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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 97 101 it is the complementary color RGB 97 158 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 97 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 97 101: RGB 163 97 96, RGB 180 115 115, RGB 197 133 134, RGB 214 151 153 and RGB 231 169 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 97 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 97 101: RGB 158 97 101, RGB 141 79 82, RGB 124 61 63, RGB 107 43 44 and RGB 90 25 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 36 / 38

HEX #9E6165

RGB 158 97 101

HSL 356.07, 0.24%, 0.5%

LAB 47.95, 25.28, 8.24

 

Complementary color

CMYK 39 / 0 / 3 / 38

HEX #619E9A

RGB 97 158 154

HSL 176.07, 0.24%, 0.5%

LAB 61.07, -20.67, -4.15

 

CMYK 0 / 40 / 41 / 36

HEX #A36160

RGB 163 97 96

HSL 0.9, 0.27%, 0.51%

LAB 48.49, 26.65, 12.07

 

CMYK 0 / 36 / 36 / 29

HEX #B47373

RGB 180 115 115

HSL 0, 0.3%, 0.58%

LAB 55.28, 25.64, 10.71

 

CMYK 0 / 32 / 32 / 23

HEX #C58586

RGB 197 133 134

HSL 359.06, 0.36%, 0.65%

LAB 61.97, 24.74, 9.51

 

CMYK 0 / 29 / 29 / 16

HEX #D69799

RGB 214 151 153

HSL 358.1, 0.43%, 0.72%

LAB 68.55, 23.93, 8.44

 

CMYK 0 / 27 / 26 / 9

HEX #E7A9AC

RGB 231 169 172

HSL 357.1, 0.56%, 0.78%

LAB 75.04, 23.2, 7.46

 

CMYK 0 / 39 / 36 / 38

HEX #9E6165

RGB 158 97 101

HSL 356.07, 0.24%, 0.5%

LAB 47.95, 25.28, 8.24

 

CMYK 0 / 44 / 42 / 45

HEX #8D4F52

RGB 141 79 82

HSL 357.1, 0.28%, 0.43%

LAB 41, 26.33, 9.67

 

CMYK 0 / 51 / 49 / 51

HEX #7C3D3F

RGB 124 61 63

HSL 358.1, 0.34%, 0.36%

LAB 33.94, 27.48, 11.43

 

CMYK 0 / 60 / 59 / 58

HEX #6B2B2C

RGB 107 43 44

HSL 359.06, 0.43%, 0.29%

LAB 26.84, 28.69, 13.68

 

CMYK 0 / 72 / 72 / 65

HEX #5A1919

RGB 90 25 25

HSL 0, 0.57%, 0.23%

LAB 19.8, 29.73, 16.76

 

CMYK 0 / 39 / 36 / 38

HEX #9E6165

RGB 158 97 101

HSL 356.07, 0.24%, 0.5%

LAB 47.95, 25.28, 8.24

 

CMYK 0 / 35 / 39 / 38

HEX #9E6760

RGB 158 103 96

HSL 6.77, 0.24%, 0.5%

LAB 49.27, 21.23, 13.07

 

CMYK 0 / 28 / 39 / 38

HEX #9E7160

RGB 158 113 96

HSL 16.45, 0.24%, 0.5%

LAB 51.75, 15.51, 16.48

 

CMYK 0 / 22 / 39 / 38

HEX #9E7B60

RGB 158 123 96

HSL 26.13, 0.24%, 0.5%

LAB 54.32, 9.79, 19.97

 

CMYK 0 / 16 / 39 / 38

HEX #9E8560

RGB 158 133 96

HSL 35.81, 0.24%, 0.5%

LAB 56.97, 4.13, 23.5

 

CMYK 0 / 39 / 36 / 38

HEX #9E6165

RGB 158 97 101

HSL 356.07, 0.24%, 0.5%

LAB 47.95, 25.28, 8.24

 

CMYK 0 / 39 / 36 / 18

HEX #D18086

RGB 209 128 134

HSL 355.56, 0.47%, 0.66%

LAB 62.27, 32.01, 10.13

 

CMYK 0 / 40 / 40 / 98

HEX #050303

RGB 5 3 3

HSL 0, 0.25%, 0.02%

LAB 0.94, 0.52, 0.18

 

CMYK 0 / 39 / 36 / 78

HEX #382224

RGB 56 34 36

HSL 354.55, 0.24%, 0.18%

LAB 16.07, 10.91, 3.01

 

CMYK 0 / 38 / 36 / 58

HEX #6B4244

RGB 107 66 68

HSL 357.07, 0.24%, 0.34%

LAB 32.79, 18.07, 6.24

 

CMYK 0 / 39 / 36 / 38

HEX #9E6165

RGB 158 97 101

HSL 356.07, 0.24%, 0.5%

LAB 47.95, 25.28, 8.24

 

CMYK 6 / 0 / 39 / 38

HEX #959E60

RGB 149 158 96

HSL 68.71, 0.24%, 0.5%

LAB 63.08, -13.28, 31.31

 

CMYK 39 / 21 / 0 / 38

HEX #607D9E

RGB 96 125 158

HSL 211.94, 0.24%, 0.5%

LAB 51.41, -1.68, -21

 

CMYK 0 / 39 / 36 / 38

HEX #9E6165

RGB 158 97 101

HSL 356.07, 0.24%, 0.5%

LAB 47.95, 25.28, 8.24

 

CMYK 37 / 0 / 39 / 38

HEX #649E60

RGB 100 158 96

HSL 116.13, 0.24%, 0.5%

LAB 59.9, -31.77, 26.56

 

CMYK 39 / 37 / 0 / 38

HEX #60649E

RGB 96 100 158

HSL 236.13, 0.24%, 0.5%

LAB 44.33, 13.42, -31.99

 

CMYK 0 / 39 / 36 / 38

HEX #9E6165

RGB 158 97 101

HSL 356.07, 0.24%, 0.5%

LAB 47.95, 25.28, 8.24

 

CMYK 6 / 0 / 39 / 38

HEX #959E60

RGB 149 158 96

HSL 68.71, 0.24%, 0.5%

LAB 63.08, -13.28, 31.31

 

CMYK 39 / 0 / 3 / 38

HEX #609E9A

RGB 96 158 154

HSL 176.13, 0.24%, 0.5%

LAB 61.02, -20.94, -4.23

 

CMYK 34 / 39 / 0 / 38

HEX #69609E

RGB 105 96 158

HSL 248.71, 0.24%, 0.5%

LAB 44, 18.49, -32.46

 

CMYK 0 / 39 / 36 / 38

HEX #9E6165

RGB 158 97 101

HSL 356.07, 0.24%, 0.5%

LAB 47.95, 25.28, 8.24

 

CMYK 17 / 0 / 39 / 38

HEX #839E60

RGB 131 158 96

HSL 86.13, 0.24%, 0.5%

LAB 61.76, -20.48, 29.35

 

CMYK 39 / 0 / 3 / 38

HEX #609E9A

RGB 96 158 154

HSL 176.13, 0.24%, 0.5%

LAB 61.02, -20.94, -4.23

 

CMYK 22 / 39 / 0 / 38

HEX #7B609E

RGB 123 96 158

HSL 266.13, 0.24%, 0.5%

LAB 45.7, 23.95, -29.68

 

Description

Color code: RGB 158 97 101 | qconv.com Color code: RGB 158 97 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 97 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 97 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 36 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 36% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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