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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 60 210 it is the complementary color RGB 100 195 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 60 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 60 210 shade: RGB 160 60 205, RGB 177 78 224, RGB 194 96 243, RGB 211 114 255 and RGB 228 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 60 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 60 210 shade: RGB 155 60 210, RGB 138 42 191, RGB 121 24 172, RGB 104 6 153 and RGB 87 0 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 60 210 shade: RGB 155 60 211, RGB 196 60 211, RGB 211 60 185, RGB 211 60 144 and RGB 211 60 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 60 210 shade: RGB 155 60 211, RGB 115 60 211, RGB 74 60 211 and RGB 60 60 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 60 210 shade matches the following richer shades: RGB 155 60 211, RGB 160 40 230 and RGB 166 21 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 60 210 shade: RGB 155 60 211, RGB 150 79 191, RGB 145 98 172, RGB 140 118 152 and RGB 135 137 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 60 210 shade: RGB 75 60 211, RGB 115 60 211, RGB 155 60 211, RGB 196 60 211 and RGB 211 60 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 60 210 shade: RGB 110 35 153, RGB 134 42 187, RGB 155 60 211, RGB 172 93 218 and RGB 190 127 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 60 210 shade: RGB 155 60 210, RGB 211 60 85 and RGB 60 211 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 60 210 shade: RGB 155 60 210, RGB 211 155 60 and RGB 60 211 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 60 210 shade: RGB 155 60 210, RGB 211 60 85, RGB 115 211 60 and RGB 60 211 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 60 210 shade: RGB 155 60 210, RGB 211 80 60, RGB 115 211 60 and RGB 60 191 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 71 / 0 / 18

HEX #9B3CD2

RGB 155 60 210

HSL 278, 0.63%, 0.53%

LAB 45.43, 62.94, -60.23

 

Complementary color

CMYK 49 / 0 / 77 / 24

HEX #64C32D

RGB 100 195 45

HSL 98, 0.63%, 0.47%

LAB 70.82, -52.83, 61.79

 

CMYK 22 / 71 / 0 / 20

HEX #A03CCD

RGB 160 60 205

HSL 281.38, 0.59%, 0.52%

LAB 45.79, 62.89, -56.75

 

CMYK 21 / 65 / 0 / 12

HEX #B14EE0

RGB 177 78 224

HSL 280.68, 0.7%, 0.59%

LAB 52.04, 62.75, -57.42

 

CMYK 20 / 60 / 0 / 5

HEX #C260F3

RGB 194 96 243

HSL 280, 0.86%, 0.66%

LAB 58.33, 62.3, -57.88

 

CMYK 17 / 55 / 0 / 0

HEX #D372FF

RGB 211 114 255

HSL 281.28, 1%, 0.72%

LAB 64.24, 60.24, -54.95

 

CMYK 11 / 48 / 0 / 0

HEX #E484FF

RGB 228 132 255

HSL 286.83, 1%, 0.76%

LAB 69.62, 55.75, -46.32

 

CMYK 26 / 71 / 0 / 18

HEX #9B3CD2

RGB 155 60 210

HSL 278, 0.63%, 0.53%

LAB 45.43, 62.94, -60.23

 

CMYK 28 / 78 / 0 / 25

HEX #8A2ABF

RGB 138 42 191

HSL 278.66, 0.64%, 0.46%

LAB 39.28, 62.63, -59.29

 

CMYK 30 / 86 / 0 / 33

HEX #7918AC

RGB 121 24 172

HSL 279.32, 0.76%, 0.38%

LAB 33.34, 61.41, -57.79

 

CMYK 32 / 96 / 0 / 40

HEX #680699

RGB 104 6 153

HSL 280, 0.92%, 0.31%

LAB 27.77, 58.79, -55.49

 

CMYK 35 / 100 / 0 / 47

HEX #570086

RGB 87 0 134

HSL 278.96, 1%, 0.26%

LAB 22.82, 53.91, -51.91

 

CMYK 27 / 72 / 0 / 17

HEX #9B3CD3

RGB 155 60 211

HSL 277.75, 0.63%, 0.53%

LAB 45.5, 63.15, -60.7

 

