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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 56.2 10.6 it is the complementary color RGB 106 198.8 244.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 56.2 10.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 56.2 10.6 shade: RGB 154 56.2 5.6, RGB 171 74.2 24.6, RGB 188 92.2 43.6, RGB 205 110.2 62.6 and RGB 222 128.2 81.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 56.2 10.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 56.2 10.6 shade: RGB 149 56.2 10.6, RGB 132 38.2 0, RGB 115 20.2 0, RGB 98 2.2 0 and RGB 81 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 56.2 10.6 shade: RGB 148 56 10, RGB 148 19 10 and RGB 148 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 56.2 10.6 shade: RGB 148 56 10, RGB 148 93 10, RGB 148 130 10, RGB 129 148 10 and RGB 92 148 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 56.2 10.6 shade matches the following richer shades: RGB 148 56 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 56.2 10.6 shade: RGB 148 56 10, RGB 135 60 23, RGB 122 64 36, RGB 109 69 49 and RGB 97 73 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 56.2 10.6 shade: RGB 148 10 40, RGB 148 17 10, RGB 148 54 10, RGB 148 91 10 and RGB 148 127 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 56.2 10.6 shade: RGB 71 27 5, RGB 109 41 8, RGB 148 56 10, RGB 186 70 13 and RGB 225 85 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 56.2 10.6 shade: RGB 149 56.2 10.6, RGB 77 148 10 and RGB 10 22 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 56.2 10.6 shade: RGB 149 56.2 10.6, RGB 10 148 54 and RGB 54 10 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 56.2 10.6 shade: RGB 149 56.2 10.6, RGB 77 148 10, RGB 10 104 148 and RGB 81 10 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 56.2 10.6 shade: RGB 149 56.2 10.6, RGB 35 148 10, RGB 10 104 148 and RGB 123 10 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 93 / 42

HEX #95380A

RGB 149 56.2 10.6

HSL 19.77, 0.87%, 0.31%

LAB 36.48, 37.07, 44.07

 

Complementary color

CMYK 57 / 19 / 0 / 4

HEX #6AC6F4

RGB 106 198.8 244.4

HSL 199.77, 0.87%, 0.69%

LAB 76.3, -14.86, -30.88

 

CMYK 0 / 64 / 96 / 40

HEX #9A3805

RGB 154 56.2 5.6

HSL 20.46, 0.93%, 0.31%

LAB 37.35, 38.91, 46.75

 

CMYK 0 / 57 / 86 / 33

HEX #AB4A18

RGB 171 74.2 24.6

HSL 20.33, 0.75%, 0.38%

LAB 43.73, 37.08, 46.07

 

CMYK 0 / 51 / 77 / 26

HEX #BC5C2B

RGB 188 92.2 43.6

HSL 20.19, 0.62%, 0.45%

LAB 50.17, 35.29, 44.39

 

CMYK 0 / 46 / 69 / 20

HEX #CD6E3E

RGB 205 110.2 62.6

HSL 20.06, 0.59%, 0.52%

LAB 56.61, 33.61, 42.45

 

CMYK 0 / 42 / 63 / 13

HEX #DE8051

RGB 222 128.2 81.6

HSL 19.91, 0.68%, 0.6%

LAB 63.03, 32.09, 40.55

 

CMYK 0 / 62 / 93 / 42

HEX #95380A

RGB 149 56.2 10.6

HSL 19.77, 0.87%, 0.31%

LAB 36.48, 37.07, 44.07

 

CMYK 0 / 71 / 100 / 48

HEX #842600

RGB 132 38.2 0

HSL 17.36, 1%, 0.26%

LAB 30.17, 38.72, 42.31

 

CMYK 0 / 82 / 100 / 55

HEX #731400

RGB 115 20.2 0

HSL 10.54, 1%, 0.23%

LAB 24.17, 39.63, 35.73

 

CMYK 0 / 98 / 100 / 62

HEX #620200

RGB 98 2.2 0

HSL 1.35, 1%, 0.19%

LAB 18.56, 39.14, 28.51

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 62 / 93 / 42

HEX #94380A

RGB 148 56 10

HSL 20, 0.87%, 0.31%

LAB 36.26, 36.77, 44.03

 

CMYK 0 / 87 / 93 / 42

HEX #94130A

RGB 148 19 10

HSL 3.91, 0.87%, 0.31%

LAB 31.31, 50.35, 40.57

 

CMYK 0 / 93 / 93 / 42

HEX #940A0A

RGB 148 10 10

HSL 0, 0.87%, 0.31%

LAB 30.72, 52.03, 40.15

 

CMYK 0 / 62 / 93 / 42

HEX #94380A

RGB 148 56 10

HSL 20, 0.87%, 0.31%

LAB 36.26, 36.77, 44.03

 

CMYK 0 / 37 / 93 / 42

HEX #945D0A

RGB 148 93 10

HSL 36.09, 0.87%, 0.31%

LAB 44.44, 16.59, 50.03

 

CMYK 0 / 12 / 93 / 42

HEX #94820A

RGB 148 130 10

HSL 52.17, 0.87%, 0.31%

LAB 54.33, -4.5, 57.53

 

CMYK 13 / 0 / 93 / 42

HEX #81940A

RGB 129 148 10

HSL 68.26, 0.87%, 0.31%

LAB 57.91, -22.7, 59.63

 

CMYK 38 / 0 / 93 / 42

HEX #5C940A

RGB 92 148 10

HSL 84.35, 0.87%, 0.31%

LAB 55.56, -37.9, 56.76

 

CMYK 0 / 62 / 93 / 42

HEX #94380A

RGB 148 56 10

HSL 20, 0.87%, 0.31%

LAB 36.26, 36.77, 44.03

 

