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Color name
RGB 149 60 103

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 60 103 it is the complementary color RGB 106 195 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 60 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 60 103 shade: RGB 154 60 98, RGB 171 78 117, RGB 188 96 136, RGB 205 114 155 and RGB 222 132 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 60 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 60 103 shade: RGB 149 60 103, RGB 132 42 84, RGB 115 24 65, RGB 98 6 46 and RGB 81 0 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 60 103 shade: RGB 150 60 103, RGB 150 60 79 and RGB 150 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 60 103 shade: RGB 150 60 103, RGB 150 60 127, RGB 147 60 150, RGB 123 60 150 and RGB 99 60 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 60 103 shade matches the following richer shades: RGB 150 60 103, RGB 166 43 102, RGB 183 26 102 and RGB 200 9 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 60 103 shade: RGB 150 60 103, RGB 133 77 104, RGB 116 93 104, RGB 99 110 105 and RGB 82 127 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 60 103 shade: RGB 148 60 150, RGB 150 60 127, RGB 150 60 103, RGB 150 60 79 and RGB 150 64 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 60 103 shade: RGB 91 36 62, RGB 120 48 83, RGB 150 60 103, RGB 179 71 123 and RGB 193 99 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 60 103 shade: RGB 149 60 103, RGB 150 124 60 and RGB 60 139 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 60 103 shade: RGB 149 60 103, RGB 103 150 60 and RGB 60 103 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 60 103 shade: RGB 149 60 103, RGB 150 124 60, RGB 60 150 106 and RGB 60 85 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 60 103 shade: RGB 149 60 103, RGB 148 150 60, RGB 60 150 106 and RGB 61 60 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 31 / 42

HEX #953C67

RGB 149 60 103

HSL 331.01, 0.43%, 0.41%

LAB 38.9, 42.05, -6.32

 

Complementary color

CMYK 46 / 0 / 22 / 24

HEX #6AC398

RGB 106 195 152

HSL 151.01, 0.43%, 0.59%

LAB 72.47, -36.69, 13.44

 

CMYK 0 / 61 / 36 / 40

HEX #9A3C62

RGB 154 60 98

HSL 335.74, 0.44%, 0.42%

LAB 39.55, 43.07, -2.12

 

CMYK 0 / 54 / 32 / 33

HEX #AB4E75

RGB 171 78 117

HSL 334.84, 0.37%, 0.49%

LAB 46.17, 42.4, -3.8

 

CMYK 0 / 49 / 28 / 26

HEX #BC6088

RGB 188 96 136

HSL 333.91, 0.41%, 0.56%

LAB 52.77, 41.6, -5.14

 

CMYK 0 / 44 / 24 / 20

HEX #CD729B

RGB 205 114 155

HSL 332.97, 0.48%, 0.63%

LAB 59.32, 40.77, -6.27

 

CMYK 0 / 41 / 22 / 13

HEX #DE84AE

RGB 222 132 174

HSL 332, 0.58%, 0.69%

LAB 65.82, 39.95, -7.24

 

CMYK 0 / 60 / 31 / 42

HEX #953C67

RGB 149 60 103

HSL 331.01, 0.43%, 0.41%

LAB 38.9, 42.05, -6.32

 

CMYK 0 / 68 / 36 / 48

HEX #842A54

RGB 132 42 84

HSL 332, 0.52%, 0.34%

LAB 32.26, 42.42, -4.39

 

CMYK 0 / 79 / 43 / 55

HEX #731841

RGB 115 24 65

HSL 332.97, 0.65%, 0.27%

LAB 25.8, 42.1, -1.7

 

CMYK 0 / 94 / 53 / 62

HEX #62062E

RGB 98 6 46

HSL 333.91, 0.88%, 0.2%

LAB 19.74, 40.46, 2.2

 

CMYK 0 / 100 / 67 / 68

HEX #51001B

RGB 81 0 27

HSL 340, 1%, 0.16%

LAB 14.56, 36.05, 8.17

 

