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Color name
RGB 155 103 13

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 103 13 it is the complementary color RGB 100 152 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 103 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 103 13 shade: RGB 160 103 8, RGB 177 121 27, RGB 194 139 46, RGB 211 157 65 and RGB 228 175 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 103 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 103 13 shade: RGB 155 103 13, RGB 138 85 0, RGB 121 67 0, RGB 104 49 0 and RGB 87 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 103 13 shade: RGB 156 103 13, RGB 156 65 13, RGB 156 26 13 and RGB 156 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 103 13 shade: RGB 156 103 13, RGB 156 142 13, RGB 131 156 13, RGB 92 156 13 and RGB 54 156 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 103 13 shade matches the following richer shades: RGB 156 103 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 103 13 shade: RGB 156 103 13, RGB 142 100 26, RGB 128 96 40, RGB 115 92 53 and RGB 101 89 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 103 13 shade: RGB 156 27 13, RGB 156 65 13, RGB 156 103 13, RGB 156 141 13 and RGB 132 156 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 103 13 shade: RGB 79 53 6, RGB 118 78 10, RGB 156 103 13, RGB 194 129 16 and RGB 232 154 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 103 13 shade: RGB 155 103 13, RGB 36 156 13 and RGB 46 13 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 103 13 shade: RGB 155 103 13, RGB 13 156 103 and RGB 103 13 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 103 13 shade: RGB 155 103 13, RGB 36 156 13, RGB 13 65 156 and RGB 132 13 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 103 13 shade: RGB 155 103 13, RGB 13 156 32, RGB 13 65 156 and RGB 156 13 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 92 / 39

HEX #9B670D

RGB 155 103 13

HSL 38.03, 0.85%, 0.33%

LAB 47.88, 14.12, 52.31

 

Complementary color

CMYK 59 / 37 / 0 / 5

HEX #6498F2

RGB 100 152 242

HSL 218.03, 0.85%, 0.67%

LAB 62.99, 9.2, -50.38

 

CMYK 0 / 36 / 95 / 37

HEX #A06708

RGB 160 103 8

HSL 37.5, 0.9%, 0.33%

LAB 48.5, 16.33, 54.17

 

CMYK 0 / 32 / 85 / 31

HEX #B1791B

RGB 177 121 27

HSL 37.6, 0.74%, 0.4%

LAB 55.18, 14.28, 55.31

 

CMYK 0 / 28 / 76 / 24

HEX #C28B2E

RGB 194 139 46

HSL 37.7, 0.62%, 0.47%

LAB 61.77, 12.53, 55.06

 

CMYK 0 / 26 / 69 / 17

HEX #D39D41

RGB 211 157 65

HSL 37.81, 0.62%, 0.54%

LAB 68.27, 11.06, 54.17

 

CMYK 0 / 23 / 63 / 11

HEX #E4AF54

RGB 228 175 84

HSL 37.92, 0.73%, 0.61%

LAB 74.69, 9.79, 53

 

CMYK 0 / 34 / 92 / 39

HEX #9B670D

RGB 155 103 13

HSL 38.03, 0.85%, 0.33%

LAB 47.88, 14.12, 52.31

 

CMYK 0 / 38 / 100 / 46

HEX #8A5500

RGB 138 85 0

HSL 36.96, 1%, 0.27%

LAB 41.06, 16.41, 49.66

 

CMYK 0 / 45 / 100 / 53

HEX #794300

RGB 121 67 0

HSL 33.22, 1%, 0.24%

LAB 34.15, 19.04, 44.05

 

CMYK 0 / 53 / 100 / 59

HEX #683100

RGB 104 49 0

HSL 28.27, 1%, 0.2%

LAB 27.13, 21.74, 37.72

 

CMYK 0 / 64 / 100 / 66

HEX #571F00

RGB 87 31 0

HSL 21.38, 1%, 0.17%

LAB 20.07, 24.34, 29.63

 

