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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 214 242 it is the complementary color RGB 102 41 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 214 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 214 242: RGB 158 214 237, RGB 175 232 255, RGB 192 250 255, RGB 209 255 255 and RGB 226 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 214 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 214 242: RGB 153 214 242, RGB 136 196 223, RGB 119 178 204, RGB 102 160 185 and RGB 85 142 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 12 / 0 / 5

HEX #99D6F2

RGB 153 214 242

HSL 198.88, 0.77%, 0.77%

LAB 82.53, -12.6, -19.9

 

Complementary color

CMYK 0 / 60 / 87 / 60

HEX #66290D

RGB 102 41 13

HSL 18.88, 0.77%, 0.23%

LAB 25.07, 25.78, 30.31

 

CMYK 33 / 10 / 0 / 7

HEX #9ED6ED

RGB 158 214 237

HSL 197.47, 0.69%, 0.77%

LAB 82.63, -12.49, -17.06

 

CMYK 31 / 9 / 0 / 0

HEX #AFE8FF

RGB 175 232 255

HSL 197.25, 1%, 0.84%

LAB 88.94, -12.77, -16.97

 

CMYK 25 / 2 / 0 / 0

HEX #C0FAFF

RGB 192 250 255

HSL 184.76, 1%, 0.88%

LAB 94.65, -17.03, -8.35

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 37 / 12 / 0 / 5

HEX #99D6F2

RGB 153 214 242

HSL 198.88, 0.77%, 0.77%

LAB 82.53, -12.6, -19.9

 

CMYK 39 / 12 / 0 / 13

HEX #88C4DF

RGB 136 196 223

HSL 198.62, 0.58%, 0.7%

LAB 76.09, -12.49, -19.55

 

CMYK 42 / 13 / 0 / 20

HEX #77B2CC

RGB 119 178 204

HSL 198.35, 0.45%, 0.63%

LAB 69.56, -12.36, -19.2

 

CMYK 45 / 14 / 0 / 27

HEX #66A0B9

RGB 102 160 185

HSL 198.07, 0.37%, 0.56%

LAB 62.9, -12.19, -18.84

 

CMYK 49 / 14 / 0 / 35

HEX #558EA6

RGB 85 142 166

HSL 197.78, 0.32%, 0.49%

LAB 56.12, -11.97, -18.47

 

CMYK 37 / 12 / 0 / 5

HEX #99D6F2

RGB 153 214 242

HSL 198.88, 0.77%, 0.77%

LAB 82.53, -12.6, -19.9

 

CMYK 37 / 17 / 0 / 5

HEX #97C7F1

RGB 151 199 241

HSL 208, 0.76%, 0.77%

LAB 78.33, -5.51, -25.76

 

CMYK 37 / 24 / 0 / 5

HEX #97B8F1

RGB 151 184 241

HSL 218, 0.76%, 0.77%

LAB 74.32, 2.61, -31.91

 

CMYK 37 / 30 / 0 / 5

HEX #97A9F1

RGB 151 169 241

HSL 228, 0.76%, 0.77%

LAB 70.39, 10.95, -38.01

 

CMYK 37 / 36 / 0 / 5

HEX #979AF1

RGB 151 154 241

HSL 238, 0.76%, 0.77%

LAB 66.55, 19.48, -44.01

 

CMYK 37 / 12 / 0 / 5

HEX #99D6F2

RGB 153 214 242

HSL 198.88, 0.77%, 0.77%

LAB 82.53, -12.6, -19.9

 

CMYK 37 / 11 / 0 / 85

HEX #182226

RGB 24 34 38

HSL 197.14, 0.23%, 0.12%

LAB 12.47, -3.18, -4.13

 

CMYK 37 / 11 / 0 / 65

HEX #384F59

RGB 56 79 89

HSL 198.18, 0.23%, 0.28%

LAB 32.15, -5.97, -8.7

 

CMYK 36 / 11 / 0 / 45

HEX #597C8C

RGB 89 124 140

HSL 198.82, 0.22%, 0.45%

LAB 50.02, -8.13, -12.63

 

CMYK 37 / 12 / 0 / 25

HEX #79A9BF

RGB 121 169 191

HSL 198.86, 0.35%, 0.61%

LAB 66.67, -10.42, -16.37

 

CMYK 37 / 12 / 0 / 5

HEX #99D6F2

RGB 153 214 242

HSL 198.88, 0.77%, 0.77%

LAB 82.53, -12.6, -19.9

 

CMYK 19 / 37 / 0 / 5

HEX #C497F1

RGB 196 151 241

HSL 270, 0.76%, 0.77%

LAB 69.63, 33.77, -38.92

 

CMYK 0 / 4 / 37 / 5

HEX #F1E897

RGB 241 232 151

HSL 54, 0.76%, 0.77%

LAB 91.07, -8.46, 40.5

 

CMYK 37 / 12 / 0 / 5

HEX #99D6F2

RGB 153 214 242

HSL 198.88, 0.77%, 0.77%

LAB 82.53, -12.6, -19.9

 

CMYK 0 / 37 / 11 / 5

HEX #F197D6

RGB 241 151 214

HSL 318, 0.76%, 0.77%

LAB 73.34, 42.57, -18

 

CMYK 11 / 0 / 37 / 5

HEX #D6F197

RGB 214 241 151

HSL 78, 0.76%, 0.77%

LAB 91.43, -23.07, 40.57

 

CMYK 37 / 12 / 0 / 5

HEX #99D6F2

RGB 153 214 242

HSL 198.88, 0.77%, 0.77%

LAB 82.53, -12.6, -19.9

 

CMYK 19 / 37 / 0 / 5

HEX #C497F1

RGB 196 151 241

HSL 270, 0.76%, 0.77%

LAB 69.63, 33.77, -38.92

 

CMYK 0 / 26 / 37 / 5

HEX #F1B297

RGB 241 178 151

HSL 18, 0.76%, 0.77%

LAB 77.74, 19.5, 22.79

 

CMYK 19 / 0 / 37 / 5

HEX #C4F197

RGB 196 241 151

HSL 90, 0.76%, 0.77%

LAB 90.27, -29.59, 38.84

 

CMYK 37 / 12 / 0 / 5

HEX #99D6F2

RGB 153 214 242

HSL 198.88, 0.77%, 0.77%

LAB 82.53, -12.6, -19.9

 

CMYK 7 / 37 / 0 / 5

HEX #DF97F1

RGB 223 151 241

HSL 288, 0.76%, 0.77%

LAB 72.34, 41.78, -34.49

 

CMYK 0 / 26 / 37 / 5

HEX #F1B297

RGB 241 178 151

HSL 18, 0.76%, 0.77%

LAB 77.74, 19.5, 22.79

 

CMYK 30 / 0 / 37 / 5

HEX #A9F197

RGB 169 241 151

HSL 108, 0.76%, 0.77%

LAB 88.72, -38.81, 36.53

 

Description

Color code: RGB 153 214 242 | qconv.com Color code: RGB 153 214 242 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 214 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 214 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 12 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 12% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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