CMYK 0 / 60 / 31 / 41

HEX #963C67

RGB 150 60 103

HSL 331.33, 0.43%, 0.41%

LAB 39.06, 42.38, -6.06

 

CMYK 0 / 60 / 47 / 41

HEX #963C4F

RGB 150 60 79

HSL 347.33, 0.43%, 0.41%

LAB 38.34, 39.56, 8.02

 

CMYK 0 / 60 / 60 / 41

HEX #963C3C

RGB 150 60 60

HSL 0, 0.43%, 0.41%

LAB 37.92, 37.85, 19.38

 

CMYK 0 / 60 / 31 / 41

HEX #963C67

RGB 150 60 103

HSL 331.33, 0.43%, 0.41%

LAB 39.06, 42.38, -6.06

 

CMYK 0 / 60 / 15 / 41

HEX #963C7F

RGB 150 60 127

HSL 315.33, 0.43%, 0.41%

LAB 40, 45.9, -19.56

 

CMYK 2 / 60 / 0 / 41

HEX #933C96

RGB 147 60 150

HSL 298, 0.43%, 0.41%

LAB 40.63, 49.03, -32.63

 

CMYK 18 / 60 / 0 / 41

HEX #7B3C96

RGB 123 60 150

HSL 282, 0.43%, 0.41%

LAB 37.2, 42.63, -38.29

 

CMYK 34 / 60 / 0 / 41

HEX #633C96

RGB 99 60 150

HSL 266, 0.43%, 0.41%

LAB 34.16, 36.46, -43.32

 

CMYK 0 / 60 / 31 / 41

HEX #963C67

RGB 150 60 103

HSL 331.33, 0.43%, 0.41%

LAB 39.06, 42.38, -6.06

 

CMYK 0 / 74 / 39 / 35

HEX #A62B66

RGB 166 43 102

HSL 331.22, 0.59%, 0.41%

LAB 39.23, 54.23, -4.88

 

CMYK 0 / 86 / 44 / 28

HEX #B71A66

RGB 183 26 102

HSL 330.96, 0.75%, 0.41%

LAB 40.84, 63.36, -2.14

 

CMYK 0 / 96 / 50 / 22

HEX #C80965

RGB 200 9 101

HSL 331.1, 0.91%, 0.41%

LAB 43.38, 69.73, 2.61

 

CMYK 0 / 60 / 31 / 41

HEX #963C67

RGB 150 60 103

HSL 331.33, 0.43%, 0.41%

LAB 39.06, 42.38, -6.06

 

CMYK 0 / 42 / 22 / 48

HEX #854D68

RGB 133 77 104

HSL 331.07, 0.27%, 0.41%

LAB 40.07, 27.46, -5.45

 

CMYK 0 / 20 / 10 / 55

HEX #745D68

RGB 116 93 104

HSL 331.3, 0.11%, 0.41%

LAB 42.06, 11.34, -2.72

 

CMYK 10 / 0 / 5 / 57

HEX #636E69

RGB 99 110 105

HSL 152.73, 0.05%, 0.41%

LAB 45.39, -5.23, 1.36

 

CMYK 35 / 0 / 17 / 50

HEX #527F69

RGB 82 127 105

HSL 150.67, 0.22%, 0.41%

LAB 49.49, -20.63, 7.11

 

CMYK 1 / 60 / 0 / 41

HEX #943C96

RGB 148 60 150

HSL 298.67, 0.43%, 0.41%

LAB 40.78, 49.3, -32.38

 

CMYK 0 / 60 / 15 / 41

HEX #963C7F

RGB 150 60 127

HSL 315.33, 0.43%, 0.41%

LAB 40, 45.9, -19.56

 

CMYK 0 / 60 / 31 / 41

HEX #963C67

RGB 150 60 103

HSL 331.33, 0.43%, 0.41%

LAB 39.06, 42.38, -6.06

 

CMYK 0 / 60 / 47 / 41

HEX #963C4F

RGB 150 60 79

HSL 347.33, 0.43%, 0.41%

LAB 38.34, 39.56, 8.02

 