CMYK 7 / 72 / 0 / 17

HEX #C43CD3

RGB 196 60 211

HSL 294.04, 0.63%, 0.53%

LAB 51.46, 71.44, -50.8

 

CMYK 0 / 72 / 12 / 17

HEX #D33CB9

RGB 211 60 185

HSL 310.33, 0.63%, 0.53%

LAB 52.49, 70.64, -34.03

 

CMYK 0 / 72 / 32 / 17

HEX #D33C90

RGB 211 60 144

HSL 326.62, 0.63%, 0.53%

LAB 50.8, 65.32, -12.48

 

CMYK 0 / 72 / 51 / 17

HEX #D33C67

RGB 211 60 103

HSL 342.91, 0.63%, 0.53%

LAB 49.57, 61.28, 10.48

 

CMYK 27 / 72 / 0 / 17

HEX #9B3CD3

RGB 155 60 211

HSL 277.75, 0.63%, 0.53%

LAB 45.5, 63.15, -60.7

 

CMYK 45 / 72 / 0 / 17

HEX #733CD3

RGB 115 60 211

HSL 261.85, 0.63%, 0.53%

LAB 40.54, 55.87, -68.98

 

CMYK 65 / 72 / 0 / 17

HEX #4A3CD3

RGB 74 60 211

HSL 245.56, 0.63%, 0.53%

LAB 36.73, 49.94, -75.39

 

CMYK 72 / 72 / 0 / 17

HEX #3C3CD3

RGB 60 60 211

HSL 240, 0.63%, 0.53%

LAB 35.78, 48.42, -76.97

 

CMYK 27 / 72 / 0 / 17

HEX #9B3CD3

RGB 155 60 211

HSL 277.75, 0.63%, 0.53%

LAB 45.5, 63.15, -60.7

 

CMYK 30 / 83 / 0 / 10

HEX #A028E6

RGB 160 40 230

HSL 277.89, 0.79%, 0.53%

LAB 45.23, 74.77, -71.96

 

CMYK 33 / 92 / 0 / 2

HEX #A615F9

RGB 166 21 249

HSL 278.16, 0.95%, 0.53%

LAB 46.29, 83.27, -80.9

 

CMYK 27 / 72 / 0 / 17

HEX #9B3CD3

RGB 155 60 211

HSL 277.75, 0.63%, 0.53%

LAB 45.5, 63.15, -60.7

 

CMYK 21 / 59 / 0 / 25

HEX #964FBF

RGB 150 79 191

HSL 278.04, 0.47%, 0.53%

LAB 46.76, 48.89, -47.16

 

CMYK 16 / 43 / 0 / 33

HEX #9162AC

RGB 145 98 172

HSL 278.11, 0.31%, 0.53%

LAB 49.17, 32.87, -32.31

 

CMYK 8 / 22 / 0 / 40

HEX #8C7698

RGB 140 118 152

HSL 278.82, 0.14%, 0.53%

LAB 52.73, 15.16, -15.18

 

CMYK 1 / 0 / 3 / 46

HEX #878985

RGB 135 137 133

HSL 90, 0.02%, 0.53%

LAB 56.82, -1.52, 1.88

 

CMYK 64 / 72 / 0 / 17

HEX #4B3CD3

RGB 75 60 211

HSL 245.96, 0.63%, 0.53%

LAB 36.8, 50.06, -75.26

 

CMYK 45 / 72 / 0 / 17

HEX #733CD3

RGB 115 60 211

HSL 261.85, 0.63%, 0.53%

LAB 40.54, 55.87, -68.98

 

CMYK 27 / 72 / 0 / 17

HEX #9B3CD3

RGB 155 60 211

HSL 277.75, 0.63%, 0.53%

LAB 45.5, 63.15, -60.7

 

CMYK 7 / 72 / 0 / 17

HEX #C43CD3

RGB 196 60 211

HSL 294.04, 0.63%, 0.53%

LAB 51.46, 71.44, -50.8

 

