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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 45 31 it is the complementary color RGB 100 210 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 45 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 45 31: RGB 160 45 26, RGB 177 63 45, RGB 194 81 64, RGB 211 99 83 and RGB 228 117 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 45 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 45 31: RGB 155 45 31, RGB 138 27 12, RGB 121 9 0, RGB 104 0 0 and RGB 87 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 80 / 39

HEX #9B2D1F

RGB 155 45 31

HSL 6.77, 0.67%, 0.36%

LAB 35.88, 44.8, 34.58

 

Complementary color

CMYK 55 / 6 / 0 / 12

HEX #64D2E0

RGB 100 210 224

HSL 186.77, 0.67%, 0.64%

LAB 78.57, -27.52, -16.5

 

CMYK 0 / 72 / 84 / 37

HEX #A02D1A

RGB 160 45 26

HSL 8.51, 0.72%, 0.36%

LAB 36.79, 46.34, 38.48

 

CMYK 0 / 64 / 75 / 31

HEX #B13F2D

RGB 177 63 45

HSL 8.18, 0.59%, 0.44%

LAB 42.9, 45.4, 35.43

 

CMYK 0 / 58 / 67 / 24

HEX #C25140

RGB 194 81 64

HSL 7.85, 0.52%, 0.51%

LAB 49.16, 44.19, 32.63

 

CMYK 0 / 53 / 61 / 17

HEX #D36353

RGB 211 99 83

HSL 7.5, 0.59%, 0.58%

LAB 55.48, 42.92, 30.19

 

CMYK 0 / 49 / 55 / 11

HEX #E47566

RGB 228 117 102

HSL 7.14, 0.7%, 0.65%

LAB 61.81, 41.67, 28.07

 

CMYK 0 / 71 / 80 / 39

HEX #9B2D1F

RGB 155 45 31

HSL 6.77, 0.67%, 0.36%

LAB 35.88, 44.8, 34.58

 

CMYK 0 / 80 / 91 / 46

HEX #8A1B0C

RGB 138 27 12

HSL 7.14, 0.84%, 0.29%

LAB 29.95, 45.17, 37.75

 

CMYK 0 / 93 / 100 / 53

HEX #790900

RGB 121 9 0

HSL 4.46, 1%, 0.24%

LAB 24.51, 44.34, 36.52

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 71 / 80 / 39

HEX #9B2D1F

RGB 155 45 31

HSL 6.77, 0.67%, 0.36%

LAB 35.88, 44.8, 34.58

 

CMYK 0 / 59 / 80 / 40

HEX #993F1E

RGB 153 63 30

HSL 16.1, 0.67%, 0.36%

LAB 38.59, 35.8, 37.72

 

CMYK 0 / 46 / 80 / 40

HEX #99531E

RGB 153 83 30

HSL 25.85, 0.67%, 0.36%

LAB 42.84, 25.09, 41.86

 

CMYK 0 / 32 / 80 / 40

HEX #99681E

RGB 153 104 30

HSL 36.1, 0.67%, 0.36%

LAB 47.96, 13.12, 46.7

 

CMYK 0 / 19 / 80 / 40

HEX #997C1E

RGB 153 124 30

HSL 45.85, 0.67%, 0.36%

LAB 53.26, 1.72, 51.56

 

CMYK 0 / 71 / 80 / 39

HEX #9B2D1F

RGB 155 45 31

HSL 6.77, 0.67%, 0.36%

LAB 35.88, 44.8, 34.58

 

CMYK 0 / 71 / 80 / 19

HEX #CE3C29

RGB 206 60 41

HSL 6.91, 0.67%, 0.48%

LAB 47.64, 56.26, 44.15

 

CMYK 0 / 50 / 100 / 99

HEX #020100

RGB 2 1 0

HSL 30, 1%, 0%

LAB 0.31, 0.12, 0.47

 

CMYK 0 / 72 / 79 / 79

HEX #350F0B

RGB 53 15 11

HSL 5.71, 0.66%, 0.13%

LAB 9.97, 18.79, 10.85

 

CMYK 0 / 71 / 80 / 59

HEX #681E15

RGB 104 30 21

HSL 6.51, 0.66%, 0.25%

LAB 23.42, 32.51, 24.29

 

CMYK 0 / 71 / 80 / 39

HEX #9B2D1F

RGB 155 45 31

HSL 6.77, 0.67%, 0.36%

LAB 35.88, 44.8, 34.58

 

CMYK 24 / 0 / 80 / 40

HEX #74991E

RGB 116 153 30

HSL 78.05, 0.67%, 0.36%

LAB 58.59, -30.05, 55.27

 

CMYK 80 / 56 / 0 / 40

HEX #1E4399

RGB 30 67 153

HSL 221.95, 0.67%, 0.36%

LAB 30.86, 19.8, -50.75

 

CMYK 0 / 71 / 80 / 39

HEX #9B2D1F

RGB 155 45 31

HSL 6.77, 0.67%, 0.36%

LAB 35.88, 44.8, 34.58

 

CMYK 80 / 0 / 73 / 40

HEX #1E992A

RGB 30 153 42

HSL 125.85, 0.67%, 0.36%

LAB 55.3, -54.13, 46.73

 

CMYK 73 / 80 / 0 / 40

HEX #2A1E99

RGB 42 30 153

HSL 245.85, 0.67%, 0.36%

LAB 22.73, 44.33, -64.06

 

CMYK 0 / 71 / 80 / 39

HEX #9B2D1F

RGB 155 45 31

HSL 6.77, 0.67%, 0.36%

LAB 35.88, 44.8, 34.58

 

CMYK 24 / 0 / 80 / 40

HEX #74991E

RGB 116 153 30

HSL 78.05, 0.67%, 0.36%

LAB 58.59, -30.05, 55.27

 

CMYK 80 / 8 / 0 / 40

HEX #1E8D99

RGB 30 141 153

HSL 185.85, 0.67%, 0.36%

LAB 53.63, -25.14, -14.94

 

CMYK 56 / 80 / 0 / 40

HEX #431E99

RGB 67 30 153

HSL 258.05, 0.67%, 0.36%

LAB 25.02, 47.04, -60.2

 

CMYK 0 / 71 / 80 / 39

HEX #9B2D1F

RGB 155 45 31

HSL 6.77, 0.67%, 0.36%

LAB 35.88, 44.8, 34.58

 

CMYK 48 / 0 / 80 / 40

HEX #4F991E

RGB 79 153 30

HSL 96.1, 0.67%, 0.36%

LAB 56.62, -43.73, 52.73

 

CMYK 80 / 8 / 0 / 40

HEX #1E8D99

RGB 30 141 153

HSL 185.85, 0.67%, 0.36%

LAB 53.63, -25.14, -14.94

 

CMYK 32 / 80 / 0 / 40

HEX #681E99

RGB 104 30 153

HSL 276.1, 0.67%, 0.36%

LAB 29.84, 52.7, -52.11

 

Description

Color code: RGB 155 45 31 | qconv.com Color code: RGB 155 45 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 45 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 45 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 80 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 80% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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