 / 32 / 0 / 35

HEX #9F71A6

RGB 159 113 166

HSL 292.08, 0.23%, 0.55%

LAB 53.96, 27.49, -21.28

 

CMYK 3 / 35 / 0 / 42

HEX #8E5F93

RGB 142 95 147

HSL 294.23, 0.21%, 0.47%

LAB 47.03, 28.24, -20.92

 

CMYK 2 / 40 / 0 / 50

HEX #7D4D80

RGB 125 77 128

HSL 296.47, 0.25%, 0.4%

LAB 39.96, 29.04, -20.52

 

CMYK 1 / 46 / 0 / 57

HEX #6C3B6D

RGB 108 59 109

HSL 298.8, 0.3%, 0.33%

LAB 32.74, 29.87, -20.04

 

CMYK 0 / 55 / 1 / 64

HEX #5B295A

RGB 91 41 90

HSL 301.2, 0.38%, 0.26%

LAB 25.41, 30.63, -19.4

 

CMYK 4 / 32 / 0 / 35

HEX #9F71A6

RGB 159 113 166

HSL 292.08, 0.23%, 0.55%

LAB 53.96, 27.49, -21.28

 

CMYK 0 / 32 / 1 / 35

HEX #A671A4

RGB 166 113 164

HSL 302.26, 0.23%, 0.55%

LAB 54.66, 29.45, -18.98

 

CMYK 0 / 32 / 6 / 35

HEX #A6719C

RGB 166 113 156

HSL 311.32, 0.23%, 0.55%

LAB 54.36, 27.94, -14.78

 

CMYK 0 / 32 / 11 / 35

HEX #A67193

RGB 166 113 147

HSL 321.51, 0.23%, 0.55%

LAB 54.05, 26.32, -9.99

 

CMYK 0 / 32 / 17 / 35

HEX #A6718A

RGB 166 113 138

HSL 331.7, 0.23%, 0.55%

LAB 53.76, 24.78, -5.15

 

CMYK 4 / 32 / 0 / 35

HEX #9F71A6

RGB 159 113 166

HSL 292.08, 0.23%, 0.55%

LAB 53.96, 27.49, -21.28

 

CMYK 4 / 32 / 0 / 15

HEX #D094D9

RGB 208 148 217

HSL 292.17, 0.48%, 0.72%

LAB 69.18, 34.09, -26.32

 

CMYK 8 / 31 / 0 / 95

HEX #0C090D

RGB 12 9 13

HSL 285, 0.18%, 0.04%

LAB 2.73, 1.41, -1.33

 

CMYK 5 / 31 / 0 / 75

HEX #3D2C40

RGB 61 44 64

HSL 291, 0.19%, 0.21%

LAB 20.69, 12.09, -9.6

 

CMYK 4 / 32 / 0 / 55

HEX #6E4E73

RGB 110 78 115

HSL 291.89, 0.19%, 0.38%

LAB 37.85, 20.47, -15.91

 

CMYK 4 / 32 / 0 / 35

HEX #9F71A6

RGB 159 113 166

HSL 292.08, 0.23%, 0.55%

LAB 53.96, 27.49, -21.28

 

CMYK 0 / 30 / 32 / 35

HEX #A67571

RGB 166 117 113

HSL 4.53, 0.23%, 0.55%

LAB 54.05, 18.71, 9.9

 

CMYK 32 / 0 / 17 / 35

HEX #71A68A

RGB 113 166 138

HSL 148.3, 0.23%, 0.55%

LAB 63.85, -23.68, 8.96

 

CMYK 4 / 32 / 0 / 35

HEX #9F71A6

RGB 159 113 166

HSL 292.08, 0.23%, 0.55%

LAB 53.96, 27.49, -21.28

 

CMYK 0 / 4 / 32 / 35

HEX #A69F71

RGB 166 159 113

HSL 52.08, 0.23%, 0.55%

LAB 65.04, -4.74, 24.97

 

CMYK 32 / 0 / 4 / 35

HEX #71A69F

RGB 113 166 159

HSL 172.08, 0.23%, 0.55%

LAB 64.39, -19.04, -1.98

 

CMYK 4 / 32 / 0 / 35

HEX #9F71A6

RGB 159 113 166

HSL 292.08, 0.23%, 0.55%

LAB 53.96, 27.49, -21.28

 

CMYK 0 / 30 / 32 / 35

HEX #A67571

RGB 166 117 113

HSL 4.53, 0.23%, 0.55%

LAB 54.05, 18.71, 9.9

 

CMYK 28 / 0 / 32 / 35

HEX #78A671

RGB 120 166 113

HSL 112.08, 0.23%, 0.55%

LAB 63.72, -26.01, 22.63

 

CMYK 32 / 2 / 0 / 35

HEX #71A3A6

RGB 113 163 166

HSL 183.4, 0.23%, 0.55%

LAB 63.72, -15.79, -6.89

 

CMYK 4 / 32 / 0 / 35

HEX #9F71A6

RGB 159 113 166

HSL 292.08, 0.23%, 0.55%

LAB 53.96, 27.49, -21.28

 

CMYK 0 / 20 / 32 / 35

HEX #A68571

RGB 166 133 113

HSL 22.64, 0.23%, 0.55%

LAB 58.11, 9.64, 15.56

 

CMYK 28 / 0 / 32 / 35

HEX #78A671

RGB 120 166 113

HSL 112.08, 0.23%, 0.55%

LAB 63.72, -26.01, 22.63

 

CMYK 32 / 11 / 0 / 35

HEX #7193A6

RGB 113 147 166

HSL 201.51, 0.23%, 0.55%

LAB 59.1, -7.1, -13.81

 

Description

Color code: RGB 159 113 166 | qconv.com Color code: RGB 159 113 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 113 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 113 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 32 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 32% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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