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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 50 50 it is the complementary color RGB 105 205 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 50 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 150 50 50: RGB 155 50 45, RGB 172 68 64, RGB 189 86 83, RGB 206 104 102 and RGB 223 122 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 50 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 150 50 50: RGB 150 50 50, RGB 133 32 31, RGB 116 14 12, RGB 99 0 0 and RGB 82 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 67 / 41

HEX #963232

RGB 150 50 50

HSL 0, 0.5%, 0.39%

LAB 35.98, 41.86, 23.12

 

Complementary color

CMYK 49 / 0 / 0 / 20

HEX #69CDCD

RGB 105 205 205

HSL 180, 0.5%, 0.61%

LAB 76.72, -29.16, -9.03

 

CMYK 0 / 68 / 71 / 39

HEX #9B322D

RGB 155 50 45

HSL 2.73, 0.55%, 0.39%

LAB 36.82, 43.33, 27.43

 

CMYK 0 / 60 / 63 / 33

HEX #AC4440

RGB 172 68 64

HSL 2.22, 0.46%, 0.46%

LAB 43.17, 42.36, 24.43

 

CMYK 0 / 54 / 56 / 26

HEX #BD5653

RGB 189 86 83

HSL 1.7, 0.45%, 0.53%

LAB 49.62, 41.23, 21.96

 

CMYK 0 / 50 / 50 / 19

HEX #CE6866

RGB 206 104 102

HSL 1.15, 0.51%, 0.6%

LAB 56.07, 40.07, 19.9

 

CMYK 0 / 45 / 46 / 13

HEX #DF7A79

RGB 223 122 121

HSL 0.59, 0.61%, 0.67%

LAB 62.5, 38.96, 18.13

 

CMYK 0 / 67 / 67 / 41

HEX #963232

RGB 150 50 50

HSL 0, 0.5%, 0.39%

LAB 35.98, 41.86, 23.12

 

CMYK 0 / 76 / 77 / 48

HEX #85201F

RGB 133 32 31

HSL 0.59, 0.62%, 0.32%

LAB 29.71, 42.41, 26.69

 

CMYK 0 / 88 / 90 / 55

HEX #740E0C

RGB 116 14 12

HSL 1.15, 0.81%, 0.25%

LAB 23.85, 41.99, 30.55

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 67 / 67 / 41

HEX #963232

RGB 150 50 50

HSL 0, 0.5%, 0.39%

LAB 35.98, 41.86, 23.12

 

CMYK 0 / 56 / 67 / 42

HEX #954231

RGB 149 66 49

HSL 10.2, 0.51%, 0.39%

LAB 38.74, 33.64, 27.08

 

CMYK 0 / 45 / 67 / 42

HEX #955231

RGB 149 82 49

HSL 19.8, 0.51%, 0.39%

LAB 42.22, 24.91, 31.21

 

CMYK 0 / 34 / 67 / 42

HEX #956331

RGB 149 99 49

HSL 30, 0.51%, 0.39%

LAB 46.36, 15.18, 35.96

 

CMYK 0 / 22 / 67 / 42

HEX #957431

RGB 149 116 49

HSL 40.2, 0.51%, 0.39%

LAB 50.81, 5.39, 40.89

 

CMYK 0 / 67 / 67 / 41

HEX #963232

RGB 150 50 50

HSL 0, 0.5%, 0.39%

LAB 35.98, 41.86, 23.12

 

CMYK 0 / 67 / 67 / 21

HEX #C94343

RGB 201 67 67

HSL 0, 0.55%, 0.53%

LAB 48.05, 53.03, 29.82

 

CMYK 0 / 67 / 67 / 1

HEX #FC5454

RGB 252 84 84

HSL 0, 0.97%, 0.66%

LAB 59.6, 63.61, 36.18

 

CMYK 0 / 67 / 67 / 81

HEX #301010

RGB 48 16 16

HSL 0, 0.5%, 0.13%

LAB 9.29, 16.34, 7.27

 

CMYK 0 / 67 / 67 / 61

HEX #632121

RGB 99 33 33

HSL 0, 0.5%, 0.26%

LAB 23.17, 29.85, 15.95

 

CMYK 0 / 67 / 67 / 41

HEX #963232

RGB 150 50 50

HSL 0, 0.5%, 0.39%

LAB 35.98, 41.86, 23.12

 

CMYK 13 / 0 / 67 / 42

HEX #819531

RGB 129 149 49

HSL 72, 0.51%, 0.39%

LAB 58.4, -21.54, 48.44

 

CMYK 67 / 40 / 0 / 42

HEX #315995

RGB 49 89 149

HSL 216, 0.51%, 0.39%

LAB 37.78, 6.27, -37.14

 

CMYK 0 / 67 / 67 / 41

HEX #963232

RGB 150 50 50

HSL 0, 0.5%, 0.39%

LAB 35.98, 41.86, 23.12

 

CMYK 67 / 0 / 67 / 42

HEX #319531

RGB 49 149 49

HSL 120, 0.51%, 0.39%

LAB 54.42, -48.79, 43

 

CMYK 67 / 67 / 0 / 42

HEX #313195

RGB 49 49 149

HSL 240, 0.51%, 0.39%

LAB 26.79, 32.74, -54.89

 

CMYK 0 / 67 / 67 / 41

HEX #963232

RGB 150 50 50

HSL 0, 0.5%, 0.39%

LAB 35.98, 41.86, 23.12

 

CMYK 13 / 0 / 67 / 42

HEX #819531

RGB 129 149 49

HSL 72, 0.51%, 0.39%

LAB 58.4, -21.54, 48.44

 

CMYK 67 / 0 / 0 / 42

HEX #319595

RGB 49 149 149

HSL 180, 0.51%, 0.39%

LAB 56.4, -27.97, -8.42

 

CMYK 54 / 67 / 0 / 42

HEX #453195

RGB 69 49 149

HSL 252, 0.51%, 0.39%

LAB 28.46, 36.05, -52.09

 

CMYK 0 / 67 / 67 / 41

HEX #963232

RGB 150 50 50

HSL 0, 0.5%, 0.39%

LAB 35.98, 41.86, 23.12

 

CMYK 34 / 0 / 67 / 42

HEX #639531

RGB 99 149 49

HSL 90, 0.51%, 0.39%

LAB 56.46, -33.68, 45.8

 

CMYK 67 / 0 / 0 / 42

HEX #319595

RGB 49 149 149

HSL 180, 0.51%, 0.39%

LAB 56.4, -27.97, -8.42

 

CMYK 34 / 67 / 0 / 42

HEX #633195

RGB 99 49 149

HSL 270, 0.51%, 0.39%

LAB 31.85, 42.25, -46.43

 

Description

Color code: RGB 150 50 50 | qconv.com Color code: RGB 150 50 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 50 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 50 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 67 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 67% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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