CMYK 0 / 34 / 92 / 39

HEX #9C670D

RGB 156 103 13

HSL 37.76, 0.85%, 0.33%

LAB 48, 14.58, 52.46

 

CMYK 0 / 58 / 92 / 39

HEX #9C410D

RGB 156 65 13

HSL 21.82, 0.85%, 0.33%

LAB 39.37, 35.51, 45.94

 

CMYK 0 / 83 / 92 / 39

HEX #9C1A0D

RGB 156 26 13

HSL 5.45, 0.85%, 0.33%

LAB 33.64, 51.05, 41.74

 

CMYK 0 / 92 / 92 / 39

HEX #9C0D0D

RGB 156 13 13

HSL 0, 0.85%, 0.33%

LAB 32.67, 53.82, 41.04

 

CMYK 0 / 34 / 92 / 39

HEX #9C670D

RGB 156 103 13

HSL 37.76, 0.85%, 0.33%

LAB 48, 14.58, 52.46

 

CMYK 0 / 9 / 92 / 39

HEX #9C8E0D

RGB 156 142 13

HSL 54.13, 0.85%, 0.33%

LAB 58.46, -7.3, 60.54

 

CMYK 16 / 0 / 92 / 39

HEX #839C0D

RGB 131 156 13

HSL 70.49, 0.85%, 0.33%

LAB 60.45, -25.74, 61.25

 

CMYK 41 / 0 / 92 / 39

HEX #5C9C0D

RGB 92 156 13

HSL 86.85, 0.85%, 0.33%

LAB 58.11, -41.24, 58.37

 

CMYK 65 / 0 / 92 / 39

HEX #369C0D

RGB 54 156 13

HSL 102.8, 0.85%, 0.33%

LAB 56.67, -52.49, 56.58

 

CMYK 0 / 34 / 92 / 39

HEX #9C670D

RGB 156 103 13

HSL 37.76, 0.85%, 0.33%

LAB 48, 14.58, 52.46

 

CMYK 0 / 34 / 92 / 39

HEX #9C670D

RGB 156 103 13

HSL 37.76, 0.85%, 0.33%

LAB 48, 14.58, 52.46

 

CMYK 0 / 30 / 82 / 44

HEX #8E641A

RGB 142 100 26

HSL 38.28, 0.69%, 0.33%

LAB 45.55, 10.19, 45.56

 

CMYK 0 / 25 / 69 / 50

HEX #806028

RGB 128 96 40

HSL 38.18, 0.52%, 0.33%

LAB 42.93, 6.68, 36.08

 

CMYK 0 / 20 / 54 / 55

HEX #735C35

RGB 115 92 53

HSL 37.74, 0.37%, 0.33%

LAB 40.5, 4.04, 25.84

 

CMYK 0 / 12 / 34 / 60

HEX #655943

RGB 101 89 67

HSL 38.82, 0.2%, 0.33%

LAB 38.4, 1.16, 14.54

 

CMYK 0 / 83 / 92 / 39

HEX #9C1B0D

RGB 156 27 13

HSL 5.87, 0.85%, 0.33%

LAB 33.73, 50.78, 41.81

 

CMYK 0 / 58 / 92 / 39

HEX #9C410D

RGB 156 65 13

HSL 21.82, 0.85%, 0.33%

LAB 39.37, 35.51, 45.94

 

CMYK 0 / 34 / 92 / 39

HEX #9C670D

RGB 156 103 13

HSL 37.76, 0.85%, 0.33%

LAB 48, 14.58, 52.46

 

CMYK 0 / 10 / 92 / 39

HEX #9C8D0D

RGB 156 141 13

HSL 53.71, 0.85%, 0.33%

LAB 58.18, -6.76, 60.32

 

CMYK 15 / 0 / 92 / 39

HEX #849C0D

RGB 132 156 13

HSL 70.07, 0.85%, 0.33%

LAB 60.53, -25.31, 61.34

 