CMYK 0 / 72 / 12 / 17

HEX #D33CB9

RGB 211 60 185

HSL 310.33, 0.63%, 0.53%

LAB 52.49, 70.64, -34.03

 

CMYK 28 / 77 / 0 / 40

HEX #6E2399

RGB 110 35 153

HSL 278.14, 0.63%, 0.37%

LAB 31.39, 51.91, -49.56

 

CMYK 28 / 78 / 0 / 27

HEX #862ABB

RGB 134 42 187

HSL 278.07, 0.63%, 0.45%

LAB 38.4, 61.08, -58.39

 

CMYK 27 / 72 / 0 / 17

HEX #9B3CD3

RGB 155 60 211

HSL 277.75, 0.63%, 0.53%

LAB 45.5, 63.15, -60.7

 

CMYK 21 / 57 / 0 / 15

HEX #AC5DDA

RGB 172 93 218

HSL 277.92, 0.63%, 0.61%

LAB 53.67, 53.19, -51.46

 

CMYK 16 / 44 / 0 / 11

HEX #BE7FE2

RGB 190 127 226

HSL 278.18, 0.63%, 0.69%

LAB 63.02, 41.87, -41.01

 

CMYK 26 / 71 / 0 / 18

HEX #9B3CD2

RGB 155 60 210

HSL 278, 0.63%, 0.53%

LAB 45.43, 62.94, -60.23

 

CMYK 0 / 72 / 60 / 17

HEX #D33C55

RGB 211 60 85

HSL 350.07, 0.63%, 0.53%

LAB 49.17, 59.96, 20.86

 

CMYK 72 / 0 / 55 / 17

HEX #3CD35F

RGB 60 211 95

HSL 133.91, 0.63%, 0.53%

LAB 75.06, -62.92, 45.77

 

CMYK 26 / 71 / 0 / 18

HEX #9B3CD2

RGB 155 60 210

HSL 278, 0.63%, 0.53%

LAB 45.43, 62.94, -60.23

 

CMYK 0 / 27 / 72 / 17

HEX #D39B3C

RGB 211 155 60

HSL 37.75, 0.63%, 0.53%

LAB 67.74, 11.87, 55.8

 

CMYK 72 / 0 / 27 / 17

HEX #3CD39B

RGB 60 211 155

HSL 157.75, 0.63%, 0.53%

LAB 76.02, -52.18, 16.61

 

CMYK 26 / 71 / 0 / 18

HEX #9B3CD2

RGB 155 60 210

HSL 278, 0.63%, 0.53%

LAB 45.43, 62.94, -60.23

 

CMYK 0 / 72 / 60 / 17

HEX #D33C55

RGB 211 60 85

HSL 350.07, 0.63%, 0.53%

LAB 49.17, 59.96, 20.86

 

CMYK 45 / 0 / 72 / 17

HEX #73D33C

RGB 115 211 60

HSL 98.15, 0.63%, 0.53%

LAB 76.41, -53.49, 62.41

 

CMYK 72 / 0 / 12 / 17

HEX #3CD3B9

RGB 60 211 185

HSL 169.67, 0.63%, 0.53%

LAB 76.71, -44.98, 1.57

 

CMYK 26 / 71 / 0 / 18

HEX #9B3CD2

RGB 155 60 210

HSL 278, 0.63%, 0.53%

LAB 45.43, 62.94, -60.23

 

CMYK 0 / 62 / 72 / 17

HEX #D3503C

RGB 211 80 60

HSL 7.95, 0.63%, 0.53%

LAB 51.74, 50.52, 38.59

 

CMYK 45 / 0 / 72 / 17

HEX #73D33C

RGB 115 211 60

HSL 98.15, 0.63%, 0.53%

LAB 76.41, -53.49, 62.41

 

CMYK 72 / 9 / 0 / 17

HEX #3CBFD3

RGB 60 191 211

HSL 187.95, 0.63%, 0.53%

LAB 71.5, -28.43, -20.26

 

Description

Color code: RGB 155 60 210 | qconv.com Color code: RGB 155 60 210 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 60 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 60 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 71 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 71% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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