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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 217 123 it is the complementary color RGB 106 38 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 217 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 217 123: RGB 154 217 118, RGB 171 235 137, RGB 188 253 156, RGB 205 255 175 and RGB 222 255 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 217 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 217 123: RGB 149 217 123, RGB 132 199 104, RGB 115 181 85, RGB 98 163 66 and RGB 81 145 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 43 / 15

HEX #95D97B

RGB 149 217 123

HSL 103.4, 0.55%, 0.67%

LAB 80.43, -38.52, 39.56

 

Complementary color

CMYK 20 / 71 / 0 / 48

HEX #6A2684

RGB 106 38 132

HSL 283.4, 0.55%, 0.33%

LAB 29.7, 45.19, -39.34

 

CMYK 29 / 0 / 46 / 15

HEX #9AD976

RGB 154 217 118

HSL 98.18, 0.57%, 0.66%

LAB 80.63, -37.46, 42.34

 

CMYK 27 / 0 / 42 / 8

HEX #ABEB89

RGB 171 235 137

HSL 99.18, 0.71%, 0.73%

LAB 86.94, -37.35, 41.18

 

CMYK 26 / 0 / 38 / 1

HEX #BCFD9C

RGB 188 253 156

HSL 100.21, 0.96%, 0.8%

LAB 93.16, -37.22, 40.04

 

CMYK 20 / 0 / 31 / 0

HEX #CDFFAF

RGB 205 255 175

HSL 97.5, 1%, 0.84%

LAB 94.99, -29.74, 33.2

 

CMYK 13 / 0 / 24 / 0

HEX #DEFFC2

RGB 222 255 194

HSL 92.46, 1%, 0.88%

LAB 96.39, -21.12, 25.71

 

CMYK 31 / 0 / 43 / 15

HEX #95D97B

RGB 149 217 123

HSL 103.4, 0.55%, 0.67%

LAB 80.43, -38.52, 39.56

 

CMYK 34 / 0 / 48 / 22

HEX #84C768

RGB 132 199 104

HSL 102.32, 0.46%, 0.59%

LAB 74.03, -38.65, 40.76

 

CMYK 36 / 0 / 53 / 29

HEX #73B555

RGB 115 181 85

HSL 101.25, 0.39%, 0.52%

LAB 67.54, -38.72, 41.96

 

CMYK 40 / 0 / 60 / 36

HEX #62A342

RGB 98 163 66

HSL 100.21, 0.42%, 0.45%

LAB 60.94, -38.7, 43.09

 

CMYK 44 / 0 / 68 / 43

HEX #51912F

RGB 81 145 47

HSL 99.18, 0.51%, 0.38%

LAB 54.24, -38.52, 44.02

 

CMYK 31 / 0 / 43 / 15

HEX #95D97B

RGB 149 217 123

HSL 103.4, 0.55%, 0.67%

LAB 80.43, -38.52, 39.56

 

CMYK 38 / 0 / 43 / 15

HEX #87D97C

RGB 135 217 124

HSL 112.9, 0.55%, 0.67%

LAB 79.75, -42.93, 38.05

 

CMYK 43 / 0 / 41 / 15

HEX #7CD981

RGB 124 217 129

HSL 123.23, 0.55%, 0.67%

LAB 79.33, -45.52, 34.9

 

CMYK 43 / 0 / 34 / 15

HEX #7CD990

RGB 124 217 144

HSL 132.9, 0.55%, 0.67%

LAB 79.57, -43.09, 27.55

 

CMYK 43 / 0 / 26 / 15

HEX #7CD9A0

RGB 124 217 160

HSL 143.23, 0.55%, 0.67%

LAB 79.87, -40.19, 19.62

 

CMYK 31 / 0 / 43 / 15

HEX #95D97B

RGB 149 217 123

HSL 103.4, 0.55%, 0.67%

LAB 80.43, -38.52, 39.56

 

CMYK 31 / 0 / 46 / 95

HEX #090D07

RGB 9 13 7

HSL 100, 0.3%, 0.04%

LAB 3.26, -1.98, 1.98

 

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

CMYK 31 / 0 / 43 / 55

HEX #4F7341

RGB 79 115 65

HSL 103.2, 0.28%, 0.35%

LAB 44.67, -23.05, 23.65

 

CMYK 31 / 0 / 43 / 35

HEX #72A65E

RGB 114 166 94

HSL 103.33, 0.29%, 0.51%

LAB 63.06, -31.03, 31.86

 

CMYK 31 / 0 / 43 / 15

HEX #95D97B

RGB 149 217 123

HSL 103.4, 0.55%, 0.67%

LAB 80.43, -38.52, 39.56

 

CMYK 43 / 0 / 4 / 15

HEX #7CD9D1

RGB 124 217 209

HSL 174.84, 0.55%, 0.67%

LAB 81.02, -29.57, -4.72

 

CMYK 0 / 43 / 14 / 15

HEX #D97CBB

RGB 217 124 187

HSL 319.35, 0.55%, 0.67%

LAB 63.96, 44.43, -17.43

 

CMYK 31 / 0 / 43 / 15

HEX #95D97B

RGB 149 217 123

HSL 103.4, 0.55%, 0.67%

LAB 80.43, -38.52, 39.56

 

CMYK 43 / 31 / 0 / 15

HEX #7C96D9

RGB 124 150 217

HSL 223.23, 0.55%, 0.67%

LAB 62.6, 8.12, -37.08

 

CMYK 0 / 43 / 31 / 15

HEX #D97C96

RGB 217 124 150

HSL 343.23, 0.55%, 0.67%

LAB 62.82, 39.06, 1.92

 

CMYK 31 / 0 / 43 / 15

HEX #95D97B

RGB 149 217 123

HSL 103.4, 0.55%, 0.67%

LAB 80.43, -38.52, 39.56

 

CMYK 43 / 0 / 4 / 15

HEX #7CD9D1

RGB 124 217 209

HSL 174.84, 0.55%, 0.67%

LAB 81.02, -29.57, -4.72

 

CMYK 12 / 43 / 0 / 15

HEX #BE7CD9

RGB 190 124 217

HSL 282.58, 0.55%, 0.67%

LAB 61.97, 41.6, -37.64

 

CMYK 0 / 43 / 39 / 15

HEX #D97C84

RGB 217 124 132

HSL 354.84, 0.55%, 0.67%

LAB 62.37, 36.87, 11.56

 

CMYK 31 / 0 / 43 / 15

HEX #95D97B

RGB 149 217 123

HSL 103.4, 0.55%, 0.67%

LAB 80.43, -38.52, 39.56

 

CMYK 43 / 9 / 0 / 15

HEX #7CC5D9

RGB 124 197 217

HSL 192.9, 0.55%, 0.67%

LAB 75.59, -17.61, -17.12

 

CMYK 12 / 43 / 0 / 15

HEX #BE7CD9

RGB 190 124 217

HSL 282.58, 0.55%, 0.67%

LAB 61.97, 41.6, -37.64

 

CMYK 0 / 34 / 43 / 15

HEX #D9907C

RGB 217 144 124

HSL 12.9, 0.55%, 0.67%

LAB 66.64, 25.33, 21.96

 

Description

Color code: RGB 149 217 123 | qconv.com Color code: RGB 149 217 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 217 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 217 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 43 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 43% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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