CMYK 0 / 33 / 92 / 69

HEX #4F3506

RGB 79 53 6

HSL 38.63, 0.86%, 0.17%

LAB 24.39, 7.19, 31.35

 

CMYK 0 / 34 / 92 / 54

HEX #764E0A

RGB 118 78 10

HSL 37.78, 0.84%, 0.25%

LAB 36.6, 11.28, 42.25

 

CMYK 0 / 34 / 92 / 39

HEX #9C670D

RGB 156 103 13

HSL 37.76, 0.85%, 0.33%

LAB 48, 14.58, 52.46

 

CMYK 0 / 34 / 92 / 24

HEX #C28110

RGB 194 129 16

HSL 38.09, 0.85%, 0.41%

LAB 59.17, 17.17, 62.29

 

CMYK 0 / 34 / 92 / 9

HEX #E89A13

RGB 232 154 19

HSL 38.03, 0.85%, 0.49%

LAB 69.69, 20.19, 71.52

 

CMYK 0 / 34 / 92 / 39

HEX #9B670D

RGB 155 103 13

HSL 38.03, 0.85%, 0.33%

LAB 47.88, 14.12, 52.31

 

CMYK 77 / 0 / 92 / 39

HEX #249C0D

RGB 36 156 13

HSL 110.35, 0.85%, 0.33%

LAB 56.27, -55.96, 56.08

 

CMYK 71 / 92 / 0 / 39

HEX #2E0D9C

RGB 46 13 156

HSL 253.85, 0.85%, 0.33%

LAB 21.09, 52.38, -68.61

 

CMYK 0 / 34 / 92 / 39

HEX #9B670D

RGB 155 103 13

HSL 38.03, 0.85%, 0.33%

LAB 47.88, 14.12, 52.31

 

CMYK 92 / 0 / 34 / 39

HEX #0D9C67

RGB 13 156 103

HSL 157.76, 0.85%, 0.33%

LAB 56.92, -47.13, 18.32

 

CMYK 34 / 92 / 0 / 39

HEX #670D9C

RGB 103 13 156

HSL 277.76, 0.85%, 0.33%

LAB 28.31, 58.02, -56.46

 

CMYK 0 / 34 / 92 / 39

HEX #9B670D

RGB 155 103 13

HSL 38.03, 0.85%, 0.33%

LAB 47.88, 14.12, 52.31

 

CMYK 77 / 0 / 92 / 39

HEX #249C0D

RGB 36 156 13

HSL 110.35, 0.85%, 0.33%

LAB 56.27, -55.96, 56.08

 

CMYK 92 / 58 / 0 / 39

HEX #0D419C

RGB 13 65 156

HSL 218.18, 0.85%, 0.33%

LAB 30.08, 21.04, -53.86

 

CMYK 15 / 92 / 0 / 39

HEX #840D9C

RGB 132 13 156

HSL 289.93, 0.85%, 0.33%

LAB 33.12, 62.38, -48.41

 

CMYK 0 / 34 / 92 / 39

HEX #9B670D

RGB 155 103 13

HSL 38.03, 0.85%, 0.33%

LAB 47.88, 14.12, 52.31

 

CMYK 92 / 0 / 79 / 39

HEX #0D9C20

RGB 13 156 32

HSL 127.97, 0.85%, 0.33%

LAB 56.05, -57.57, 51.01

 

CMYK 92 / 58 / 0 / 39

HEX #0D419C

RGB 13 65 156

HSL 218.18, 0.85%, 0.33%

LAB 30.08, 21.04, -53.86

 

CMYK 0 / 92 / 12 / 39

HEX #9C0D89

RGB 156 13 137

HSL 307.97, 0.85%, 0.33%

LAB 36.29, 63.68, -31.43

 

Description

Color code: RGB 155 103 13 | qconv.com Color code: RGB 155 103 13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 103 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 103 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 92 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 92% 39% C M Y K

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Provide designers and agencies with accurate color values.

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