CMYK 0 / 62 / 93 / 42

HEX #94380A

RGB 148 56 10

HSL 20, 0.87%, 0.31%

LAB 36.26, 36.77, 44.03

 

CMYK 0 / 56 / 83 / 47

HEX #873C17

RGB 135 60 23

HSL 19.82, 0.71%, 0.31%

LAB 34.89, 29.8, 36.6

 

CMYK 0 / 48 / 70 / 52

HEX #7A4024

RGB 122 64 36

HSL 19.53, 0.54%, 0.31%

LAB 33.84, 22.61, 27.87

 

CMYK 0 / 37 / 55 / 57

HEX #6D4531

RGB 109 69 49

HSL 20, 0.38%, 0.31%

LAB 33.41, 14.82, 19.13

 

CMYK 0 / 25 / 37 / 62

HEX #61493D

RGB 97 73 61

HSL 20, 0.23%, 0.31%

LAB 33.23, 8.33, 11.12

 

CMYK 0 / 93 / 73 / 42

HEX #940A28

RGB 148 10 40

HSL 346.96, 0.87%, 0.31%

LAB 31.03, 52.91, 23.32

 

CMYK 0 / 89 / 93 / 42

HEX #94110A

RGB 148 17 10

HSL 3.04, 0.87%, 0.31%

LAB 31.16, 50.79, 40.46

 

CMYK 0 / 64 / 93 / 42

HEX #94360A

RGB 148 54 10

HSL 19.13, 0.87%, 0.31%

LAB 35.9, 37.73, 43.77

 

CMYK 0 / 39 / 93 / 42

HEX #945B0A

RGB 148 91 10

HSL 35.22, 0.87%, 0.31%

LAB 43.94, 17.74, 49.66

 

CMYK 0 / 14 / 93 / 42

HEX #947F0A

RGB 148 127 10

HSL 50.87, 0.87%, 0.31%

LAB 53.49, -2.84, 56.89

 

CMYK 0 / 62 / 93 / 72

HEX #471B05

RGB 71 27 5

HSL 20, 0.87%, 0.15%

LAB 16.18, 19.63, 22.22

 

CMYK 0 / 62 / 93 / 57

HEX #6D2908

RGB 109 41 8

HSL 19.6, 0.86%, 0.23%

LAB 26.32, 28.61, 34.07

 

CMYK 0 / 62 / 93 / 42

HEX #94380A

RGB 148 56 10

HSL 20, 0.87%, 0.31%

LAB 36.26, 36.77, 44.03

 

CMYK 0 / 62 / 93 / 27

HEX #BA460D

RGB 186 70 13

HSL 19.77, 0.87%, 0.39%

LAB 45.43, 44.59, 52.61

 

CMYK 0 / 62 / 93 / 12

HEX #E15510

RGB 225 85 16

HSL 19.81, 0.87%, 0.47%

LAB 54.6, 52, 61.12

 

CMYK 0 / 62 / 93 / 42

HEX #95380A

RGB 149 56.2 10.6

HSL 19.77, 0.87%, 0.31%

LAB 36.48, 37.07, 44.07

 

CMYK 48 / 0 / 93 / 42

HEX #4D940A

RGB 77 148 10

HSL 90.87, 0.87%, 0.31%

LAB 54.84, -43.17, 55.87

 

CMYK 93 / 85 / 0 / 42

HEX #0A1694

RGB 10 22 148

HSL 234.78, 0.87%, 0.31%

LAB 19.13, 44.96, -67

 

CMYK 0 / 62 / 93 / 42

HEX #95380A

RGB 149 56.2 10.6

HSL 19.77, 0.87%, 0.31%

LAB 36.48, 37.07, 44.07

 

CMYK 93 / 0 / 64 / 42

HEX #0A9436

RGB 10 148 54

HSL 139.13, 0.87%, 0.31%

LAB 53.5, -53.14, 39.55

 

CMYK 64 / 93 / 0 / 42

HEX #360A94

RGB 54 10 148

HSL 259.13, 0.87%, 0.31%

LAB 20.59, 51.6, -64.48

 

CMYK 0 / 62 / 93 / 42

HEX #95380A

RGB 149 56.2 10.6

HSL 19.77, 0.87%, 0.31%

LAB 36.48, 37.07, 44.07

 

CMYK 48 / 0 / 93 / 42

HEX #4D940A

RGB 77 148 10

HSL 90.87, 0.87%, 0.31%

LAB 54.84, -43.17, 55.87

 

CMYK 93 / 30 / 0 / 42

HEX #0A6894

RGB 10 104 148

HSL 199.13, 0.87%, 0.31%

LAB 41.38, -8.02, -30.93

 

CMYK 45 / 93 / 0 / 42

HEX #510A94

RGB 81 10 148

HSL 270.87, 0.87%, 0.31%

LAB 24.01, 54.13, -58.71

 

CMYK 0 / 62 / 93 / 42

HEX #95380A

RGB 149 56.2 10.6

HSL 19.77, 0.87%, 0.31%

LAB 36.48, 37.07, 44.07

 

CMYK 76 / 0 / 93 / 42

HEX #23940A

RGB 35 148 10

HSL 109.13, 0.87%, 0.31%

LAB 53.56, -53.68, 54.27

 

CMYK 93 / 30 / 0 / 42

HEX #0A6894

RGB 10 104 148

HSL 199.13, 0.87%, 0.31%

LAB 41.38, -8.02, -30.93

 

CMYK 17 / 93 / 0 / 42

HEX #7B0A94

RGB 123 10 148

HSL 289.13, 0.87%, 0.31%

LAB 30.8, 59.95, -47.35

 

Description

Color code: RGB 149 56.2 10.6 | qconv.com Color code: RGB 149 56.2 10.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 56.2 green and 10.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 56.2 10.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 93 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 93% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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