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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 201 95 it is the complementary color RGB 102 54 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 201 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 201 95: RGB 158 201 90, RGB 175 219 109, RGB 192 237 128, RGB 209 255 147 and RGB 226 255 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 201 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 201 95: RGB 153 201 95, RGB 136 183 76, RGB 119 165 57, RGB 102 147 38 and RGB 85 129 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 53 / 21

HEX #99C95F

RGB 153 201 95

HSL 87.17, 0.5%, 0.58%

LAB 75.68, -33.12, 47.39

 

Complementary color

CMYK 36 / 66 / 0 / 37

HEX #6636A0

RGB 102 54 160

HSL 267.17, 0.5%, 0.42%

LAB 33.99, 43.11, -49.65

 

CMYK 21 / 0 / 55 / 21

HEX #9EC95A

RGB 158 201 90

HSL 83.24, 0.51%, 0.57%

LAB 75.93, -31.74, 50.1

 

CMYK 20 / 0 / 50 / 14

HEX #AFDB6D

RGB 175 219 109

HSL 84, 0.6%, 0.64%

LAB 82.31, -31.86, 49.02

 

CMYK 19 / 0 / 46 / 7

HEX #C0ED80

RGB 192 237 128

HSL 84.77, 0.75%, 0.72%

LAB 88.61, -31.93, 47.9

 

CMYK 18 / 0 / 42 / 0

HEX #D1FF93

RGB 209 255 147

HSL 85.56, 1%, 0.79%

LAB 94.82, -31.95, 46.77

 

CMYK 11 / 0 / 35 / 0

HEX #E2FFA6

RGB 226 255 166

HSL 79.55, 1%, 0.83%

LAB 96.18, -23.54, 39.49

 

CMYK 24 / 0 / 53 / 21

HEX #99C95F

RGB 153 201 95

HSL 87.17, 0.5%, 0.58%

LAB 75.68, -33.12, 47.39

 

CMYK 26 / 0 / 58 / 28

HEX #88B74C

RGB 136 183 76

HSL 86.36, 0.43%, 0.51%

LAB 69.2, -33.01, 48.44

 

CMYK 28 / 0 / 65 / 35

HEX #77A539

RGB 119 165 57

HSL 85.56, 0.49%, 0.44%

LAB 62.62, -32.79, 49.3

 

CMYK 31 / 0 / 74 / 42

HEX #669326

RGB 102 147 38

HSL 84.77, 0.59%, 0.36%

LAB 55.92, -32.42, 49.73

 

CMYK 34 / 0 / 85 / 49

HEX #558113

RGB 85 129 19

HSL 84, 0.74%, 0.29%

LAB 49.1, -31.8, 49.2

 

CMYK 24 / 0 / 53 / 21

HEX #99C95F

RGB 153 201 95

HSL 87.17, 0.5%, 0.58%

LAB 75.68, -33.12, 47.39

 

CMYK 33 / 0 / 53 / 21

HEX #87C95E

RGB 135 201 94

HSL 97.01, 0.5%, 0.58%

LAB 74.66, -39.7, 46.4

 

CMYK 42 / 0 / 53 / 21

HEX #75C95E

RGB 117 201 94

HSL 107.1, 0.5%, 0.58%

LAB 73.78, -45.64, 45.14

 

CMYK 51 / 0 / 53 / 21

HEX #63C95E

RGB 99 201 94

HSL 117.2, 0.5%, 0.58%

LAB 73.05, -50.92, 44.08

 

CMYK 53 / 0 / 47 / 21

HEX #5EC96A

RGB 94 201 106

HSL 126.73, 0.5%, 0.58%

LAB 73.02, -50.6, 38.15

 

CMYK 24 / 0 / 53 / 21

HEX #99C95F

RGB 153 201 95

HSL 87.17, 0.5%, 0.58%

LAB 75.68, -33.12, 47.39

 

CMYK 24 / 0 / 53 / 1

HEX #C0FC77

RGB 192 252 119

HSL 87.07, 0.96%, 0.73%

LAB 92.65, -39.67, 56.95

 

CMYK 23 / 0 / 52 / 81

HEX #253017

RGB 37 48 23

HSL 86.4, 0.35%, 0.14%

LAB 18.23, -10.08, 14.48

 

CMYK 24 / 0 / 53 / 61

HEX #4B632F

RGB 75 99 47

HSL 87.69, 0.36%, 0.29%

LAB 38.94, -18.83, 26.49

 

CMYK 24 / 0 / 53 / 41

HEX #729647

RGB 114 150 71

HSL 87.34, 0.36%, 0.43%

LAB 57.89, -26.22, 37.31

 

CMYK 24 / 0 / 53 / 21

HEX #99C95F

RGB 153 201 95

HSL 87.17, 0.5%, 0.58%

LAB 75.68, -33.12, 47.39

 

CMYK 53 / 0 / 19 / 21

HEX #5EC9A3

RGB 94 201 163

HSL 158.69, 0.5%, 0.58%

LAB 74.06, -39.94, 9.7

 

CMYK 0 / 53 / 2 / 21

HEX #C95EC4

RGB 201 94 196

HSL 302.8, 0.5%, 0.58%

LAB 56.49, 56.04, -34.22

 

CMYK 24 / 0 / 53 / 21

HEX #99C95F

RGB 153 201 95

HSL 87.17, 0.5%, 0.58%

LAB 75.68, -33.12, 47.39

 

CMYK 53 / 24 / 0 / 21

HEX #5E99C9

RGB 94 153 201

HSL 206.92, 0.5%, 0.58%

LAB 61.11, -5.54, -30.58

 

CMYK 0 / 53 / 24 / 21

HEX #C95E99

RGB 201 94 153

HSL 326.92, 0.5%, 0.58%

LAB 54.79, 49.27, -11.94

 

CMYK 24 / 0 / 53 / 21

HEX #99C95F

RGB 153 201 95

HSL 87.17, 0.5%, 0.58%

LAB 75.68, -33.12, 47.39

 

CMYK 53 / 0 / 19 / 21

HEX #5EC9A3

RGB 94 201 163

HSL 158.69, 0.5%, 0.58%

LAB 74.06, -39.94, 9.7

 

CMYK 29 / 53 / 0 / 21

HEX #8E5EC9

RGB 142 94 201

HSL 266.92, 0.5%, 0.58%

LAB 49.46, 41.15, -48.67

 

CMYK 0 / 53 / 35 / 21

HEX #C95E83

RGB 201 94 131

HSL 339.25, 0.5%, 0.58%

LAB 54.09, 46.39, -0.02

 

CMYK 24 / 0 / 53 / 21

HEX #99C95F

RGB 153 201 95

HSL 87.17, 0.5%, 0.58%

LAB 75.68, -33.12, 47.39

 

CMYK 53 / 0 / 2 / 21

HEX #5EC9C4

RGB 94 201 196

HSL 177.2, 0.5%, 0.58%

LAB 74.91, -31.9, -6.9

 

CMYK 29 / 53 / 0 / 21

HEX #8E5EC9

RGB 142 94 201

HSL 266.92, 0.5%, 0.58%

LAB 49.46, 41.15, -48.67

 

CMYK 0 / 53 / 51 / 21

HEX #C95E63

RGB 201 94 99

HSL 357.2, 0.5%, 0.58%

LAB 53.3, 43.01, 17.78

 

Description

Color code: RGB 153 201 95 | qconv.com Color code: RGB 153 201 95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 201 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 201 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 53 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 53% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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