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Color name
RGB 153 131 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 131 112 it is the complementary color RGB 102 124 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 131 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 131 112: RGB 158 131 107, RGB 175 149 126, RGB 192 167 145, RGB 209 185 164 and RGB 226 203 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 131 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 131 112: RGB 153 131 112, RGB 136 113 93, RGB 119 95 74, RGB 102 77 55 and RGB 85 59 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 27 / 40

HEX #998370

RGB 153 131 112

HSL 27.8, 0.17%, 0.52%

LAB 56.26, 5.33, 13.38

 

Complementary color

CMYK 29 / 13 / 0 / 44

HEX #667C8F

RGB 102 124 143

HSL 207.8, 0.17%, 0.48%

LAB 50.95, -3.33, -12.91

 

CMYK 0 / 17 / 32 / 38

HEX #9E836B

RGB 158 131 107

HSL 28.24, 0.21%, 0.52%

LAB 56.65, 6.67, 16.85

 

CMYK 0 / 15 / 28 / 31

HEX #AF957E

RGB 175 149 126

HSL 28.16, 0.23%, 0.59%

LAB 63.44, 6.13, 15.75

 

CMYK 0 / 13 / 24 / 25

HEX #C0A791

RGB 192 167 145

HSL 28.09, 0.27%, 0.66%

LAB 70.1, 5.66, 14.73

 

CMYK 0 / 11 / 22 / 18

HEX #D1B9A4

RGB 209 185 164

HSL 28, 0.33%, 0.73%

LAB 76.64, 5.25, 13.79

 

CMYK 0 / 10 / 19 / 11

HEX #E2CBB7

RGB 226 203 183

HSL 27.91, 0.43%, 0.8%

LAB 83.07, 4.88, 12.9

 

CMYK 0 / 14 / 27 / 40

HEX #998370

RGB 153 131 112

HSL 27.8, 0.17%, 0.52%

LAB 56.26, 5.33, 13.38

 

CMYK 0 / 17 / 32 / 47

HEX #88715D

RGB 136 113 93

HSL 27.91, 0.19%, 0.45%

LAB 49.3, 5.87, 14.48

 

CMYK 0 / 20 / 38 / 53

HEX #775F4A

RGB 119 95 74

HSL 28, 0.23%, 0.38%

LAB 42.16, 6.52, 15.71

 

CMYK 0 / 25 / 46 / 60

HEX #664D37

RGB 102 77 55

HSL 28.09, 0.3%, 0.31%

LAB 34.82, 7.34, 17.1

 

CMYK 0 / 31 / 58 / 67

HEX #553B24

RGB 85 59 36

HSL 28.16, 0.4%, 0.24%

LAB 27.26, 8.43, 18.72

 

CMYK 0 / 14 / 27 / 40

HEX #998370

RGB 153 131 112

HSL 27.8, 0.17%, 0.52%

LAB 56.26, 5.33, 13.38

 

CMYK 0 / 10 / 27 / 40

HEX #99896F

RGB 153 137 111

HSL 37.14, 0.17%, 0.52%

LAB 57.86, 1.8, 16.16

 

CMYK 0 / 6 / 27 / 40

HEX #99906F

RGB 153 144 111

HSL 47.14, 0.17%, 0.52%

LAB 59.77, -2.1, 18.78

 

CMYK 0 / 1 / 27 / 40

HEX #99976F

RGB 153 151 111

HSL 57.14, 0.17%, 0.52%

LAB 61.7, -5.94, 21.4

 

CMYK 3 / 0 / 27 / 40

HEX #94996F

RGB 148 153 111

HSL 67.14, 0.17%, 0.52%

LAB 61.85, -9.02, 21.53

 

CMYK 0 / 14 / 27 / 40

HEX #998370

RGB 153 131 112

HSL 27.8, 0.17%, 0.52%

LAB 56.26, 5.33, 13.38

 

CMYK 0 / 14 / 27 / 20

HEX #CCAF95

RGB 204 175 149

HSL 28.36, 0.35%, 0.69%

LAB 73.33, 6.55, 17.22

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 14 / 27 / 80

HEX #332C25

RGB 51 44 37

HSL 30, 0.16%, 0.17%

LAB 18.53, 1.79, 5.72

 

CMYK 0 / 15 / 26 / 60

HEX #66574B

RGB 102 87 75

HSL 26.67, 0.15%, 0.35%

LAB 38.11, 4.05, 9.24

 

CMYK 0 / 14 / 27 / 40

HEX #998370

RGB 153 131 112

HSL 27.8, 0.17%, 0.52%

LAB 56.26, 5.33, 13.38

 

CMYK 18 / 0 / 27 / 40

HEX #7E996F

RGB 126 153 111

HSL 98.57, 0.17%, 0.52%

LAB 60.22, -17.56, 19.05

 

CMYK 26 / 27 / 0 / 40

HEX #716F99

RGB 113 111 153

HSL 242.86, 0.17%, 0.52%

LAB 48.49, 10.47, -22.47

 

CMYK 0 / 14 / 27 / 40

HEX #998370

RGB 153 131 112

HSL 27.8, 0.17%, 0.52%

LAB 56.26, 5.33, 13.38

 

CMYK 27 / 0 / 15 / 40

HEX #6F9982

RGB 111 153 130

HSL 147.14, 0.17%, 0.52%

LAB 59.68, -19.34, 7.5

 

CMYK 15 / 27 / 0 / 40

HEX #826F99

RGB 130 111 153

HSL 267.14, 0.17%, 0.52%

LAB 50, 16.07, -20.02

 

CMYK 0 / 14 / 27 / 40

HEX #998370

RGB 153 131 112

HSL 27.8, 0.17%, 0.52%

LAB 56.26, 5.33, 13.38

 

CMYK 18 / 0 / 27 / 40

HEX #7E996F

RGB 126 153 111

HSL 98.57, 0.17%, 0.52%

LAB 60.22, -17.56, 19.05

 

CMYK 27 / 12 / 0 / 40

HEX #6F8699

RGB 111 134 153

HSL 207.14, 0.17%, 0.52%

LAB 54.79, -3.69, -12.86

 

CMYK 10 / 27 / 0 / 40

HEX #8A6F99

RGB 138 111 153

HSL 278.57, 0.17%, 0.52%

LAB 50.77, 18.79, -18.76

 

CMYK 0 / 14 / 27 / 40

HEX #998370

RGB 153 131 112

HSL 27.8, 0.17%, 0.52%

LAB 56.26, 5.33, 13.38

 

CMYK 26 / 0 / 27 / 40

HEX #71996F

RGB 113 153 111

HSL 117.14, 0.17%, 0.52%

LAB 59.38, -22.31, 17.76

 

CMYK 27 / 12 / 0 / 40

HEX #6F8699

RGB 111 134 153

HSL 207.14, 0.17%, 0.52%

LAB 54.79, -3.69, -12.86

 

CMYK 1 / 27 / 0 / 40

HEX #976F99

RGB 151 111 153

HSL 297.14, 0.17%, 0.52%

LAB 52.12, 23.28, -16.59

 

Description

Color code: RGB 153 131 112 | qconv.com Color code: RGB 153 131 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 131 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 131 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 27 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 27% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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