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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 250 250 it is the complementary color RGB 105 5 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 250 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 150 250 250: RGB 155 250 245, RGB 172 255 255, RGB 189 255 255, RGB 206 255 255 and RGB 223 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 250 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 150 250 250: RGB 150 250 250, RGB 133 232 231, RGB 116 214 212, RGB 99 196 193 and RGB 82 178 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 0 / 2

HEX #96FAFA

RGB 150 250 250

HSL 180, 0.91%, 0.78%

LAB 92.47, -29.25, -9.22

 

Complementary color

CMYK 0 / 95 / 95 / 59

HEX #690505

RGB 105 5 5

HSL 0, 0.91%, 0.22%

LAB 20.53, 40.6, 29.17

 

CMYK 38 / 0 / 2 / 2

HEX #9BFAF5

RGB 155 250 245

HSL 176.84, 0.9%, 0.79%

LAB 92.54, -29.2, -6.49

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 40 / 0 / 0 / 2

HEX #96FAFA

RGB 150 250 250

HSL 180, 0.91%, 0.78%

LAB 92.47, -29.25, -9.22

 

CMYK 43 / 0 / 0 / 9

HEX #85E8E7

RGB 133 232 231

HSL 179.39, 0.68%, 0.72%

LAB 86.24, -29.27, -8.62

 

CMYK 46 / 0 / 1 / 16

HEX #74D6D4

RGB 116 214 212

HSL 178.78, 0.54%, 0.65%

LAB 79.93, -29.27, -7.98

 

CMYK 49 / 0 / 2 / 23

HEX #63C4C1

RGB 99 196 193

HSL 178.14, 0.45%, 0.58%

LAB 73.53, -29.22, -7.3

 

CMYK 54 / 0 / 2 / 30

HEX #52B2AE

RGB 82 178 174

HSL 177.5, 0.38%, 0.51%

LAB 67.04, -29.1, -6.57

 

CMYK 40 / 0 / 0 / 2

HEX #96FAFA

RGB 150 250 250

HSL 180, 0.91%, 0.78%

LAB 92.47, -29.25, -9.22

 

CMYK 41 / 7 / 0 / 2

HEX #93E8F9

RGB 147 232 249

HSL 190, 0.89%, 0.78%

LAB 87.37, -21.47, -16.33

 

CMYK 41 / 14 / 0 / 2

HEX #93D7F9

RGB 147 215 249

HSL 200, 0.89%, 0.78%

LAB 82.72, -12.87, -23.35

 

CMYK 41 / 20 / 0 / 2

HEX #93C6F9

RGB 147 198 249

HSL 210, 0.89%, 0.78%

LAB 78.13, -3.92, -30.37

 

CMYK 41 / 27 / 0 / 2

HEX #93B5F9

RGB 147 181 249

HSL 220, 0.89%, 0.78%

LAB 73.6, 5.36, -37.36

 

CMYK 40 / 0 / 0 / 2

HEX #96FAFA

RGB 150 250 250

HSL 180, 0.91%, 0.78%

LAB 92.47, -29.25, -9.22

 

CMYK 39 / 0 / 0 / 82

HEX #1C2E2E

RGB 28 46 46

HSL 180, 0.24%, 0.15%

LAB 17.45, -7.33, -2.36

 

CMYK 40 / 0 / 0 / 62

HEX #3A6161

RGB 58 97 97

HSL 180, 0.25%, 0.3%

LAB 38.4, -13.74, -4.36

 

CMYK 40 / 0 / 0 / 42

HEX #599494

RGB 89 148 148

HSL 180, 0.25%, 0.46%

LAB 57.5, -19.16, -6.06

 

CMYK 40 / 0 / 0 / 22

HEX #77C7C7

RGB 119 199 199

HSL 180, 0.42%, 0.62%

LAB 75.38, -24.46, -7.72

 

CMYK 40 / 0 / 0 / 2

HEX #96FAFA

RGB 150 250 250

HSL 180, 0.91%, 0.78%

LAB 92.47, -29.25, -9.22

 

CMYK 33 / 41 / 0 / 2

HEX #A893F9

RGB 168 147 249

HSL 252.35, 0.89%, 0.78%

LAB 66.54, 30.06, -48.31

 

CMYK 0 / 16 / 41 / 2

HEX #F9D193

RGB 249 209 147

HSL 36.47, 0.89%, 0.78%

LAB 85.93, 5.93, 35.97

 

CMYK 40 / 0 / 0 / 2

HEX #96FAFA

RGB 150 250 250

HSL 180, 0.91%, 0.78%

LAB 92.47, -29.25, -9.22

 

CMYK 0 / 41 / 0 / 2

HEX #F993F9

RGB 249 147 249

HSL 300, 0.89%, 0.78%

LAB 74.73, 53.03, -34.92

 

CMYK 0 / 0 / 41 / 2

HEX #F9F993

RGB 249 249 147

HSL 60, 0.89%, 0.78%

LAB 96, -14.2, 48.85

 

CMYK 40 / 0 / 0 / 2

HEX #96FAFA

RGB 150 250 250

HSL 180, 0.91%, 0.78%

LAB 92.47, -29.25, -9.22

 

CMYK 33 / 41 / 0 / 2

HEX #A893F9

RGB 168 147 249

HSL 252.35, 0.89%, 0.78%

LAB 66.54, 30.06, -48.31

 

CMYK 0 / 41 / 41 / 2

HEX #F99393

RGB 249 147 147

HSL 0, 0.89%, 0.78%

LAB 71.63, 38.34, 16.69

 

CMYK 8 / 0 / 41 / 2

HEX #E5F993

RGB 229 249 147

HSL 71.76, 0.89%, 0.78%

LAB 94.53, -21.79, 46.7

 

CMYK 40 / 0 / 0 / 2

HEX #96FAFA

RGB 150 250 250

HSL 180, 0.91%, 0.78%

LAB 92.47, -29.25, -9.22

 

CMYK 20 / 41 / 0 / 2

HEX #C693F9

RGB 198 147 249

HSL 270, 0.89%, 0.78%

LAB 69.26, 38.31, -43.84

 

CMYK 0 / 41 / 41 / 2

HEX #F99393

RGB 249 147 147

HSL 0, 0.89%, 0.78%

LAB 71.63, 38.34, 16.69

 

CMYK 20 / 0 / 41 / 2

HEX #C6F993

RGB 198 249 147

HSL 90, 0.89%, 0.78%

LAB 92.51, -33.1, 43.72

 

Description

Color code: RGB 150 250 250 | qconv.com Color code: RGB 150 250 250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 250 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 250 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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