CMYK 0 / 57 / 60 / 41

HEX #96403C

RGB 150 64 60

HSL 2.67, 0.43%, 0.41%

LAB 38.69, 35.84, 20.38

 

CMYK 0 / 60 / 32 / 64

HEX #5B243E

RGB 91 36 62

HSL 331.64, 0.43%, 0.25%

LAB 23.11, 28.42, -4.14

 

CMYK 0 / 60 / 31 / 53

HEX #783053

RGB 120 48 83

HSL 330.83, 0.43%, 0.33%

LAB 31.19, 35.48, -5.56

 

CMYK 0 / 60 / 31 / 41

HEX #963C67

RGB 150 60 103

HSL 331.33, 0.43%, 0.41%

LAB 39.06, 42.38, -6.06

 

CMYK 0 / 60 / 31 / 30

HEX #B3477B

RGB 179 71 123

HSL 331.11, 0.43%, 0.49%

LAB 46.34, 49.16, -7.05

 

CMYK 0 / 49 / 25 / 24

HEX #C16390

RGB 193 99 144

HSL 331.28, 0.43%, 0.57%

LAB 54.32, 42.88, -7.48

 

CMYK 0 / 60 / 31 / 42

HEX #953C67

RGB 149 60 103

HSL 331.01, 0.43%, 0.41%

LAB 38.9, 42.05, -6.32

 

CMYK 0 / 17 / 60 / 41

HEX #967C3C

RGB 150 124 60

HSL 42.67, 0.43%, 0.41%

LAB 53.2, 2.09, 38.11

 

CMYK 60 / 7 / 0 / 41

HEX #3C8B96

RGB 60 139 150

HSL 187.33, 0.43%, 0.41%

LAB 53.63, -20.64, -13.13

 

CMYK 0 / 60 / 31 / 42

HEX #953C67

RGB 149 60 103

HSL 331.01, 0.43%, 0.41%

LAB 38.9, 42.05, -6.32

 

CMYK 31 / 0 / 60 / 41

HEX #67963C

RGB 103 150 60

HSL 91.33, 0.43%, 0.41%

LAB 57.1, -31.63, 41.6

 

CMYK 60 / 31 / 0 / 41

HEX #3C6796

RGB 60 103 150

HSL 211.33, 0.43%, 0.41%

LAB 42.56, -0.05, -30.18

 

CMYK 0 / 60 / 31 / 42

HEX #953C67

RGB 149 60 103

HSL 331.01, 0.43%, 0.41%

LAB 38.9, 42.05, -6.32

 

CMYK 0 / 17 / 60 / 41

HEX #967C3C

RGB 150 124 60

HSL 42.67, 0.43%, 0.41%

LAB 53.2, 2.09, 38.11

 

CMYK 60 / 0 / 29 / 41

HEX #3C966A

RGB 60 150 106

HSL 150.67, 0.43%, 0.41%

LAB 55.9, -37.51, 15.39

 

CMYK 60 / 43 / 0 / 41

HEX #3C5596

RGB 60 85 150

HSL 223.33, 0.43%, 0.41%

LAB 37.22, 11.38, -38.61

 

CMYK 0 / 60 / 31 / 42

HEX #953C67

RGB 149 60 103

HSL 331.01, 0.43%, 0.41%

LAB 38.9, 42.05, -6.32

 

CMYK 1 / 0 / 60 / 41

HEX #94963C

RGB 148 150 60

HSL 61.33, 0.43%, 0.41%

LAB 60.28, -13.05, 46.03

 

CMYK 60 / 0 / 29 / 41

HEX #3C966A

RGB 60 150 106

HSL 150.67, 0.43%, 0.41%

LAB 55.9, -37.51, 15.39

 

CMYK 59 / 60 / 0 / 41

HEX #3D3C96

RGB 61 60 150

HSL 240.67, 0.43%, 0.41%

LAB 30.46, 28.01, -49.48

 

Description

Color code: RGB 149 60 103 | qconv.com Color code: RGB 149 60 103 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 60 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 60 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 31 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 31% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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